
Inside Artforum Magazine – NOVEMBER 2022:
NEW YORK
- Jan Avgikos on “New York: 1962–1964”
- Lauren O’Neill-Butler on Louise Bourgeois
- Zack Hatfield on Sturtevant

It is now forty years since Melina Mercouri, the Greek Minister for Culture from 1981 to 1989, famous also as a film star and singer, addressed UNESCO’s World Conference on Cultural Policies to draw international attention to the campaign with which she would be identified until her death in 1994, the repatriation to Athens of the Parthenon sculptures in the British Museum. ‘We are not asking for the return of a painting or a statue’, she said: ‘We are asking for the return of a portion of a unique monument, the privileged symbol of a whole culture’.
As images, ancient Roman wall paintings command attention for their bold compositions, vibrant and saturated colours, convincing naturalism and the fantastical mythologies they depict. As objects they also captivate for the dramatic circumstances surrounding their near- destruction, the miracle (or rarity) of their survival and the alchemical nature of lime plaster and pigment.
Inside the Literary Review – November 2022:
London: The Great Transformation 1860–1920
The Artist’s Studio: A Cultural History
Was Lockdown Lawful? – Emergency State: How We Lost Our Freedoms in the Pandemic and Why It Matters
Damned Statistics – Bad Data: How Governments, Politicians and the Rest of Us Get Misled by Numbers

Inside Foreign Affairs November/December 2022 issue:
What China’s Ideologue in Chief Really Believes
The Kremlin Won’t Go Down Without a Fight
A Diplomat Defects From the Kremlin

Inside the The New Yorker Magazine, November 7, 2022:
In the state’s midterms—which could determine the balance of the Senate and the integrity of the Presidential race in 2024—Democrats are fighting for the vote. Republicans are fighting to undermine it.
As the head of General Electric, he fired people in vast numbers and turned the manufacturing behemoth into a financial house of cards. Why was he so revered?
The concept helps entertainment companies like Marvel Studios recycle old characters—but it can also unlock new kinds of storytelling.
There’s plenty of bad news. But thanks to real progress, we’re headed toward a less apocalyptic future.
This is what success looks like in the creator economy: Sometimes you have to beg millions of fans for mercy.

Reasons to be cheerful are scant
Their uprising could be the beginning of the end of Iran’s theocracy
The country’s clean-energy push shows a way to escape the coal addiction

The Guardian – Inside the October 28, 2022 Issue:
Britain’s political fever dream continued apace this week as Rishi Sunak became prime minister without anyone even voting for him. The former chancellor, the country’s third prime minister in less than two months and the fifth in six years, is also the UK’s first leader of colour and the first Hindu to take the office.
Jonathan Freedland considers how big a blow Truss’s ill-judged stint in power has delivered to the school of neoliberal economic thought.
Brazil also faces a judgment day this weekend, as Jair Bolsonaro and Luiz Inácio Lula da Silva square up in a presidential runoff of deep significance for the country and the planet, with the protection of the Amazon at stake. The outcome is on such a knife-edge that not even the nation’s gangsters can decide who to vote for, as our Latin America correspondent Tom Phillips reports.
On the subject of the environment, don’t miss Naomi Klein’s long read about how Egypt’s government has used the coming Cop27 conference to greenwash its own oppressive political activities.
Then, there’s a revealing interview with Chelsea Manning, who opens up to Emma Brockes on what really happened when she leaked thousands of classified US military documents.