As the Rijksmuseum’s once-in-a-lifetime blockbuster brings together an unprecedented number of works by the Old Master, paintings including a self-portrait are still missing
Michiel van Musscher’s A Self-portrait of the Artist in his Studio (1670) is thought to have been inspired by a lost Vermeer workCourtesy of Christie’s
With only 37 authenticated Johannes Vermeer paintings (28 in the Rijksmuseum’s sold-out exhibition), could there be more out there, not yet recognised as from his hand? Vermeer’s production was certainly larger, so the hunt continues for the missing masterpieces. Experts believe that a number are still unaccounted for.
The Guardian Weekly (March 3, 2023) – A year on from the invasion of Ukraine and there seems little end in sight to a conflict that has, unquestionably, changed the world.The Guardian Weekly’s big story this week outlines five possible routes to peace (some more hopeful than others), but the main focus is a stunning collaboration from Guardian reporters detailing the fate of the port of Mariupol, the battle for which has perhaps been the bloodiest and most shocking chapter of the war to date.
It’s an extraordinary account of the devastation, partial reconstruction, and Russification of a thriving city. “You learn to only voice your opinions with those you know you can trust,” says Darya, a student opposed to the occupation. “Otherwise, you keep your thoughts to yourself.”
On Monday the UK government finally agreed a deal with the EU to end a long-running Brexit disputeover customs arrangements and legal oversight in Northern Ireland. Our Brexit correspondent Lisa O’Carroll unpicks the key points of the new agreement and what it means for the region.
In 2003, when the US army occupied Iraq after the fall of Saddam Hussein, the Guardian writer Ghaith Abdul-Ahad was aged 28 and living in Baghdad. He recounts his front-row view of the fall of the regime, the arrival of the so-called liberators and the unfolding of a sectarian war.
Through a growing focus on healthcare monitoring in recent years, Apple has positioned its wearables as essential accessories for the technophile and the casual hypochondriac alike.
Like so many other predictions of collapse, exaggerated. Methylphenidate for Miriam. Two executives showed up for a meeting dressed as Woody and Buzz Lightyear. A source of revolutionary Marxist critiques, an outright conservative, a peddler of flimsy conspiracy theories. Some days I am so filled with myself I can see nothing. I am not going to apologize for the empire, for our history. Bravissima! Stealth, he kept no socials. She had martini-glass tits. In this city every boy is an isotope. Enter among the truly civilized peoples. Cruising for difference. The body of a bear, the nose of an elephant, the paws of a tiger, the tail of an ox, and needle-like hairs. Wainscoting for an all-knowing liberalism. How can a narrow regional tabloid claim itself The World? The surrealist didn’t prescribe life-sized butter ears. Spend how you want the sixtyish years you have left of your life.
“Italian language teaching is back in Somalia!” the Italian embassy in Somalia tweeted in late September 2021, announcing a new program at the Somali National University that would reintroduce the language of the country’s former colonizer.
Financial Times (February 27, 2023) – F1 is undergoing a kind of revolution, with new rules, new tech, new teams, and new fans – boosted by the Netflix show Drive to Survive. Ahead of the first race of the season in Bahrain, the FT goes behind the scenes at the McLaren Technology Centre, where the team is competing to get their cars back to the front of the grid.
February 27, 2023: A selection of three essential articles read aloud from the latest issue of The Economist. This week, how to win the war in Ukraine, Joe Biden’s sensible new border policies (11:15) and Nigeria’s scorpion trade (15:30).
ARSCRONICA (February 27, 2023) – “It’s just a peaceful, wonderful experience, beautifully explained, both vocally and in type at the top of the screens,” says Derek Hutcheson Du Chap, a decorator visiting from Glasgow. David Hockney’s first immersive show opens to the public in London offering a hypnotic, multi-sensory journey through the British artist’s decades-long career, from sun-drenched California swimming pools to the Normandy countryside. (AFP)
Launching our programme with a collaboration with David Hockney in February 2023, we invite the world’s leading creative minds to use our vast space and revolutionary technology to create something completely new.
