THE AMERICAN SCHOLAR(June 4, 2024): The latest issue features ‘An Olympian for the Ages’ – Why George Eyser’s feats at the 1904 Games deserve to be celebrated today; Joshua Prager on a forgotten Olympian, Mickalene Thomas and the art of remixing, new poetry from Ange Mlinko, and more…
Is the convergence of human and machine really upon us?
The Singularity Is Nearer: When We Merge with AI by Ray Kurzweil
In the fall of 2014, an MIT cognitive scientist named Tomaso Poggio predicted that humankind was at least 20 years away from building computers that could interpret images on their own. Doing so, declared Poggio, “would be one of the most intellectually challenging things … for a machine to do.” One month later, Google released an AI program that did exactly what he’d deemed impossible.
Country Life Magazine (June 4, 2024): The latest issue features Britain’s Wildlife Safaris; Tulips, tanks and teddies – The great passions….
Stuff and nonsense
Collectors explain their peculiar passions, from tanks to taxidermy, tulips to teddy bears, to Kate Green, Agnes Stamp, Tiffany Daneff and Octavia Pollock
A walk on the wild side
Ben Lerwill embarks on a great British safari, seeking out the best places to witness the full colour of Nature, from red deer to golden eagles and brown argus butterflies to grey seals
Standing on ceremony
The spectacle of The King’s Birthday Parade will summon up a vision from a bygone age, suggests Simon Doughty, as he chronicles the evolution of the ceremonial uniform
Beccy Speight’s favourite painting
The CEO of the RSPB chooses a dramatic and evocative work
Crossing the channel
Carla Carlisle reflects on the 80th anniversary of D-Day and wonders ‘what comes next?’
A Georgian vision
John Martin Robinson visits Gatewick in West Sussex and finds a modern country house harbouring an 18th-century spirit
The legacy
Kate Green hails F. M. Halford’s contribution to dry-fly fishing
The longest day and the shortest night
Harvest hopes and the magic of midsummer, with Lia Leendertz
Her green and pleasant land
Mary Miers paints a picture of Peggy Guggenheim’s rural idyll
Fresh as a summer breeze
Natasha Goodfellow picks out botanicals to add complexity and character to both food and drink
Interiors
A lambing shed turned home office wows Arabella Youens
London Life
Russell Higham on London Zoo memories)
Garden squares and gasholders
Gilly Hopper tucks into canal-side dining
Nick Foulkes indulges in The Emory experience
Floreat Etona
Education and horticulture still go hand in hand at Eton in Berkshire, as George Plumptre discovers
Kitchen garden cook
Savour tart gooseberries this summer, says Melanie Johnson
Native herbs
John Wright extols the virtues of the underused wild marjoram
The good stuff
Hetty Lintell’s deck-shoe shuffle
Travel
Emma Love sets sail on luxury yachts
Lauren Ho puts her best foot forward in Zambia
Pamela Goodman aces it
A little to the left
Being left-handed is no barrier to greatness, finds Bernard Bale
Apollo Magazine (June 2, 2024): The new June 2024 issue features ‘The awesome art of Caspar David Friedrich’; Should museums charge entry fees? and Picnicking with the Impressionists…
The Week In Art Podcast (May 31, 2024): The publication in April of Stanford University’s Artificial Intelligence Index Annual Report has provided the art world with much food for thought.
We look at the implications for artists and institutions with Louis Jebb, the managing editor of The Art Newspaper and our technology specialist. As the Centre Pompidou in Paris is taken over on all its floors by what it calls the “ninth art”—graphic novels and comics—we talk to Joel Meadows, the editor-in-chief of Tripwire magazine and a comics aficionado, about the rise of this subculture in museums and the market. And this episode’s Work of the Week is Edgar Degas’ Miss La La at the Cirque Fernando (1879), which depicts a Black circus performer, Anna Albertine Olga Brown, who was briefly known as Miss La La.
She and the painting are the subject of a new exhibition at the National Gallery in London opening next week. We talk to Anne Robbins, the curator of paintings at the Musée d’Orsay in Paris, and external curator of the exhibition, and Sterre Overmars, the curatorial fellow for post-1800 paintings at the National Gallery, about the painting.
Comics on Every Floor, Centre Pompidou, Paris, until 4 November.
Discover Degas & Miss La La, National Gallery, London, 6 June-1 September.
The New Yorker (May 30, 2024): The new issue‘s cover features John Cuneo’s “A Man of Conviction” – The former President is found guilty on all thirty-four counts.
The jury has convicted the former President of thirty-four felony counts in his New York hush-money trial. Now the American people will decide to what extent they care.
When the Verdict Came In, Donald Trump’s Eyes Were Wide Open
In the courtroom with the former President at the moment he became a convicted felon.
London Review of Books (LRB) – May 29 , 2024: The latest issue features Daniel Trilling – Trouble with the Troubles Act; Primordial Black Holes; The Village Voice….
