Today Bon Appétit spends the day with Justin Kennedy, general manager of Parkway Bakery and Tavern in New Orleans, preparing to serve the city’s famous poor boy (po’boy) sandwiches.
Filmed on Location at Parkway Bakery & Tavern | 538 Hagan Ave, New Orleans, LA 70119
This unique fusion, crafted from local materials like cantera and tezontle, inspires artists and architects alike. Iconic structures like Diego Rivera’s Anahuacalli Museum and Juan O’Gorman’s Cave House proudly embody the city’s rich history.
Today, Mexico City serves as a vibrant backdrop for renowned filmmakers such as Alejandro González Iñárritu, Alfonso Cuarón, and Michel Franco. Discover a city of wonders, where history and creativity come to life.
Born in Mexico City, Aleph Molinari is an editor, writer, art director and photographer. He is the co–editor in chief of Purple magazine, as well as a contributor to Materia Press, Art Observed and other publications. His work focuses on materializing culture through publications, exhibitions and campaigns. Among his projects, he co-curated the Purple Festival at the Palais Galliera in Paris, created a botanical sculpture for Soundwalk Collective and Patti Smith’s exhibition Evidence at the Centre Pompidou, and worked on the programming for Soundwalk Collective’s project The Third Eye at Karl Lagerfeld’s 7L Library. He lives in Paris.
Anfisa Vrubel is an editor, writer and researcher whose work focuses on the intersection of art, culture and politics. Vrubel is an editor-at-large at Art Observed and Purple magazine, where she contributes original features and interviews with artists and top thinkers in the fields of politics, ecology, art and culture. After studying government at Harvard, she pursued an editorial career, working for publications such as The Brooklyn Rail and its offshoot publication, The River Rail, which is devoted to environmental art and criticism. Vrubel grew up in New York City and lives between there and Mexico City.See all books by Aleph Molinari, Anfisa Vrubel.
Video timeline: 00:00 – Vienna During the Day 1:35 – Vienna at Night 2:41 – My Favorite Architecture
The city is also known for its Imperial palaces, including Schönbrunn, the Habsburgs’ summer residence. In the MuseumsQuartier district, historic and contemporary buildings display works by Egon Schiele, Gustav Klimt and other artists.
Video timeline: 00:00 – Introduction to the Midcentury Modern House 00:36 – The History and Restoration of the Property 01:16 – A Walkthrough of the House 03:52 – The Era-Specific Material Palette 04:51 – A Powerful Outdoor Connection 05:52 – The Balance of Natural Light and Materials 06:18 – A Responsibility of Restoration
“We instantly felt we could improve it but that we could also preserve it,” says Brett Woods, Founding Partner at Woods + Dangaran. Located just west of Beverly Hills, the home is a refreshing departure from the contemporary mansions that line the streets. “Unlike many homes in Los Angeles, it had this courtyard leading up to the entry and the classic hallmarks of a great example of modernist architecture” says Brett.
A courtyard leading up to the entrance acts like a decompression zone before one reaches the front door. Upon entering, an intimate, dark and moody den awaits. There is a formal sitting area to the right that is more bright and complete with warm-coloured furniture and retro décor. The dining room has been relocated to be in close proximity to the kitchen, which enables an outdoor connection to the terrace. The interior design of this culinary space also captures a wealth of natural light and features generous proportions.
The Globalist Podcast (December 12, 2023) – We examine Volodymyr Zelensky’s efforts to bolster unity amid a rift between the Ukrainian leader and his top general.
Also, pro-democracy activist Nathan Law unpacks Hong Kong’s “patriots only” elections, a flick through today’s papers and a look at Swarovski’s new flagship store on Fifth Avenue.
Deeply entwined with its cultural heritage, the mountainous territory carries a historic tradition of craft metalwork – as a center for the production of hand-crafted ornaments, teapots and spiritual artefacts, destined for temples, and held in high regard by India’s king dynasties.
But the craft has entered a point of decline, continued by just a handful of artisanal metalworkers who fight for its preservation.…
We routinely test for chemicals that cause mutations. What about the dark matter of carcinogens—substances that don’t create cancer cells but rouse them from their slumber?
In the nineteen-seventies, Bruce Ames, a biochemist at Berkeley, devised a way to test whether a chemical might cause cancer. Various tenets of cancer biology were already well established. Cancer resulted from genetic mutations—changes in a cell’s DNA sequence that typically cause the cell to divide uncontrollably. These mutations could be inherited, induced by viruses, or generated by random copying errors in dividing cells. They could also be produced by physical or chemical agents: radiation, ultraviolet light, benzene. One day, Ames had found himself reading the list of ingredients on a package of potato chips, and wondering how safe the chemicals used as preservatives really were.
The law, passed in a frenzy after the First World War, is a disaster. Why is it still on the books?
In March, 1940, Edmund Carl Heine, a forty-nine-year-old American automobile executive, reached an understanding with a company then known as Volkswagenwerk GmbH. Heine, who immigrated to the United States from Germany as a young man, had spent years at Ford, first in Michigan and then in its international operations in South America and Europe, landing finally in Germany. In 1935, two years after the Nazi regime came to power, Ford fired him, for reasons that are unclear. Heine next signed on with Chrysler, in Spain, but the Spanish Civil War was tough on the car business. And so he was out of a job again.
The Globalist Podcast (December 11, 2023) – The latest on the war between Israel and Hamas, examine the results of Egypt’s presidential election and debate Japan prime minister Fumio Kishida’s uncertain political future.
Also, the dispute between Guyana and Venezuela over Essequibo, art news and a dispatch from the Monocle Christmas Market.
This northeasterly nook of Catalonia’s Costa Brava, between the Pyrenees to the north and the Mediterranean to the south, was the landscape that Dalí called his “ongoing inspiration” and is a recurring motif throughout his work.
While the Casa Natal Dalí took me on a tour of Dalí’s life, its near neighbour, the gigantic Dalí Theatre-Museum (£15; salvador-dali.org), just five minutes’ walk away, was designed by the maestro himself. It opened in 1974 and showcases his style at its most eccentric, not to say egocentric.
With its pink façade and giant white eggs on its roof, like decorations on a cake, this is where you’ll find not only the Mae West “lips” sofa, but also numerous grandiose paintings and drawings, trompe l’oeils and painted ceilings — as well as Dalí’s tomb in the crypt.
THE NEW YORK TIMES BOOK REVIEW (December 10, 2023):
The Book Review’s daily critics — Dwight Garner, Alexandra Jacobs and Jennifer Szalai — reflect on the books that stuck with them in 2023.
By Jennifer Szalai, Alexandra Jacobs and Dwight Garner
Films, TV shows, albums, books, art and A.I.-generated SpongeBob performances that reporters, editors and visual journalists in Culture couldn’t stop thinking about this year.
Boomers Daily 