Tag Archives: Art

Paintings: J.M.W. Turner’s “Gledhow Hall” (1816)

This magnificent watercolour by J.M.W. Turner exquisitely captures the romantic painter’s love for the North of England. Discover how the “painter of light” depicted the sheer essence of time and atmosphere in this sumptuous watercolour of “God’s Own Country”.

Gledhow Hall, in Leeds, is still standing sentinel and today houses several luxury flats. Yet few are aware that the Hall and the Gledhow area itself is intrinsically linked with the family of Kate Middleton, the Duchess of Cambridge.

Gledhow Hall is on Gledhow Lane at its junction with Gledhow Wood Road. The land was originally monastic and was purchased from Queen Elizabeth I by the Thwaites family. Several notable Yorkshire families have owned the Hall, including the Becketts, the Benyons, the Dixons and the Coopers. The Hall, as seen today, was completed shortly after 1766, by York architect John Carr who had been responsible for Harewood House – the home of Princess Mary, Countess of Harewood, whose niece is Queen Elizabeth II.

Art Centers: Sculptor Auguste Rodin’s Enduring Appeal (Stanford Cantor)

Stanford University (July 20, 2020):

What makes Rodin’s sculptures “modern”?

The Three Shades, Rodin, Stanford
The Three Shades is among the works in the Rodin Sculpture Garden, adjacent to the Cantor Arts Center. The sculpture uses three separate casts of the same figure that has been rotated into different positions. (Image credit: L.A. Cicero)

The enduring appeal of Rodin, the modernity of his work, has to do with the way in which he makes visible an aesthetic of process – how, in other words, he takes traditional sculpture apart and puts it back together again in new and daring ways. Strategies of multiplication, scalability, fragmentation and recombinatory modes of assembly and display constitute some of the hallmarks of Rodin’s artistic practice.

Works by Rodin on view at the Cantor are often utilized by students and scholars from a range of disciplines, including medicine. In this moment, with outbreak of disease across the globe, what can Rodin’s works teach us about the relationship between art and nature?

Cantor Arts Center logoIt’s interesting that Rodin attracts so much attention from medical experts, especially here at Stanford, who have used his hands for diagnostic purposes. It’s true that Rodin was intensely interested in exploring pathologies of the body, especially now-discredited understandings of female hysteria. But there is also the irony that Rodin became furious after a critic accused him of making his first life-size figure through life casting, rather than modeling it himself. It should go without saying, but Rodin’s hands are not hands – not real ones, anyway – and their expressive forms don’t align neatly with the anatomical reality of hands in flesh and blood or even their more naturalistic counterparts. But the very fact that they elicit such responses demonstrates the power of art to provoke challenging questions that drive innovative paths of research that cut across disciplines, particularly in a university setting.

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Cocktails With A Curator: “Vermeer’s ‘Officer And Laughing Girl'” (Video)

In this week’s episode of “Cocktails with a Curator,” get up close to one of the Frick’s three beloved Vermeer paintings, “Officer and Laughing Girl,” with Curator Aimee Ng. While enjoying your Kopstootje—a shot of jenever (a traditional Dutch liquor) paired with a pint of beer—join Aimee in examining the artist’s masterful skill at portraying light and exploring the complex histories behind a seemingly simple hat.

Johannes Vermeer, in original Dutch Jan Vermeer van Delft, was a Dutch Baroque Period painter who specialized in domestic interior scenes of middle class life. During his lifetime, he was a moderately successful provincial genre painter, recognized in Delft and The Hague.

Artist Profile Video: The “Existential Sculptures” Of Alberto Giacometti

Sotheby's logoAlberto Giacometti is one of the most admired and sought-after sculptors of the 20th century. In this video, discover how his post-war work came to embody the ideas of Existentialism and how the influence of ancient sculpture led to the attenuated human form so emblematic of his oeuvre. Conceived in 1956-57, at the height of Giacometti’s international acclaim, ‘Femme Debout’ comes from an outstanding family collection of works from the European avant-garde.

Artwork Tours: Vincent Van Gogh’s “The Bedroom” (Art Institute Chicago)

On this episode of Art Institute Essentials Tour, take a closer look at The Bedroom, painted by Vincent van Gogh in 1889. Vincent van Gogh painted three versions, including this one, of his bedroom in the “Yellow House” in Arles, France. To van Gogh, this picture symbolized relaxation and peace. However, to our eyes the canvas seems to teem with nervous energy, instability, and turmoil—an effect heightened by the sharply receding perspective.

