Gagosian Quarterly: The latest issue features an excerpt from Sharad Chari’s recent essay on Ellen Gallagher, musing on his visit to the artist’s studio in Rotterdam, Netherlands. Sebastian Smee writes of Francis Bacon’s time in Paris, Adam D. Weinberg ruminates on Giuseppe Penone’s enduring engagement with bronze, and Derrick Adams joins Tessa Bachi Haas in conversation ahead of his first mid-career survey.

With the opening of the 61st Biennale di Venezia, a number of the magazine’s features engage with the history and contemporary culture of the storied city. Jenny Saville speaks with art historian Stefania Ventra to mark her major exhibition at Ca’ Pesaro–Galleria Internazionale d’Arte Moderna. In an essay bridging the Republic of Venice and the twenty-first century, Ben Street explores the timeless resonance of Giovanni Domenico Tiepolo’s tragicomic frescoes. And Nancy Spector discusses her bold pairing of Richard Prince and Arthur Jafa in an exhibition at the Fondazione Prada.

In the world of literature, Helen Oyeyemi shares the second installment of her fiction series As You Wish, Mary Gaitskill speaks with Jill Mulleady about their recent Picture Books collaboration inspired by Faust, Wyatt Allgeier interviews Andrew Durbin on the occasion of his new dual biography of Peter Hujar and Paul Thek, and Alana Pockros guides us through the refractive wonderlands of novelist Elaine Kraf.

Elsewhere in the issue, Carlos Valladares ponders Charli XCX’s mockumentary The Moment, Janne Sirén examines Anselm Kiefer’s mythological figures, and three luminaries from the worlds of design, fashion, and food—Ronan Bouroullec, Michèle Lamy, and Enrique Olvera—consider the furniture of Donald Judd.