Filmed, Edited and Directed by: Juan Carlos Cortina
Music by: Marco Martini
In Euskadi and Cantabria, an adventure that began in 2017 on the Galician coast ends and that has meant a trip of 3 years throughout the north of Spain portrayed in 3 different timelapses. A trilogy that supposes the first time that a work of this type is realized in all the Cantabrian coast.
In this last part the trip begins in Santander and ends in Biarritz and the protagonist is mainly the marine and interior landscape of the Basque Country. With 14,500 photographs, it is the first time I explore Euskadi in depth and I have to say that I have returned absolutely in love with its corners, especially with all the wonderful area of the Urdaibai estuary. Recorded in May, September and October 2019.
See Part I and II below:
Website: https://www.jccortina.com/
How is a drapery put in place? For what reasons does this motive persist until today? How to explain its power of fascination? These are the questions that this exhibition intends to pose, in order to enter the “factory” of the drapery and to get closer to the artistic gesture. By showing the stages of making a drapery, the visitor will discover the singular practices of artists from the Renaissance to the second half of the 20th century.
Albrecht Dürer, Drapery Study, 1508, Brush and Indian Ink, heightened white on dark green paper
This volume is a treasure trove of photography from the last 175 years, following the evolution of Vienna from imperial capital to modern metropolis. Like a visual walk through time and cityscape, hundreds of carefully curated pictures trace the developments in Vienna’s built environment and the cultural and historical trends they reflect, whether the urban Gesamtkunstwerk of the 19th-century Ringstrasse or the experiments of “Red Vienna” in the 1920s, when the city had a social democrat government for the first time.
Vienna combines drama and elegance like no other. For centuries the heart of the Austro-Hungarian Empire, the stately city on the Danube, has been defined by vast palaces and imperial grandeur—but behind the Baroque opulence, Vienna is also a place of genteel coffee house culture, epicurean tradition, and a heritage of both delicate and daring music, art, and design, from Johann Strauss to 
First published in 1897, Country Life is itself a late-Victorian institution. What could be more appropriate, therefore, than to celebrate this anniversary with a collector’s issue of articles and photographs from the magazine’s archives?
Copenhagen’s legendary bicycle setup has been propelled by all of these aspirations, but the critical element is the simplest: People here eagerly use their bicycles — in any weather, carrying the young, the infirm, the elderly and 
Boomers Daily 