Tag Archives: Exhibits

Exhibits: ‘Woody Guthrie – People Are The Song’ At The Morgan Library, NYC

The author of more than three thousand folk songs, Woody Guthrie (1912–1967) is one of the most influential songwriters and recording artists in American history. He is an icon of the Depression era and wrote the world’s most famous protest song, “This Land Is Your Land.”

But he was not only a songwriter, and his subject matter extended well beyond labor politics. The full corpus of his creativity—including lyrics, poetry, artwork, and largely unpublished prose writings—encompassed topics such as the environment, love, sex, spirituality, family, and racial justice. Guthrie created a personal philosophy that has impacted generations of Americans and inspired musician-activists from Pete Seeger and Bruce Springsteen to Ani DiFranco and Chuck D. As Bob Dylan noted of Guthrie, “You could listen to his songs and actually learn how to live.”

Tours: ‘Marcel Proust’ – Carnavalet Museum, Paris

The Carnavalet Museum – History of Paris is celebrating the 150th anniversary of the birth of Marcel Proust (1871–1922).

Dedicated to the relationship between Marcel Proust and Paris, where he spent most of his life, the exhibition Marcel Proust, a Parisian novel will investigate the city’s place in Proust’s novel.

The first section of the exhibition will explore the world Marcel Proust inhabited in Paris. Having been born and died in Paris, Proust’s life unfurled in the very restricted area encompassed by Parc Monceau, Place de la Concorde, Auteuil, Bois de Boulogne and l’Étoile. Paris was of immense importance in the development of Marcel Proust’s literary vocation, from the time of his earliest writings in the late 1890s with his fellow-pupils at the Lycée Condorcet, to his entry into the city’s high society and encounters with people who would be decisive to his life.

The second part of the exhibition opens on the fictional Paris created by Marcel Proust. Following the architecture of the novel In Search of Lost Time and evoking emblematic places in the city, it offers a journey through the novel and the history of the capital, focusing on the book’s central characters. The city of Paris, represented poetically in the novel, is the setting for the quest of the narrator, the author’s alter ego, until the revelation of his vocation as a writer.

Reviews: ‘The Week In Art’

We talk to Max Hollein, director of the Metropolitan Museum of Art, about the new plans for the museum’s wing of modern and contemporary art, including the appointment of the architect Frida Escobedo in place of David Chipperfield. 

As The Art Newspaper is about to publish its annual museum attendance survey, showing that visitors are beginning slowly to return to museums after the height of the pandemic, we ask Hollein how the vision for the museum has changed following the events of the past two years. Plus, Aimee Dawson talks to the curator Sam Bardaouil about the exhibition Beirut and the Golden Sixties: A Manifesto of Fragility at the Gropius Bau in Berlin. And in this episode’s Work of the Week, as the Menil Collection in Houston, Texas, opens a major Meret Oppenheim survey, the show’s curator Natalie Dupecher discusses Oppenheim’s Surrealist object Ma gouvernante – My Nurse – Mein Kindermädchen (1936): a pair of white heels on a silver platter, trussed like a chicken.

The Art Newspaper’s visitor attendance survey is in the April print edition, and online next week at theartnewspaper.com, or on our app for iOS and Android, which you can get from the App Store or Google Play.

Beirut and the Golden Sixties: A Manifesto of Fragility, Gropius Bau, Berlin, until 12 June.

Meret Oppenheim: My Exhibition, Menil Collection, Houston, until 18 September; Museum of Modern Art, New York, 30 October-4 March 2023

Views: Jennifer Packer – ‘The Eye Is Not Satisfied With Seeing’ (Whitney)

Join Jane Panetta, the Nancy and Fred Poses Curator and Director of the Collection, as she discusses key works from Jennifer Packer’s exhibition of paintings and drawings.

Jennifer Packer is an American painter living and working in New York City. In 2020, she won the Hermitage Greenfield Prize and the Rome Prize. Packer won the Rome Prize at the American Academy in Rome 2020-2021. 

Jennifer Packer: The Eye Is Not Satisfied With Seeing was initiated by Serpentine and curated by Melissa Blanchflower, Curator, Exhibitions and Public Art with Natalia Grabowska, Assistant Curator. The presentation at the Whitney is organized by Rujeko Hockley, Arnhold Associate Curator, and Jane Panetta, Nancy and Fred Poses Curator and Director of the Collection, with Ambika Trasi, Curatorial Assistant.

