Paris is the city of chic—and as such, its innate style shines throughout the city, even in the simplest spaces. Quaint bistros, picturesque alleyways, artists’ studios and unique characters are elevated to a modern-day genre painting when set in Paris. From skateboarders to antiquarians, this volume is a glimpse into Parisian life, as if peering over the edge of the balcony at your own pied-a-terre.
Collaboratively, author Alexandra Senes and photographer Oliver Pilcher open the doors to some of the most sophisticated homes in Paris, sharing an intimate portrait of various families. The quiet, daily moments of Parisian life are eternalized through Pilcher’s lens. Monuments don’t make a city; the people do.
Authors
Born in Scotland, Oliver Pilcher studied sculpture at the Edinburgh College of Art before embarking on a photographic career that has taken him all around the world and given him the opportunity to shoot for some of the world’s finest brands. Oliver has been a contributing photographer at Condé Nast Traveler for over ten years. He currently divides his time between New York and Costa Rica with his wife, Abigail and their four children, Andalucia, Bianca, Constantina, and Herbie.
Alexandra Senes is a citizen of the world, as she feels at home anywhere; a real asteroid with no jet lag. Senes spent her childhood in her native Senegal after which she moved to New York and then Paris. She worked as a journalist for over 20 years, including 8 years as the founder and editor-in-chief of Jalouse Magazine. In 2015, Senes started her journey with Kilometre, a brand that makes our imaginations go wild, drifting into far-off and unexplored places-shirts and home goods adorned with hand embroidery inspired by up-and-coming travel destinations.
‘Michael Jordan’s tremendous impact on basketball and sneakers is universally acknowledged, and it can be easy to think there aren’t any new stories to add to the legend,’ says John McPheters, co-founder and CEO of Stadium Goods. ‘But as we’ve seen with The Last Dance and now with our Original Air auction at Christie’s, there are still lesser-known narratives in the legacy that create great interest.’
‘The shoes span art, pop culture and sports history,’
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Michael Jordan ended his first season as a professional basketball player with the Chicago Bulls by being crowned Rookie of the Year. It was the summer of 1985 and Jordan was soon to become one of the most recognised people on the planet.
The New York Times described his debut performance as ‘phenomenal’, and Sports Illustrated declared ‘A Star Is Born’ when he made the front cover.
I’ve had lunch with politicians, clergy, reporters and people who’ve just been indicted at Manny’s Cafeteria and Delicatessen in Chicago, and there’s a code of silence over the clatter: it doesn’t count.
The schmear of cream cheese thick enough to be a ski jump? No calories! Potato pancakes hefty as manhole covers?
But the weeks of the shutdown became months. Even as businesses reopened, multitudes still work from home.
“That can’t pay our rent, insurance, our payroll,” says Dan Raskin. “We can’t go on like that.”
When a family business is forced to close, people lose their livelihoods, families lose support, and a city loses revenue and vitality. A landmark like Manny’s is also a link to history. You can point to where Barack Obama talked politics over pastrami, Oprah had apple sauce on her latkes, and where your grandfather went when he got tired of dieting.
Meet Giovanni Mancusou, a small-town Italian man who lives on Italy’s Mediterranean coast. The wisened Calabrian invites the viewer into his sun-washed world of bright orange sun umbrellas, cool blue seas, freshly baked pastries and fresh vegetables.
Directed by Jan Vrhovnik, written by Ana Kerin and music score by Oscar-winning Nico Casal, Paradiso is less story and more a poetic thought piece. Dipping into a snapshot of life for an aging man from Italy, whimsical moments like the swatting of a fly are interspersed with provocative thoughts on life that can only come with the wisdom of an older man who has seen it all.
Giovanni Mancusou was a chance meeting for the team who traveled to Calabria to seek out the very essence of nostalgia. They stumbled upon him in a corner shop and were taken by the poetic way in which he used language to convey a longing for simplicity. Completely improvised, his philosophical musings—weighing heavy with nostalgia and unexpected wisdom—are what punctuate the themes of this memory-inducing short.
A film of contrasts, Paradiso serves to distill the truth in Giovanni’s words. Though momentary, humble and mundane, flashes of true happiness must be savored. Paradiso outlines that to be rich in life, one need only look to nature, a table full of friends and good food: the very essence of a Mediterranean summer.
“Provence has a treasure; it’s a Colombe d’Or. It has the precious scent of thyme and nostalgia and the golden colour of olive oil and happy days. The Colombe is a part of my life. For me, it’s a place that’s as full of promise as of magnificent memories. The Colombe is indefinable, inimitable. I’m happy that today a book brings back the atmosphere of this place which is like no other in the world.”
La Colombe d’Or hotel and restaurant in the South of France is known all over the world as a privileged place where the Provençal art de vivre goes hand in hand with an astonishing private COLLECTION of modern art.
