Arts & Culture: The New Criterion -October 2024
Tag Archives: Book Reviews
The New York Review Of Books – October 3, 2024
Savvy in the Grass
Some botanists maintain that peas are capable of associative learning, others that tropical vines have a sort of vision. If plants possess sentience, what is the morally appropriate response?
The Light Eaters: How the Unseen World of Plant Intelligence Offers a New Understanding of Life on Earth by Zoë Schlanger
The Nation of Plants by Stefano Mancuso, translated from the Italian by Gregory Conti
Planta Sapiens: The New Science of Plant Intelligence by Paco Calvo with Natalie Lawrence
An Entry of One’s Own
A collection of excerpts from women’s diaries written over the past four centuries offers a vast range of human experience and a subtle counterhistory.
Secret Voices: A Year of Women’s Diaries edited by Sarah Gristwood
The Bliss and the Risks
The painter Paula Modersohn-Becker’s ascension to greater visibility raises questions about how we assess artistic talent, how reputations are made, and how we reevaluate once-neglected artists, particularly women.
Paula Modersohn-Becker: Ich bin Ich/I Am Me an exhibition at the Neue Galerie, New York City, June 6–September 9, 2024, and the Art Institute of Chicago, October 12, 2024–January 12, 2025
Literary Previews: The Paris Review – Fall 2024
Not Enough about Frank: A Visit with James Schuyler
James Schuyler on Frank O’Hara: “I still can see Frank, standing on that street corner outside a pastry shop, holding a neatly tied-up box of God knows what—éclairs, perhaps.”
James Schuyler was born in Chicago in 1923, grew up in Washington, D.C., and East Aurora, New York, and spent most of his adult years in New York City and Southampton, Long Island. Although he is perhaps less widely known than the fellow New York School poets with whom he is associated, John Ashbery, Frank O’Hara, Barbara Guest, and Kenneth Koch, he published six full-length books of poetry during his lifetime—beginning with Freely Espousing, published by Doubleday and Paris Review Editions in 1969—as well as two novels, and a third written in collaboration with Ashbery. In 1981 he won the Pulitzer Prize for his collection The Morning of the Poem (1980). Mental illness plagued him intermittently, and there were times when his life threatened to veer out of control, but friends repeatedly rallied around him, and the years before his death in 1991 were happy and productive.
Javier Cercas on the Art of Fiction: “Hell, to me, is a literary party.”
Prose by Josephine Baker, Caleb Crain, Marlene Morgan, Morgan Thomas, and Fumio Yamamoto.
Poetry by Hannah Arendt, Matt Broaddus, Sara Gilmore, Benjamin Krusling, Mark Leidner, James Richardson, and Margaret Ross.
Art by Ayé Aton and Ron Veasey, and cover by Sterling Ruby.
Arts/Books: Times Literary Supplement – Sept. 6, 2024
Times Literary Supplement (September 4, 2024): The latest issue features ‘Sinister Beauty’ – Baudelaire and Les Fleurs du Mal; Hitler’s accomplices; No exit in Israel and Palestine; Posing for Lucian Freud and David Peace’s Munich…
Books: Literary Review Magazine – September 2024
Literary Review – September 3, 2024: The latest issue features @claire_harman on female detectives; @WomackPhilip on childhood reading; Georgina Adam on art market scandal; @dannykellywords on ageing rockstars and @mathewparris3 on the Queen
Handbags & Handcuffs: “The Mysterious Case of the Victorian Female Detective” By Sara Lodge
‘If there is an occupation for which women are utterly unfitted, it is that of the detective,’ claimed the Manchester Weekly Times in 1888 – already behind the times, it seems, as women had been acting the part for years, albeit invisibly. They had started to feature in detective fiction too. It was studying the burgeoning market in ‘lady detective’ stories post-1860 that led Sara Lodge to wonder who the fantasy sleuths were modelled on, and why the Victorians found them so disturbing and alluring.
Forging Ahead: “Rogues and Scholars: Boom and Bust in the London Art Market, 1945–2000” By James Stourton
It is hard to think of a person more qualified to write this book. In addition to being an art historian, a prolific writer, a lecturer and a broadcaster, James Stourton is also a former chairman of Sotheby’s UK. He joined the auction house in 1979 and left in 2012 to become a senior fellow at the Institute of Historical Research.
The New York Review Of Books – September 19, 2024
The Secret Agent
Creation Lake by Rachel Kushner
Rachel Kushner’s fourth novel tells the story of a spy-for-hire who infiltrates the ranks of a radical French commune.
Venture-Backed Trumpism
Why have right-wing ideas found such an eager audience among tech elites during Biden’s presidency?
Succumbing to Spectacle
During the last half-century, artists, curators, and scholars have been increasingly preoccupied with the idea of spectacle and with how to embrace, critique, or co-opt the power of work that envelops and overwhelms the viewer.
Jenny Holzer: Light Line – An exhibition at the Solomon R. Guggenheim Museum, New York City, May 17–September 29, 2024
Tricks of the Light: Essays on Art and Spectacle by Jonathan Crary
The Avant-Gardists: Artists in Revolt in the Russian Empire and the Soviet Union, 1917–1935 by Sjeng Scheijen
The Most Conservative Branch
Reading the Constitution: Why I Chose Pragmatism, Not Textualism by Stephen Breyer
In his new book, Reading the Constitution, Stephen Breyer criticizes recent Supreme Court decisions on issues such as abortion and gun rights as the product of rigid and imperfect reasoning rather than of ideology, and he argues for a more pragmatic jurisprudence.
Arts/Books: Times Literary Supplement – Aug 23, 2024
Times Literary Supplement (August 21, 2024): The latest issue features ‘Angels at her table’ – C.K. Stead and Kirsty Gunn on Janet Frame’s singular voice; Pat Barker and Mark Haddon’s modern myths; Rethinking incarceration; How art comes about; Sleep science; Hypochondria and literary reputations….
Arts & Culture: The New Criterion – Sept 2024
Arresting scenes
On John Constable’s The Hay Wain & the foundations of the West.
We write as The New Criterion’s annual period of aestivation enters its home stretch. The cicadas are buzzing, the days are noticeably shorter, and the leaves—some of them—are already edged with brown. Certain summers feature quiet expanses of lazy days. This one was different. In July, Donald Trump, except for the tip of his right ear, dodged a would-be assassin’s bullet; Joe Biden dropped (or, we now know, was pushed) out of the 2024 presidential race but, as of this writing, remains president; Kamala Harris, Biden’s vice president, stepped into the vacancy and magically became the new candidate for president, choosing the Minnesota governor Tim Walz as her running mate.
Arts/Books: Times Literary Supplement – Aug 16, 2024
Times Literary Supplement (August 14, 2024): The latest issue features ‘Guy vs the Spies’ – Robert Cecil’s secret intelligence network; The new Cold War; On annihilation; What anxiety means; G.K. Chesterton’s Notting Hill…
Los Angeles Review Of Books – Summer 2024
Rhian Sasseen swipes right on behalf of a fictional porn addict;
Francesca Peacock roots through the archives for a deeper understanding of scandal and speech;
Ruth Madievsky closes the gate on her college rumor mill;
and Emmeline Clein recounts an “American Icarus story” spelled out in diet pills and rhinestones.
Gossip as a Literary Genre, or Gossip as “L’Écriture feminine”?
Francesca Peacock roots through the archives for a deeper understanding of scandal and speech in an essay from the LARB Quarterly issue no. 42, “Gossip.”
Boomers Daily 