Morgan Library: ‘Holbein – Capturing Character’

Hans Holbein the Younger (1497/98–1543) was among the most skilled, versatile, and inventive artists of the early 1500s. He created captivating portraits of courtiers, merchants, scholars, and statesmen in Basel, Switzerland, and later in England, and served as a court painter to Tudor King Henry VIII (1491–1547). Enriched by inscriptions, insignia, and evocative attributes, his portraits comprise eloquent visual statements of personal identity and illuminate the Renaissance culture of erudition, self-fashioning, luxury, and wit. February 11 through May 15, 2022

Museum Exhibit Tours: Jacques Louis David – ‘Radical Draftsman’

Join Perrin Stein, Curator, in the Department of Drawings and Prints, for a virtual tour of Jacques Louis David: Radical Draftsman, the first exhibition devoted to works on paper by the celebrated French artist.

David navigated vast artistic and political divides throughout his life—from his birth in Paris in 1748 to his death in exile in Brussels in 1825—and his iconic works captured the aspirations and suffering of a nation, while addressing timeless themes that continue to resonate today. Through the lens of his preparatory studies, the exhibition looks beyond his public successes to chart the moments of inspiration and the progress of ideas.

Visitors will follow the artist’s process as he gave form to the neoclassical style and created major canvases that shaped the public’s perceptions of historical events in the years before, during, and after the French Revolution. Organized chronologically, the exhibition will feature more than eighty drawings and oil sketches—including rarely loaned or newly discovered works—drawn from the collections of The Met and dozens of institutional and private lenders.

Learn more about the exhibition: https://www.metmuseum.org/exhibitions…

Art Exhibits: Australian Painter Jeffrey Smart

‘Suddenly I will see something that seizes me – a shape, a combination of shapes, a play of light or shadows, and I send up a prayer because I know I have seen a picture.’

JEFFREY SMART The year 2021 marks one hundred years since the birth of acclaimed Australian artist Jeffrey Smart. This major exhibition celebrates and commemorates this significant centenary. One of Australia’s most celebrated artists, Smart sought inspiration from the world around him – looking to the environment of urban and industrial modernity – which he transformed through his imaginative sense of theatre and intimate understanding of geometry and composition.

These potent and intriguing images have become emblematic of 20th and 21st century urban experience. Building on the foundational work already undertaken on Smart, this exhibition will bring fresh perspectives to his artistic contribution so that his remarkable legacy will be kept alive in the present. Curators: Dr Deborah Hart, Henry Dalrymple Head of Australian Art and Dr Rebecca Edwards, Sid & Fiona Myer Curator of Ceramics and Design

Exhibitions: 19th Century European & American Art At The Denver Art Museum

The department of European and American Art Before 1900 oversees a collection that includes more than 3,000 artworks and is composed of painting, sculpture, and works on paper, with significant strengths in early Italian Renaissance, 19th century French painting, and British art from 1400 to 1900.

The Denver Art Museum began acquiring notable examples of European art as early as the 1930s, with donations from Samuel H. Kress, Mr. and Mrs. Simon Guggenheim, and the Havemeyers, to name a few. Their generosity helped initiate a collection that grew in time through gifts and purchases.

Exhibits: ‘Philip C. Curtis – Landscapes of Arizona’ (Phoenix Art Museum)

Philip C. Curtis saw the desert through a lens of magic realism.

Landscape remains one of the most popular subjects for artists visiting and residing in Arizona. Philip C. Curtis, while not known as a landscape painter, draws extensively on that subject. Curtis came to the state in 1937 to establish the Phoenix Federal Art Center under the Federal Art Project, a New Deal program. He left two years later to head a similar facility in Des Moines, Iowa, but returned to Arizona in 1947.

Settling in Scottsdale, he painted surreal compositions, with figures in Victorian costumes set in the desert. Arizona’s landscapes were a rich source of inspiration for him, and while his canvases do not portray any recognizable geological features, his work may be contextualized within the work of a broad spectrum of artists who came to the state. Curtis saw the desert through a lens of magic realism. This differed from Maxfield Parrish, Eugene Berman, and other artists who preferred more representational modes.

Art: ‘Retrospectrum – Bob Dylan’, Frost Art Museum