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The World’s Top Artists: American Painter Eric Johnson – “Masters Style”

Eric Johnson is a Boston based Painter and instructor at The Academy of Realist Art Boston who is devoted to the preservation and growth of traditional painting. He aspires towards adding his own link into the chain of tradition by mastering the working methods of the old masters who he admires and employing those methods into his own working process. 

Eric Johnson - The Story of We -As a complete painter he aspires to reach a high level of verisimilitude and truth in his works on a variety of subject matters from portrait, still life and landscape. Eric primarily makes all of the pigments and paints to create each prepossessing painting. Eric yearns that every new presentation to beauty and truth can show us the old beauty and the old truth only seen from a different angle and  colored by a different medium. 

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Cocktails With A Curator: “Riesener, Commode and Secrétaire” (The Frick)

In this week’s episode of “Cocktails with a Curator,” join Deputy Director and Peter Jay Sharp Chief Curator Xavier F. Salomon as he explores the royal provenance of two pieces of furniture at the Frick made by Jean-Henri Riesener. Sometimes overlooked by visitors, Xavier encourages us to take a closer look at this exquisite commode and secrétaire set. In celebration of these works of art and the upcoming Bastille Day, this week’s complementary cocktail is the Kir Royale.

Art Profile: 55-Year Old British Painter Damien Hirst – “Veil Paintings”

“I wanted to make paintings that were a celebration, and that revealed something and obscured something at the same time.”Damien Hirst

Gagosian logoDamien Steven Hirst (born 1965) is an English artist, entrepreneur, and art collector. He is one of the Young British Artists, who dominated the art scene in the UK during the 1990s. He is reportedly the United Kingdom’s richest living artist, with his wealth valued at £215m in the 2010 Sunday Times Rich List.

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Arts & Literature: “Apollo Magazine – July 2020”

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INSIDE THE ISSUE
FEATURES | Eric Fischl interviewed by Thomas MarksLinda Wolk-Simon on the life and legacy of Raphael; Joanne Pillsbury on the art of the Olmecs; Samuel Reilly on private restitution of colonial-era artefacts; Christopher Turner on shopfronts and gallery facadesJosie Thaddeus-Johns on John Cage’s mushrooms
REVIEWS | Isabelle Kent on Murillo at the National Gallery of Ireland; Tom Stammers on the British fashion for French interiors; James Lingwood on Stephen Shore’s photographs; Robert O’Byrne on The Buildings of Ireland
MARKET | Melanie Gerlis on art businesses after lockdown; a preview of Parcours des Mondes; and the latest art market columns from Susan Moore and Emma Crichton-Miller
PLUS | Rowan Moore and Tamsin Dillon on the future of public spacesSusan Moore on the mysterious ‘Barbus Müller’ sculptures; William Aslet on Palladio’s monument to the plague in Venice; Robert O’Byrne on Apollo and the Second World War

Art History: How The Impressionists Elevated The “French Riviera”

From Christie’s (July 3, 2020):

Christie's Matisse to NiceIt was the Impressionists, Claude Monet and Pierre-Auguste Renoir, who first discovered the artistic potential of the south coast, finding an unspoilt landscape that perfectly matched their aims. ‘It is so beautiful,’ Monet wrote, ‘so bright, so luminous. One swims in blue air and it is frightening.’

Vincent van Gogh captured the landscape in and around Arles and Saint-Rémy in the final years of his life, while the Master of Aix, Paul Cézanne, used the rugged landscape of his native Provence to radically reconceive the very nature of art-making.

Long before the South of France became synonymous with glamour and sun-drenched seduction — think of Cary Grant and Grace Kelly in the 1955 film To Catch a Thief, or Brigitte Bardot and Alain Delon on the beaches of Saint-Tropez — this corner of Europe attracted a very different kind of tourist.

Christie's LogoSince the turn of the century, the sleepy fishing villages and remote towns of the Provençal hills had lured artists from Paris and beyond — the bright light, dazzling colours and palpable presence of the classical past all serving to inspire and revive jaded spirits.

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