Tag Archives: Art

Art Exhibtions: ‘Picasso & Braque – Radicals’ (2022)

Picasso & Braque: Radicals highlights significant work by the two pioneers of the Cubist art movement—Pablo Picasso and Georges Braque. Cubism, one of the most influential artistic developments of the twentieth century, challenged traditional perspectives of how we see the world. The movement is characterized by fractured viewpoints and abstracted forms and defies established notions of three-dimensionality. Cubism can be intellectually challenging but beautifully reflects the dynamism, rhythm, and innovation of the early 1900s.  

Although there is debate on who developed Cubism first, Picasso and Braque are credited with establishing this new visual language that presented infinite possibilities and catalyzed future developments in the visual arts. This exhibition features work by twentieth-century artists who took inspiration from these revolutionary ideas and practices, including American artists Fannie Hillsmith and John Marin, and Texas artist Bill Reily, among others. Paintings, drawings, sculptures, and prints demonstrate how Cubism transcended time and space.

Picasso & Braque: Radicals is organized for the McNay Art Museum by Lyle W. Williams, Curator of Prints and Drawings, Curator of Modern Art; and Rafael Fernando Gutierrez Jr., the inaugural Douglass Foundation Intern in Curatorial Studies.

Tours: 2022 Royal Academy Of Arts Summer Exhibition

With nearly 1,500 artworks on display, there is a lot to see at the Royal Academy of Arts (RA) Summer Exhibition 2022. If you want a taste of what’s on show then here is a quick tour. The theme chosen by the exhibition’s coordinator, Alison Wilding RA, is Climate. It begins outside, where a large-scale immersive installation by Spanish artist Cristina Iglesias brings nature and water to the courtyard. Inside, the artworks are spread over 11 rooms, including two galleries of prints selected by Grayson Perry RA.

Art: Volcano Painting In Europe From 1780-1870

‘It is desirable for a Painter, at least once in his life, to witness the Eruption of a volcano.’ – Pierre-Henri de Valenciennes (1799). Join exhibition contributor Clive Oppenheimer, Professor of Volcanology at the Department of Geography at the University of Cambridge, and explore the ‘Volcanoes’ section of True to Nature. #TrueToNature is open at the Fitzwilliam Museum until 29 August 2022 https://fitz.ms/ttn

Art & Architecture: The ‘Ex Of In House’ In New York

Today Architectural Digest brings you two hours north of New York City to Rhinebeck, NY for an in-depth look at a home that feels like an inhabitable work of art. Architects Steven Holl and Dimitra Tsachrelia explain the design philosophy and inspiration behind their secluded, off-grid “architectural wonder in the woods,” breaking down the intent behind each design choice and how they work together to create a uniquely meditative but stimulating space.

Museum Insider: ‘Caligula’ Marble Bust’s True Colors

Archaeologists Vinzenz and Ulrike Koch Brinkmann have spent the last 40 years dedicated to the study of polychromy—or “many colors” in Greek—in ancient sculpture. Once a fringe area of study, their research combats the misconception of white purity in ancient Greece and Rome. They reflect on the marble bust of Caligula and how the reconstruction of its former color can help us better understand history.

Explore more perspectives on Caligula: https://www.metmuseum.org/perspective…

Surrealist Art: Max Ernst’s ‘Attirement Of The Bride’

Attirement of the Bride is an example of Max Ernst’s veristic or illusionistic Surrealism, in which a traditional technique is applied to an incongruous or unsettling subject. The theatrical, evocative scene has roots in late nineteenth-century Symbolist painting, especially that of Gustave Moreau. It also echoes the settings and motifs of sixteenth-century German art. The willowy, swollen-bellied figure types recall those of Lucas Cranach the Elder in particular. The architectural backdrop with its strong contrast of light and shadow and its inconsistent perspective shows the additional influence of Giorgio de Chirico, whose work had overwhelmed Ernst when he first saw it in 1919.

Preview: The Burlington Magazine – July 2, 2022

                                                                                       

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Louise Bourgeois: Paintings Louise Bourgeois: The Woven Child

Je vois red’ raged Louise Bourgeois (1911–2010) on one of the loose sheets of paper that she made notes on, most often about herself and her work and, in this case, about the painting Natural history #2 (1944; Easton Foundation, New York), which struck her as all going wrong. Slipping between two languages, Bourgeois’s fury conforms to the themes of rage, the death drive and childhood aggression that the art historian Mignon Nixon has traced in the artist’s work in reference to the ideas of the psychoanalyst Melanie Klein.

             

Reviews: ‘The Week In Art’

On 29 June, Frieze announced the details of the first edition of its art fair in Seoul, South Korea. So for this last episode of the current season, we’re exploring the art scene and market in the Korean capital.

Ben Luke talks to the art historian and curator Jiyoon Lee about contemporary art in Seoul and beyond, and the origins of the current art scene in 1990s globalisation. The Art Newspaper’s associate editor, Kabir Jhala, speaks to two gallerists—Joorhee Kwon, deputy director at the Kukje Gallery and Emma Son, senior director at Lehmann Maupin, about the growing market and collector base, and the effect Frieze may have on the existing scene.

And this episode’s Work of the Week is Dahye Jeong’s A Time of Sincerity, a basket made with horsehair that this week won the Loewe Foundation Craft Prize. Kabir talks to the creative director at the fashion brand Loewe, Jonathan Anderson, about Jeong’s piece.

Frieze Seoul, COEX, Seoul, 2-5 September.

The Space Between: The Modern in Korean Art, Los Angeles County Museum of Art, 11 September-19 February 2023.

The 2022 Loewe Foundation Craft Prize, Seoul Museum of Craft Art, until 31 July.

International Art: Apollo Magazine – July/Aug 2022

• The Russian artists making a stand against the war

• An interview with Gabriele Finaldi, director of the National Gallery

• The miniature marvels of Charles Paget Wade

• A Yoruba masterpiece in focus

Plus: London’s art market after Brexit, the Huntington Library comes up to speed, the beauty of banality, and reviews of Maillol’s sculptures, gilded manuscripts and Van Leo’s photographs of Cairo

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Art Exhibits: ‘The Red Studio’ By Henri Matisse

Henri Matisse’s landmark painting “The Red Studio” documented the artworks displayed in his workspace just outside Paris as it existed in 1911. For the first time since then, almost all the individual pieces depicted in his painting have been reunited for an installation at New York’s Museum of Modern Art. Correspondent Rita Braver reports.