Tag Archives: Arts & Literature

Abstract Art: ‘Collage’ By Willem De Kooning (1950)

Sotheby’s – Head of contemporary Art, David Galperin reflects upon how Willem De Kooning makes the impossible possible in Collage (1950) one of De Kooning’s most pivotal abstract paintings, which has been in the private hands for more than seven decades. Undoubtedly, Collage is a key painting within De Kooning’s color abstraction series, marking the beginning of a style that would define his work for decades to come.

Willem de Kooning was a Dutch-American abstract expressionist artist. He was born in Rotterdam and moved to the United States in 1926, becoming an American citizen in 1962. In 1943, he married painter Elaine Fried.

Artists: Georgy Kurasov’s ‘Vibrant Geometrics’

Abstract Figurative Paintings by Georgy Kurasov

He distorts human figures by breaking them up into geometric shapes and planes.

Abstract Figurative Paintings by Georgy Kurasov

These abstract compositions are united by the Cubist style and vibrant color palette.

Georgy Kurasov was born in 1958 in the USSR, in what was then Leningrad. He still lives and works in the same place, but now the country is Russia and the city is called St Petersburg. Without any effort on his part whatsoever, Georgy seems to have emigrated from one surreal country to another.

Read a review of the artist here

Website

Preview: London Review Of Books – Nov 17, 2022

London Review of Books (LRB) – November 17, 2022:

In the Photic Zone: Flower Animals

Life on the Rocks by Juli Berwald.

While there are many different sorts of Anthozoa, their basic unit is a polyp: an individual soft flower-animal similar to an anemone. While anemones are solitary, in corals these polyps band together to form colonies. As they grow, they build a skeleton of limestone around themselves, drawing calcium and carbon molecules from the seawater. They also draw in carbon dioxide to feed their resident algae. Over time these skeletons accumulate upwards and outwards. Corals build on their predecessors, leaving their own legacy behind them for the next generation. Reefs are, in part, the frozen exuberant bouquets of the past.

Previews: The New Yorker Magazine – Nov 14, 2022

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The New Yorker – Inside the November 14, 2022 Issue:

The Case Against the Twitter Apology

A man making a note from paper scraps spelling out "Sorry."

Our twenty-first-century culture of performed remorse has become a sorry spectacle.

Emma Thompson’s Third Act

A series of portraits of Emma Thompson, photographed by Chris Levine.

The actress and screenwriter takes on a musical.

Do We Have the History of Native Americans Backward?

A portrait of Thayendanegea, painted in London, in 1785, by Gilbert Stuart.

They dominated far longer than they were dominated, and, a new book contends, shaped the United States in profound ways.

Covers: World Literature Today – Nov/Dec 2022

Current Issue

November/December2022

In a wide-ranging conversation that headlines World Literature Today’s November issue, we celebrate Ada Limón being named the 24th Poet Laureate Consultant in Poetry to the Library of Congress.

Singing Back to the World: A Conversation with US Poet Laureate Ada Limón

by Chard deNiord

With your latest passport to great reading, the editors are also excited to launch an ambitious new editorial initiative to offer a greater number of shorter pieces to help further diversify the magazine’s coverage and facilitate reader engagement from a wider variety of cultural angles. Through literature, music, film, food, and art, WLT is finding more ways than ever to connect you to the global cultural landscape of the 21st century.

Culture: The New Review Magazine – Nov 6, 2022

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Inside the November 6, 2022 Issue:

TS Eliot’s women: the unsung female voices of The Waste Land

Dylan: The Greatest Thing I’ll Never Learn review – messy, punky pop thrills

The week in theatre: Tammy Faye; Hamlet; Marvellous – review

The best recent crime and thriller writing

The best recent crime and thriller writing

Shakespeare & Company: Author Jonathan Coe On His New Book ‘Bournville’

Jonathan Coe

From the bestselling, award-winning author of Middle England comes a profoundly moving, brutally funny and brilliantly trueportrait of Britain told through four generations of one family

In Bournville, a placid suburb of Birmingham, sits a famous chocolate factory. For eleven-year-old Mary and her family in 1945, it’s the centre of the world. The reason their streets smell faintly of chocolate, the place where most of their friends and neighbours have worked for decades. Mary will go on to live through the Coronation and the World Cup final, royal weddings and royal funerals, Brexit and Covid-19. She’ll have children and grandchildren and great-grandchildren. Parts of the chocolate factory will be transformed into a theme park, as modern life and the city crowd in on their peaceful enclave.

Reviews: ‘The Week In Art’

This week: uproar over the National Gallery in London’s building plans—is it a sensitive makeover or like “an airport lounge”?

We talk to the director of the National Gallery, Gabriele Finaldi, about the gallery’s controversial plans for changes to its Sainsbury Wing, and to Rowan Moore, architecture critic at the Observer, about his views on the designs by the architect Annabel Selldorf, and how they respond to Robert Venturi and Denise Scott Brown’s original Post-Modern building.

Tokini Peterside-Schwebig, the director of Art X Lagos, tells us about the contemporary art scene in Nigeria’s most populous city, and how the fair is addressing the climate emergency, as devastating floods wreak havoc in West Africa. And this episode’s Work of the Week is Marc Chagall’s The Falling Angel (1923/1933/1947), the centrepiece of a new exhibition at the Schirn Kunsthalle in Frankfurt, Germany.Art X Lagos, Federal Palace, Lagos, Nigeria, 5-6 NovemberChagall: World in Turmoil, Schirn Kunsthalle, Frankfurt, Germany, until 19 February 2023 Hosted on Acast. See acast.com/privacy for more information.

Fall 2022 Art Exhibitions: ‘Cubism and the Trompe l’Oeil Tradition’ At The Met

The Met – Join the exhibition’s curators Emily Braun and Elizabeth Cowling for a virtual tour of Cubism and the Trompe l’Oeil Tradition, which offers a radically new view of Cubism by demonstrating its engagement with the age-old tradition of trompe l’oeil painting.

A self-referential art concerned with the nature of representation, trompe l’oeil (“deceive the eye”) beguiles the viewer with perceptual and psychological games that complicate definitions of truth and fiction. Along with Cubist paintings, sculptures, and collages, the exhibition presents canonical examples of European and American trompe l’oeil painting from the seventeenth through the nineteenth centuries.