An extract from the Christie’s Education online course, The Great Masters of European Art 1350–1850. Florence in the 1400s, a city of wealthy guilds and merchants, in particular the Medici family, who commissioned astonishing works of art to show off their success and cultivation.
Here we are introduced to one of the great artists the Medicis favoured: Sandro Botticelli, and his most famous works: ‘Primavera’ and ‘The Birth of Venus’.
Alessandro di Mariano di Vanni Filipepi (c. 1445 – May 17, 1510), known as Sandro Botticelli, was an Italian painter of the Early Renaissance. He belonged to the Florentine School under the patronage of Lorenzo de’ Medici, a movement that Giorgio Vasari would characterize less than a hundred years later in his Vita of Botticelli as a “golden age”. Botticelli’s posthumous reputation suffered until the late 19th century; since then, his work has been seen to represent the linear grace of Early Renaissance painting.
“Imagine all the people” is a project by Turin-based artist and illustrator Pierpaolo Rovero that fantasizes about the way people around the word spend their time in quarantine. Depicting a diverse range of metropolitan panoramas, from New York and Paris, to Jerusalem, to Tokyo, Rovero imagines the citizens of each city indulging in the same activity while stuck at home, allowing viewers to catch glimpses through windows, balconies and skylights. 
Peter Paul Rubens was among the most influential artists in 17th-century Europe. Despite a childhood marred by a scandal that landed his father in prison, Rubens rose to become not only a prominent court painter in the Spanish Netherlands but also a lauded diplomat who worked across Western Europe.
In search of a replacement for his lost Hermès agenda, Brigitte Benkemoun’s husband buys a vintage diary on eBay. When it arrives, she opens it and finds inside private notes dating back to 1951—twenty pages of phone numbers and addresses for Balthus, Brassaï, André Breton, Jean Cocteau, Paul Éluard, Leonor Fini, Jacqueline Lamba, and other artistic luminaries of the European avant-garde.





Titian (active 1506–1576) produced a masterful group of paintings for Philip II of Spain, celebrating the loves of gods, goddesses, and mortals. Depicting scenes from Ovid’s narrative poem Metamorphoses, Titian named them “poesie” and considered the works as visual equivalents of poetry.