First opened in 1920 as Chez Robinson, a café-bar with an open-air terrace, it quickly became a very popular meeting place and expanded into a small hotel and restaurant. The friendly atmosphere together with owner Paul Roux’s deep interest in the arts attracted many artists of the day, and the walls were soon covered by paintings, often exchanged for a stay or a few meals. As regular visitors to this beautiful place, Matisse, Braque, Léger, Calder, César, and many other artists have left magnificent works that now form part of the unique setting, including splendid pages in the fascinating guest books—presented to the world for the first time in this volume—in which the greatest artists of our time have drawn and signed moments of happiness. The next generation of the Roux family continues to care for the Colombe d’Or, and the art COLLECTION is still growing today.
From the Grand Duke Francesco I de’ Medici and Holy Roman Emperor Rudolf II to Archduke Ferdinand II of Habsburg, these aristocratic virtuosos acquired, selected, and displayed the objects in real-life catalogues that represented the entire world—spanning architecture, interior design, painting, sculpture, gemology, geology, botany, biology and taxonomy, astrology, alchemy, anthropology, ethnography, and history.
The Wunderkammer, or “cabinet of curiosities,” saw collectors gathering objects from many strands of artistic, scientific, and intellectual endeavor, in an ambitious attempt to encompass all of humankind’s knowledge in a single room.
Marvel at the unicorn horns (narwhal tusks), gems, rare coral growths, Murano glasswork, paintings and peculiar mechanical automata. Browse through illustrations of exotic and mythical creatures and discover the famed “Coburg ivories,” an astounding collection of crafted artifacts. These collections are nothing short of a journey through time, from the Renaissance and Age of Discovery, the Mannerist and Baroque periods, up to the present day. Although many of these cabinets of curiosities no longer exist, others have been meticulously reconstructed, and new ones born.
These marvelous cabinets of curiosities can now be explored by all in this XXL collection. To realize this mammoth undertaking, Massimo Listri traveled to seven European countries over several decades; the result is a set of gorgeousphotographs, an authoritative yet accessible introduction, and detailed commentary on each of the 19 chambers highlighting the most remarkable items in each collection. Discover how these timeless treasures both describe and defined civilization, the modern concept of the museum, and our very knowledge of the universe.
The authors
Giulia ML Carciotto graduated in art history from the Sapienza University in Rome. She was a Research Fellow at the Warburg Institute in London, where she also worked for Christie’s. She was editor-in-chief of the art publisher Franco Maria Ricci Editore in Milan, and now teaches at the Academy of Fine Arts in Palermo and at the Abadir Academy in Catania.
Antonio Paolucci studied art history under Roberto Longhi in Florence and began his career in the management of cultural heritage. He was the Superintendent of Cultural Heritage in Venice, Verona, and Mantua. He later became Director of the Opificio delle Pietre Dure in Florence and, for almost twenty years, the Superintendent for the Polo Museale Fiorentino. Most recently, Paolucci was the Director of the Vatican Museums from 2007 to 2016. A specialist in Italian Renaissance art, he is the author of museum and exhibition catalogues, as well as publications on Donatello, Piero della Francesca, Michelangelo, Raphael, and Benvenuto Cellini, among others.
Valerie Hansen explores these early economic and cultural exchanges and their long-term impact in her new book “The Year 1000: When Explorers Connected the World―and Globalization Began”, which originated as a college course co-taught with Mary Miller, director of the Getty Research Institute. In this episode, Hansen and Miller discuss the state of the world around the year 1000.
From celebrated Yale professor Valerie Hansen, a groundbreaking work of history showing that bold explorations and daring trade missions connected all of the world’s great societies for the first time at the end of the first millennium.
People often believe that the years immediately prior to AD 1000 were, with just a few exceptions, lacking in any major cultural developments or geopolitical encounters, that the Europeans hadn’t yet reached North America, and that the farthest feat of sea travel was the Vikings’ invasion of Britain. But how, then, to explain the presence of blonde-haired people in Maya temple murals at Chichén Itzá, Mexico? Could it be possible that the Vikings had found their way to the Americas during the height of the Maya empire?
Valerie Hansen, an award-winning historian, argues that the year 1000 was the world’s first point of major cultural exchange and exploration. Drawing on nearly thirty years of research, she presents a compelling account of first encounters between disparate societies, which sparked conflict and collaboration eerily reminiscent of our contemporary moment.
For readers of Jared Diamond’s Guns, Germs, and Steel and Yuval Noah Harari’s Sapiens, The Year 1000 is an intellectually daring, provocative account that will make you rethink everything you thought you knew about how the modern world came to be. It will also hold up a mirror to the hopes and fears we experience today.
Producer: Oliver Gallini
Filmmaker: Logan Armstrong, Chris Shepherd
Once a year Firenze turns into a battleground. Four neighborhoods, artisans, craftsmen, bus drivers, butchers and tailors turn into warriors fighting for the “hunt”. Once it’s all over everyone comes back together united as one city.
This is the story of Calcio Storico, a tradition that goes back 500 years.
TikTok is the most downloaded app of 2020, as quarantines have spurred more and more users to hop onboard and learn about the latest dance trends and memes. But the app also faces a slew of regulatory hurdles, privacy concerns, and allegations of censorship, issues experts say will be new CEO Kevin Mayer’s top priority.
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