The 10th EPSON International Pano Awards is dedicated to the craft and art of panoramic photography. Advances in digital photography and editing software have resulted in an ever-increasing rise in the popularity of image stitching, especially in the panoramic format. VR ‘immersive’ photography also continues to excite and develop at a rapid pace, and panoramic film photography remains alive and well.
The EPSON International Pano Awards showcases the work of panoramic photographers worldwide and is the largest competition for panoramic photography.
To read and see more: https://thepanoawards.com/2019-winners-gallery/
His work was displayed in many exhibitions in the UK and twenty four of his paintings were exhibited in New York in 1960. the exhibition was entitled ‘British Motoring Achievements’ and was a collection of paintings depicting outstanding performances of British cars during the previous ten years. These included the Vanwall and Cooper in Grand Prix, Monte Carlo and Alpine Rallies, speed records by MG and Austin, and Le Mans wins by Jaguar and Aston Martin.
One of the most successful artists of the Italian Renaissance, Titian was the master of the sixteenth-century Venetian school and admired by his royal patrons and fellow artists alike. Several of his contemporaries, including the authors and art theorists Giorgio Vasari, Francesco Priscianese, Pietro Aretino, and Ludovico Dolce, wrote accounts of Titian’s life and work.
In this episode, Getty assistant curator of paintings Laura Llewellyn discusses what these “lives” teach us about Titian and the artistic debates and rivalries of his time. All of these biographies are gathered together in Lives of Titian, recently published by the Getty as part of our Lives of the Artists series.
The Credit Suisse Exhibition: Gauguin Portraits 7 October 2019 – 26 January 2020 Book tickets online and save, Members go free: 
Rodin first exhibited a bronze and a plaster version of 
Isolation was a persistent theme in Hopper’s art and life. Was he dogged by isolation or did he pursue it? ‘Did anybody really know this silent, non-communicative man?’ asked Raphael Soyer in a 1981 interview, 14 years after Hopper’s death. His friends recollected a cynical and taciturn artist, self-doubting, introspective and distrustful of fame. But before Hopper became the painter of lonely figures in all-night diners, he was the illustrator of raucous party scenes and smiling couples waltzing together at summer fêtes.
In a statement on the artist’s website, the Maelstrom series is described as “a cursory glimpse of the exchange, cycle and balance of power fundamental to the functioning of our planet and its oceans… Maelstrom encourages the viewer to reflect upon our own naivety and place as a species within the greater natural balance of power.”
Boomers Daily 