Since lockdown started in the UK, British artist Jonathan Yeo began a ‘FaceTime Portraits’ series where sittings have been filmed by his household, offering viewers a live glimpse into his portrait painting process.
Here he tells us about the pros and cons of painting faces by digital means and how he sees the future of portraiture as technologies continue to evolve.
Jonathan Yeo is a British artist who rose to international prominence in his early 20s as a contemporary portraitist, having painted Kevin Spacey, Dennis Hopper, Cara Delevingne, Damien Hirst, Prince Philip, Erin O’Connor, Tony Blair, and David Cameron among others.
Painted in 1996, David Hockney’s “30 Sunflowers” is a bold and luscious still life of contemporary times. In this episode of Expert Voices, discover how Hockney was inspired to paint “30 Sunflowers” after a decade hiatus, and hear Hockney himself explain the influence of the Old Masters in this vivid work.
Minton had gone on to produce a series of spectacularly colourful oil paintings of Corsica on his return to London, exhibiting them at the Lefevre Gallery in 1949. Many of them depicted fruit and fish and other ingredients for Mediterranean cuisine, and so confirmed Minton as the obvious choice for the David commission. 
“The art world is the same as the rest of the world,” says British artist, writer, and punk-rocker Billy Childish. “What it requires is new, more, and now.” Childish has worked defiantly and prolifically outside of the mainstream since his expulsion from art school in the early 1980s. To the polymath—whose paintings, poems, novels, and music draw heavily from his autobiography—art is a deeply personal experience that should not rely on external validation, whether from critics or audiences. From his painting studio located on a historic dockyard in Kent, United Kingdom, Childish speaks passionately about the freedom that comes with self-validation. When asked about his perspective on the future of art, he demurs. “People think we’re continually ascending a mountain to success or to enlightenment,” he says. “It’s here and now and this is it.”
Miller’s Penguin book covers and ironic titles catch the art world’s eye
Boomers Daily 