Though mourning and grief were visible in Britain’s capital on Friday, some young Britons were more muted in their reaction to an institution that many called increasingly irrelevant.
In this Education Issue, Sarah Viren on a campus clash in a multicultural center that became a viral nightmare for Arizona State University; Daniel Bergner on a superintendent in northern Michigan who spoke up about race in a politically divided school district; Erika Hayasaki on book bans in Texas town; Charley Locke on the $190 billion Covid windfall for schools; and more.
The World Economic Forum ‘Stories of the Week include:
0:18 Pakistan’s Flooding – Due to flash floods triggered by a ‘monster monsoon’, more than 1,100 people have died in Pakistan 01:30 First smartphone made in the Ivory Coast – The Open G smartphone went on sale in July 2022 in the Ivory Coast and has sold several thousand units 02:41 Brazil is building the world’s biggest urban garden – The garden is a collaboration between the City of Rio de Janeiro and the favelas – or informal settlements – that surround it 04:09 Drinking Black Tea could help you live longer – People who drink 2 or more cups of black tea a day are 9-13% less likely to die from any cause, according to a study by the US National Institutes of Health.
This week: is art censorship on the rise? The Art Newspaper’s chief contributing editor, Gareth Harris, joins Ben Luke to discuss his new book, Censored Art Today.
We look at the different ways in which freedom of expression is being curbed across the globe and at the debates around contested history and cancel culture. This episode’s Work of the Week is Diane Arbus’s Puerto Rican woman with a beauty mark, N.Y.C., 1965, one of the 90 images that feature in Diane Arbus: Photographs, 1956-1971, which opens at the Montreal Museum of Fine Arts, Canada, on 15 September. Sophie Hackett, the exhibition’s curator, discusses Arbus’s remarkable eye and technical brilliance.
As the Guggenheim Bilbao celebrates its 25th anniversary, Thomas Krens, the director and chief artistic officer of the Solomon R. Guggenheim Foundation from 1988 to 2008, reflects on the genesis and development of a museum that had a dramatic impact on contemporary art and museums’ role in the cultural regeneration of cities across the world.
Queen Elizabeth II died on Thursday, at the age of ninety-six. During her seventy-year-long reign, the Queen presided over the dissolution of the British Empire. She was there for the creation of the European Union—and for Brexit. She was there for Churchill, for Thatcher, and, just last Tuesday, she was there to shake hands with the incoming Conservative Prime Minister, Liz Truss. On the cover of the September 19th issue, the artist Malika Favre, who lived in London for sixteen years, captures the indelible association between Britain and its longtime monarch.
Queen Elizabeth II, the longest-serving British monarch, dies at 96. EU ministers meet in Brussels to discuss Russia’s energy disruptions. And the DOJ appeals the special master review of documents seized by the FBI.
There is no analogous British figure who will be mourned as deeply, or whose death will provoke a greater reckoning with the identity and future of the country.
The new prime minister must eschew pantomime radicalism if she is to succeed. The sceptics have many reasons to be dubious—yet underestimating Liz Truss is a mistake her opponents have already made to their cost.
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