In 1968, Fidel Castro invited an American anthropologist called Oscar Lewis to interview Cubans about their lives. Lewis was famous for an oral history project, conducted in a Mexico City slum, which he had turned into a book called The Children of Sánchez (1961). By recounting a poor family’s struggles and hustles, legal and otherwise, Lewis angered the country’s ruling party, which still described itself as ‘revolutionary’. The Mexican Revolution, like the Cuban Revolution after it, wasn’t supposed to have an end date. But after major gains, including redistributing land to landless farmers, it had been ‘interrupted’, as the historian Adolfo Gilly later put it. Lewis exposed the revolution’s unfinished business, and didn’t shy away from discussing the sexual peccadilloes of the poor. The Spanish-language edition of Children of Sánchez was published in 1964, but thanks to a lawsuit claiming the material was ‘obscene and denigrating’, the book wasn’t freely available in Mexico for several years.
The Freaks Came out to Write: The Definitive History of the ‘Village Voice’, the Radical Paper That Changed American Culture by Tricia Romano.
In the mid-1960s, the Village Vanguard jazz club in Greenwich Village held Monday night speak-outs. At one of them – an evening billed as ‘Art and Politics’ – the Black poet and playwright LeRoi Jones (soon to become Amiri Baraka) held forth, along with the Black saxophonist Archie Shepp and the white painter Larry Rivers. The audience was composed almost entirely of people like me and my friends: white middle-class liberals and radicals, many of whom were veteran civil rights activists. We had trooped into the Vanguard expecting to make common cause with the speakers, but Jones did not look kindly on us. In fact, he quickly told us we weren’t wanted in the civil rights movement, that we were just an interference, only there to make ourselves feel good. Then he pointed his finger and roared: ‘Blood is going to run in the seats of the theatre of revolution, and guess who’s sitting in those seats!’
As Blind Veterans UK pays its own special tribute to survivors of the D-Day operation, Octavia Pollock puts words to Richard Cannon’s poignant photographs
‘Plans are worthless, but planning is everything’
Allan Mallinson examines the key role that country houses played in preparations for D-Day, aided by well-stocked wine cellars and countesses in the canteen
‘Because it’s there’: the Mallory and Irvine mystery
Was the 1924 British Everest Expedition a success or failure? Robin Ashcroft takes a broad perspective as he sifts through a century of speculation
There’s no place like home
In the first of four articles, Annunciata Elwes investigates how flexible working has opened up the North to City commuters
Country Life International
Holly Kirkwood explores the Balearic Islands — the life and sol of the Mediterranean Sea
Growing in stature
Chelsea provides many magic moments for Tiffany Daneff, who finds inspiring gardens on Main Avenue and in the Great Pavilion
Native herbs
John Wright raises a glass to hops, that stalwart ingredient of the ale-brewing industry
The late Sir Andrew Davis’s favourite painting
Before his death last month, the celebrated conductor selected a compelling and inspiring work
Elegant and congruous
In the second of two articles, John Goodall charts the recent history of Hartland Abbey, Devon
The legacy
Kate Green reveals Thomas Darley’s role in the story of the English Thoroughbred horse
Empire protest
A Passage to India reflects the rising tensions of the British Raj. Matthew Dennison revisits the masterpiece 100 years on
‘Nature is nowhere as great as in its smallest creatures’
John Lewis-Stempel marvels at the variety of microscopic wild-life that calls tree bark home
Luxury
Hetty Lintell serves up a new tennis collection, plus Heston Blumenthal’s favourite things
Interiors
A bright, colourful drawing room and Alidad at Wow!house
Spring-fed genius
Charles Quest-Ritson reveals how springs have shaped Selehurst garden in the West Sussex Weald
Kitchen garden cook
Melanie Johnson celebrates sweet and juicy strawberries
Achilles healed
The ancient Greeks harnessed its medicinal powers, but yarrow now has a role to play in modern agriculture, discovers Ian Morton
The darling buds of May
May Morris is finally stepping out of the shadow of her famous father, William — and not before time, argues Huon Mallalieu
The New Yorker (May 27, 2024): The new issue‘s cover features
Sergio García Sánchez’s “Scoot” – The artist depicts the thrill of leaning into summer in the city.
The People’s Commencement at Columbia
It’s 1968 all over again, as New York Ivy Leaguers flip the script and stage an unofficial counter-graduation ceremony at the Cathedral of St. John the Divine.
The Bronx Cheers—Mostly—for Trump
Biden’s a pedophile; Trump’s a fascist; the maga Hasidim have to get their act together—and other sentiments spewed at the former President’s rally in Crotona Park.
How to Pick Stocks Like You’re in Congress
The team at Autopilot, an app that lets you copy the trades of Nancy Pelosi’s husband (up forty-five per cent last year) or Dan Crenshaw (up forty-one), choose their newest offering.
The Week In Art Podcast (May 24, 2024): As the Louvre’s director admits that the Paris museum wants to move its most famous painting away from the crowded gallery in which it is currently displayed, we ask the Leonardo specialist Martin Kemp: does the museum have a Mona Lisa problem?
We also talk about the painting’s continuing allure and the ongoing efforts to explain its mysteries. In London, remarkably, Judy Chicago has just opened her first major multidisciplinary survey in a British public gallery, at the Serpentine North. We talk to her about the show. And this episode’s Work of the Week is Christian Schad’s Self-Portrait with Model (1927). The painting features in Splendour and Misery: New Objectivity in Germany at the Leopold Museum in Vienna. Hans-Peter Wipplinger, the director of the museum and co-curator of the show, tells us more.
Judy Chicago: Revelations, Serpentine North, London, until 1 September.
Splendour and Misery: New Objectivity in Germany, Leopold Museum, Vienna, until 29 September.
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