THE NEW YORK TIMES BOOK REVIEW (November 17, 2024): The latest issue features ‘Who’s Johnny?’…
Johnny Carson dominated late-night television for decades, but closely guarded his privacy. Bill Zehme’s biography, “Carson the Magnificent,” tries to break through.ent,’ by Bill Zehme
Rankings on weekly lists reflect sales for the week ending November 2, 2024.
DW Documentary (November 15, 2024): The 17th century was the zenith of painting, in the Netherlands. In no other era were artists so productive. Never before had so many painters tried to make a living from their art. Demand was huge.
People from all walks of life began to enthusiastically collect paintings. New genres were born. And both the art market and the profession of art dealer emerged. Exceptional artists such as Rembrandt van Rijn, Jan Vermeer and Frans Hals created masterpieces that still inspire us today.
One reason for the cultural heyday and its glut of paintings was an enormous surplus of capital, generated by speculative money transactions and trade, which was also based on the exploitation of the colonies and the ideal conditions that shipping found in the Netherlands. The film traces a period in which art, too, became an economic factor. In a way, the 17th century can be seen as the origin of our current art system.
After all, this was when auction houses were first established, leading to emergence of professional art dealers and wealthy collectors. Art was democratized. This documentary film explores an era when business and art entered into a marriage for the first time. How did such an artistic flourishing come about? What art-historical innovations do we owe to this period? And what significance does it have for our view of art and our approach to art today?
On the art of Ade Darmawan and Timoteus Anggawan Kusno By Hung Duong
With every odd stacked against it, Venice rises to the surface as Italy’s art capital By Travis Jeppesen
By Mateus Nunes
The Week In Art Podcast (November 15, 2024): UK museums are at a moment of transformation with a new generation of directors taking the helm at several of the major national institutions in London. So for this landmark 300th episode, we felt it was a good moment to look at the challenges and opportunities for museums now and in the future.
We invited Gus Casely-Hayford of V&A East, Nicholas Cullinan of the British Museum and Karin Hindsbo of Tate Modern to join our host Ben Luke for a wide-ranging discussion.
By Adam Tooze
‘Being the party of normality has its appeal, but it reinforces precisely the wrong instinct. The polycrisis that is unfolding demands not a return to the status quo but urgent, progressive answers both at home and abroad. To formulate and articulate those, the Democrats need politicians, not algorithms. They need personalities capable of responding to the profound questions facing contemporary America.’
James Meek
‘Would the army as a whole rise up against a government that made territorial concessions to Russia? Perhaps. But the more widely the recruiters spread their net, the more the army reflects a society that is starting to talk openly, if bitterly, about swapping land for peace.’
Soldiers and Kings: Survival and Hope in the World of Human Smuggling by Jason de León
Times Literary Supplement (November 13, 2024): The latest issue features ‘Books of the Year’ – TLS writers choose their favourites…
A cellist is haunted by the history of her instrument By Norma Clarke
Frank Auerbach and his visions of north London By Rod Mengham
A spectacular production of Offenbach’s opéra fantastique By Paul Griffiths
![图片[1]-The New York Times Book Review-纽约时报书评2024.11.10期下载电子版PDF网盘订阅-易外刊-英语外刊杂志电子版PDF下载网站](https://e-magazines.top/wp-content/uploads/2024/11/The-New-York-Times-Book-Review-%E2%80%93-10-November-2024_00-475x550.webp)
THE NEW YORK TIMES BOOK REVIEW (November 10, 2024): The latest issue features ‘ Looking For The Promised Land’…
A new history by Roland Allen uncovers the wealth of ideas and invention hidden in the notebooks of literary luminaries.
In his latest book, the Rolling Stone writer David Browne tracks three decades of folk, blues, rock and jazz below 14th Street.
Cozy, whimsical novels — often featuring magical cats — that have long been popular in Japan and Korea are taking off globally. Fans say they offer comfort during a chaotic time.
The National Gallery (November 8, 2024): The National GalleryEpisode 1 of ‘200 Years of the National Gallery’. Travel back through 200 extraordinary years of our history – from our origins in a private house in Pall Mall to our current home in bustling Trafalgar Square. ‘200 Years of Your National Gallery’ is a three-part documentary miniseries.
Stream for free exclusively on YouTube. Through the eyes of the staff, past and present, who care for the nation’s collection, and with rarely seen and newly digitised archive footage and images, we go exclusively behind-the-scenes to see the role the Gallery plays at the heart of cultural life of the UK.
The Week In Art Podcast (November 8, 2024): This week: two exhibitions in London are showing remarkable works made during the Renaissance. At the King’s Gallery, the museum that is part of Buckingham Palace, Drawing the Italian Renaissance offers a thematic journey through 160 works on paper made across Italy between 1450 and 1600.
Ben Luke talks to Martin Clayton, Head of Prints and Drawings at the Royal Collection Trust, about the show. At the Royal Academy, meanwhile, the timescale is much tighter: a single year, 1504 to be precise, when Michelangelo, Leonardo and Raphael were all in Florence. We talk to Julien Domercq, a curator at the Academy, about this remarkable crucible of creativity.
And this episode’s Work of the Week is a magnum opus of Renaissance textiles: the Battle of Pavia Tapestries, made in Brussels to designs by Bernard van Orley, and currently on view in an exhibition at the de Young Museum in San Francisco. Thomas Campbell, the director of Fine Arts Museums of San Francisco, talks to The Art Newspaper’s associate digital editor, Alexander Morrison, about the series.
Drawing the Italian Renaissance, King’s Gallery, Buckingham Palace, London, until 9 March 2025
Michelangelo, Leonardo, Raphael: Florence, c.1504, Royal Academy of Arts, London, 9 November-16 February 2025
Art and War in the Renaissance: The Battle of Pavia Tapestries, de Young Museum, San Francisco, US, until 12 January; Museum of Fine Arts, Houston, Texas, spring 2025
Subscription offer: get three months for just £1/$1/€1. Choose between our print and digital or digital-only subscriptions. Visit theartnewspaper.com to find out more
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