

Literary Review – November 2, 2024: The latest issue features ‘The Making of Handel’s Messiah’; Another Side of Plath; Legends of El Cid; Germany Stalls and Smiley Returns…


Literary Review – November 2, 2024: The latest issue features ‘The Making of Handel’s Messiah’; Another Side of Plath; Legends of El Cid; Germany Stalls and Smiley Returns…


Country Life Magazine (October 30, 2024): The latest issue features…
The fashion designer chooses a colourful, cheering scene.

Magnificent Knowsley Hall, Lancashire, has been rescued from institutional use through an admirable restoration project and is once again a home, discovers John Martin Robinson.
Amie Elizabeth White dons a Blue Peter badge to salute the show’s creator, John Hunter Blair.
Our precious rivers hold myriad life forms, yet have been sullied by the hands of humans. John Lewis-Stempel urges us to take care of them.

Dogs, bats and other creatures keep up with the news through sniffing and sensing. Laura Parker reports on the animal kingdom’s telegraph system.
Deep in a glad or underwater, our rarest plants defy discovery. Peter Marren joins the quest.

A cornucopia of delights awaits Tiffany Daneff in Alan Titchmarsh’s Hampshire garden, with secluded seats, ponds and plenty of space for wildlife.
Well-educated and curious, the British tourists with an eye for art laid the foundations of our great collections, finds Michael Hall.

Teresa Levonian-Cole boards the Golden Eagle Trans-Siberian Express to traverse Uzbekistan, a land brimming with art, history and caviar.
And, as always, much much more, including luxury, recipes, interior inspiration and gardens.

London Review of Books (LRB) – October 30 , 2024: The latest issue features ‘What was Bidenomics?’; Jenny Turner returns to Gillian Rose and Julian Barnes – Drinking for France…
Apollo Magazine (October 28, 2024): The new issue features ‘A new look for Japanese art’; Are prints the next big thing; Chicago’s answer to William Morris…

The New Yorker (October 28, 2024): The latest issue features Lorenzo Mattotti’s “Strides” – The exhilarating blur of the New York City Marathon.
Studies increasingly suggest that a healthy nation depends on a healthy democracy. By Dhruv Khullar
“Hillbilly Elegy” made him famous, and his denunciations of Donald Trump brought him liberal fans. Now, as a Vice-Presidential candidate, he’s remaking his image as the heir to the MAGA movement. By Benjamin Wallace-Wells
As the war grinds on, logistical challenges are compounded by politics, repeated evacuations, and…By Dorothy Wickenden

The New Yorker (October 14, 2024): The latest issue features Eric Drooker’s “Crushing Wealth” – The market’s movers and shake
A.K.A., the oldest Black sorority, expects excellence and complete discretion. How are members responding to their most famous sister’s Presidential campaign? By Jazmine Hughes
A group of intelligence officials confers about when to alert the public to foreign meddling. By David D. Kirkpatrick
The former President has been fighting to win back his wealthiest donors, while actively courting new ones—what do they expect to get in return? By Susan B. Glasser

Humanities Magazine (October 20, 2024): The Fall 2024 Issue features…

A major exhibition takes us inside the private, busy lives of women by Angelica Aboulhosn

A new digital project looks at the forgotten history of America’s submerged communities by Anna Webb
The New Criterion – The November 2024 issue features…
Sotheby’s (October 17, 2024): Presented in partnership with Celine, Sotheby’s Paris is proud to feature the Impressionist masterpiece “Le jardin de Pissarro,
Quai du Pothuis à Pontoise,” painted by Paul Gauguin in 1881, as one of the highlight lots in the upcoming Modernités sale. This painting is emblematic of the early years of Gauguin’s artistic journey. During 1879-1881, Gauguin became a regular visitor of Camille Pissarro, whom he fondly referred to as his “dear Professor.” He often joined Pissarro in Pontoise, where Pissarro had settled. It was under Pissarro’s mentorship that Gauguin began his career as a painter and mastered essential techniques.
These years were crucial to Gauguin’s artistic development, and this painting, depicting Pissarro’s house and garden, serves as a heartfelt tribute from student to master. The presence of two self-portraits by Gauguin on the reverse side makes this piece truly unique. Painted very early in his career, this dual-sided work already demonstrates a striking modernity. Gauguin’s style, even at this early stage, was ahead of its time and hinted at the innovations he would bring to art in the years to come. This painting is a bold assertion of the artist’s emerging identity.

London Review of Books (LRB) – October 16 , 2024: The latest issue features Bee Wilson – Bad Samaritan; Sheila Fitzpatrick – Learning to Love the Dissidents and Adam Shatz – Israel’s Forever War…
By Michael Wood