From a Hyperallergic online review:
Caravaggio & Bernini: The Discovery of Emotions features some of the artists’ greatest works, but also charts their influence on others. And that influence proved to be powerful and enduring. Caravaggistas spread across Europe like termites. And so we could call this exhibition a battle of the swaggerers, the pomp of a very eclectic brand of Viennese historicism facing off against the theatrical push and preen of two great Italians.
From almost the beginning, Caravaggio, that man who arrived in Rome in the 1590s, is completely outrageous. Whom did he think were his principal patrons? Churchmen, of course. Did they care that he depicted John the Baptist in an extraordinary painting, circa 1602, as a carefree, lascivious, curly-haired boy with the cheekiest of grins imaginable?
To read more: https://hyperallergic.com/526913/caravaggio-and-bernini-together-at-last/?utm_medium=email&utm_campaign=WE111019&utm_content=WE111019+CID_588260f48c6888b73f0b7bf45e5b79c3&utm_source=HyperallergicNewsletter&utm_term=Caravaggio%20and%20Bernini%20Together%20at%20Last