A self-referential art concerned with the nature of representation, trompe l’oeil (“deceive the eye”) beguiles the viewer with perceptual and psychological games that complicate definitions of truth and fiction. Along with Cubist paintings, sculptures, and collages, the exhibition presents canonical examples of European and American trompe l’oeil painting from the seventeenth through the nineteenth centuries.
GOD’S-EYE VIEWS
by Jackson Arn
Aerial photography captures the Southwest’s natural splendor, explosive urban development, and military secrets.
It is now forty years since Melina Mercouri, the Greek Minister for Culture from 1981 to 1989, famous also as a film star and singer, addressed UNESCO’s World Conference on Cultural Policies to draw international attention to the campaign with which she would be identified until her death in 1994, the repatriation to Athens of the Parthenon sculptures in the British Museum. ‘We are not asking for the return of a painting or a statue’, she said: ‘We are asking for the return of a portion of a unique monument, the privileged symbol of a whole culture’.
As images, ancient Roman wall paintings command attention for their bold compositions, vibrant and saturated colours, convincing naturalism and the fantastical mythologies they depict. As objects they also captivate for the dramatic circumstances surrounding their near- destruction, the miracle (or rarity) of their survival and the alchemical nature of lime plaster and pigment.
Bought by Degas for 100 francs in January 1896, it was acquired in Paris by John Maynard Keynes at the sale of the contents of Degas’s studio in March 1918. It is one of the most celebrated of all his still-lifes, and, through Keynes’s friendship with the painter and writer Roger Fry, and the circle of Bloomsbury writers, came to be crucial in the dissemination of knowledge of Cézanne’s work in England.
DAMIAN ELWES is a British/American artist with studios in Santa Monica and Colombia.
Elwes chooses a moment in time when an artist is at their most inventive and then examines what was going on in their studios.
The Getty Magazine – Fall 2022: Featuring Conserving Black Modernism, our recently launched effort to conserve Modern Movement architecture by Black architects and designers, plus more behind-the-scenes info on all things Getty.
How to put on a really 16 great show
An international passion for Egypt fueled the discovery of King Tut’s 22 tomb
Art Shopping is held in Paris on 21 to 23 October 2022 showing the companies news of France and internationals related to sectors Modern Art, Photography, Sculpture, Contemporary design, Arts, Art.
This week: we talk to Emma Brown of Just Stop Oil about why the group targeted Vincent Van Gogh’s Sunflowers in the National Gallery, London, for its climate emergency protest.
Stacy Boldrick, assistant professor of museum studies at the University of Leicester, discusses the climate protests in the context of the long history of iconoclasm and attacks on works of art. The first version of Paris+, Art Basel’s fair in the French capital, opened this week, and we ask Melanie Gerlis, a columnist for the Financial Times and The Art Newspaper, how it compares to Paris’s previous fair, Fiac, and to the Frieze fairs in London last week.
And this episode’s Work of the Week is Frank Bowling’s Suncrush (1976), which features in an exhibition of the Guyana-born artist’s work at the Museum of Fine Arts in Boston. Reto Thüring, the curator of the show, tells us about the painting and Bowling’s 10-year stay in America in the 1960s and 1970s.
Links:juststopoil.orgStacy Boldrick, Iconoclasm and the Museum, Routledge, 212pp, £27.99, $35.96 (pb)Paris+, until 23 October.Melanie Gerlis, The Art Fair Story: a Rollercoaster Ride, Lund Humphries, 104pp, £19.99, $34.99 (hb)Frank Bowling’s Americas, Museum of Fine Arts, Boston, 22 October-9 April 2023; San Francisco Museum of Modern Art, 13 May-10 September next year. Related shows: Equals 6: A Sum Effect of Frank Bowling’s 5+1, University Hall Gallery, UMass Boston, 14 November-18 February 2023; Revisiting 5+1, Paul W. Zuccaire Gallery, Staller Center for the Arts, Stony Brook University, 10 November-23 February 2023.
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