Lightroom is located in King’s Cross on Lewis Cubitt Square, adjacent to Coal Drops Yard and Central St Martin’s. The innovative showspace was designed by 59 Productions in close collaboration with Haworth Tompkins, who have designed the venue as a sister space to the award-winning Bridge Theatre. Along with a generous Foyer and gift shop, the space also contains a bar and seating area in collaboration with St John.
LOCATED IN THE WEST CATSKILLS OF NEW YORK STATE IS THE 497-ACRE CRYSTAL LAKE WILD FOREST WHICH INCLUDES A 32-ACRE MAN-MADE LAKE, SEEPS AND STREAMS, WETLANDS AND AN OLD BEAVER POND. THE LAKE SHORE AND SURROUNDING MOIST WOODLAND PROVIDE HABITATS FOR TRILLIUMS, WILD LEEKS, JACK-IN-THE-PULPITS AND DUTCHMAN’S BRITCHES. THE LAKE IS SURROUNDED BY ROLLING HILLS (HIGHEST ELEVATION 1,980 FEET), QUITE STEEP ALONG ITS EASTERN SHORE. THE ECOLOGY OF THE FOREST IS HOME TO HUNDREDS OF TYPES OF INDIGENOUS SPECIES OF PLANETS, FLOWERS AND TREES AS WELL AS WILDLIFE AND INSECTS UNIQUE TO THE REGION OF THE WEST CATSKILLS.
THE CRYSTAL LAKE PAVILION IS DESIGNED TO BE USED FOR MEDITATION AND YOGA CLASSES AS WELL AS GROUP THERAPY. THE PAVILION IS A SITE-SPECIFIC WORK, EMBRACING THE SURROUNDING NATURAL ENVIRONMENT THROUGH ITS ALL GLASS SKIN AND STRUCTURAL TRANSPARENCY. ACCESSIBLE ONLY BY BOAT, THE CONSTRUCTION OF THE PAVILION IS AN ALL TIMBER FRAME STRUCTURE WITH LIGHT STEEL CONNECTIONS AND A STANDING SEAM STEEL ROOF. UTILIZING A TRADITIONAL KING POST METHOD OF TIMBER CONSTRUCTION,
THE BUILDING IS COMPOSED OF A SERIES OF HEAVY TIMBERS JOINED TOGETHER WITH LAP JOINTS AND PEGGED MORTISE AND TENON JOINTS. THE DOMINANT STRUCTURAL FEATURE OF THE PAVILION IS THE BUILDING’S CENTER POST WHICH CANTILEVERS OFF A SINGLE SOLID CONCRETE PIER SET INTO THE LAKE BED. THE LAKE PAVILION APPEARS TO BE FLOATING OVER THE LAKE SURFACE WHILE REFLECTING ITS TRIANGULATED ROOF PRESENTING AN OPTICAL ILLUSION OF WEIGHTLESSNESS.
The Architectural Review (March 2023) – This issue brings together the winners and nominees of the W Awards, celebrating exemplary work by women and non-binary people around the world. We explore the expansive bodies of work of the founder of the CCA and winner of the Ada Louise Huxtable Prize for Contribution to Architecture, Phyllis Lambert, and co-founder of SANAA and winner of the Jane Drew Prize for Architecture, Kazuyo Sejima. And in its inaugural year, the Prize for Research in Gender and Architecture is awarded to Part W for their mapping project, Women’s Work.
The W Awards issue is here 💥 celebrating exemplary work by women and non-binary people around the world, including @ccawire's Phyllis Lambert, SANAA's Kazuyo Sejima, @PartWCollective, as well as the shortlists for the MJ Long and Moira Gemmill Prizes https://t.co/cw16HzX4bUpic.twitter.com/biUSFKbVWv
This issue also includes the work of the architects shortlisted for the Moira Gemmill Prize for Emerging Architecture – recognising emerging talent in architects under the age of 45 from around the world – and the MJ Long Prize for Excellence in Practice, which celebrates architects who are working in UK‑based practices, with a focus on their role in the design and delivery of a recently completed project.
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