Tag Archives: Arts & Literature

Reviews: ‘The Week In Art’

This week: uproar over the National Gallery in London’s building plans—is it a sensitive makeover or like “an airport lounge”?

We talk to the director of the National Gallery, Gabriele Finaldi, about the gallery’s controversial plans for changes to its Sainsbury Wing, and to Rowan Moore, architecture critic at the Observer, about his views on the designs by the architect Annabel Selldorf, and how they respond to Robert Venturi and Denise Scott Brown’s original Post-Modern building.

Tokini Peterside-Schwebig, the director of Art X Lagos, tells us about the contemporary art scene in Nigeria’s most populous city, and how the fair is addressing the climate emergency, as devastating floods wreak havoc in West Africa. And this episode’s Work of the Week is Marc Chagall’s The Falling Angel (1923/1933/1947), the centrepiece of a new exhibition at the Schirn Kunsthalle in Frankfurt, Germany.Art X Lagos, Federal Palace, Lagos, Nigeria, 5-6 NovemberChagall: World in Turmoil, Schirn Kunsthalle, Frankfurt, Germany, until 19 February 2023 Hosted on Acast. See acast.com/privacy for more information.

Fall 2022 Art Exhibitions: ‘Cubism and the Trompe l’Oeil Tradition’ At The Met

The Met – Join the exhibition’s curators Emily Braun and Elizabeth Cowling for a virtual tour of Cubism and the Trompe l’Oeil Tradition, which offers a radically new view of Cubism by demonstrating its engagement with the age-old tradition of trompe l’oeil painting.

A self-referential art concerned with the nature of representation, trompe l’oeil (“deceive the eye”) beguiles the viewer with perceptual and psychological games that complicate definitions of truth and fiction. Along with Cubist paintings, sculptures, and collages, the exhibition presents canonical examples of European and American trompe l’oeil painting from the seventeenth through the nineteenth centuries.

Preview: Art In America Magazine November 2022

Magazine cover shows an abstract print evoking a sunset in the American Southwest. Top says Art in America "The Southwest: Aerial Photography + Native Feminisms + Rose B. Simpson

Art in America – The history of the Southwest is long and vexed. Many think of America as developing from east to west, from the original 13 colonies to settlements made in the name of Manifest Destiny. But the West in all its richness was there, of course, long before it was “discovered” by venturers from elsewhere. The region has been home to a palimpsest of cultures, but the gruesome theft of land from Indigenous people remains a defining trauma. The southernmost parts of the Southwest at one time belonged to Mexico; today that area is embroiled in battles over immigration, and scarred by a former president’s xenophobic desire to build a wall. Plagued by drought, the entire Southwest tolls the ominous bell of climate change.

GOD’S-EYE VIEWS
by Jackson Arn

Aerial photography captures the Southwest’s natural splendor, explosive urban development, and military secrets.

Preview: Times Literary Supplement – Nov 4, 2022

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This week’s @TheTLS , featuring André Aciman on Proust; Margaret Drabble on Robert Aickman; @LucyHH on Naples; @AnnPettifor on climate refugees; @scheffer_pablo on Nona Fernández; @IsabelleBaafi on the poetry of June Jordan, Wanda Coleman and Rita Dove – and more.

Preview: The Burlington Magazine – Nov 2022

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The Parthenon sculptures

It is now forty years since Melina Mercouri, the Greek Minister for Culture from 1981 to 1989, famous also as a film star and singer, addressed UNESCO’s World Conference on Cultural Policies to draw international attention to the campaign with which she would be identified until her death in 1994, the repatriation to Athens of the Parthenon sculptures in the British Museum. ‘We are not asking for the return of a painting or a statue’, she said: ‘We are asking for the return of a portion of a unique monument, the privileged symbol of a whole culture’. 

The Painters of Pompeii

As images, ancient Roman wall paintings command attention for their bold compositions, vibrant and saturated colours, convincing naturalism and the fantastical mythologies they depict. As objects they also captivate for the dramatic circumstances surrounding their near- destruction, the miracle (or rarity) of their survival and the alchemical nature of lime plaster and pigment.

Books: Literary Review Magazine – Nov 2022

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Inside the Literary Review – November 2022:

A Tale of Two Cities

London: The Great Transformation 1860–1920

Think of the Live Models!

The Artist’s Studio: A Cultural History

THE STATE WE’RE IN

Are You Outraged Yet? – The Chaos Machine: The Inside Story of How Social Media Rewired Our Minds and Our World

Was Lockdown Lawful? – Emergency State: How We Lost Our Freedoms in the Pandemic and Why It Matters

Damned Statistics – Bad Data: How Governments, Politicians and the Rest of Us Get Misled by Numbers

Previews: The New Yorker Magazine – Nov 7, 2022

Person sweeping sidewalk of dry leaves and medical masks.

Inside the The New Yorker Magazine, November 7, 2022:

How Election Subversion Went Mainstream in Pennsylvania

Doug Mastriano grilling on a voting booth.

In the state’s midterms—which could determine the balance of the Senate and the integrity of the Presidential race in 2024—Democrats are fighting for the vote. Republicans are fighting to undermine it.

Was Jack Welch the Greatest C.E.O. of His Day—or the Worst?

As the head of General Electric, he fired people in vast numbers and turned the manufacturing behemoth into a financial house of cards. Why was he so revered?

Is the Multiverse Where Originality Goes to Die?

A person reading a book in a colorful room full of cultural references from different shows about the multiverse.

The concept helps entertainment companies like Marvel Studios recycle old characters—but it can also unlock new kinds of storytelling.

Art History: ‘Still Life With Apples’ By Paul Cézanne

The Fitzwilliam Museum – This painting was executed sometime between 1877, when Cézanne exhibited for the second and last time with the Impressionist painters, and 1878, when he returned to live in Provence. Cézanne himself claimed that he planned to conquer Paris with an apple, and his paintings of this single fruit have in fact proved to be among his most admired works.

Bought by Degas for 100 francs in January 1896, it was acquired in Paris by John Maynard Keynes at the sale of the contents of Degas’s studio in March 1918. It is one of the most celebrated of all his still-lifes, and, through Keynes’s friendship with the painter and writer Roger Fry, and the circle of Bloomsbury writers, came to be crucial in the dissemination of knowledge of Cézanne’s work in England.

Art: The ‘Dazzling’ Artist Studios Of Damian Elwes

Matisse’s Studio in Collioure

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Gauguin’s Studio in Marquesas Islands

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Monet’s Studio in Giverny

DAMIAN ELWES is a British/American artist with studios in Santa Monica and Colombia.

Elwes chooses a moment in time when an artist is at their most inventive and then examines what was going on in their studios.

Website

Books: TLS/Times Literary Supplement – Oct 28, 2022

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This week’s @TheTLS , featuring Helen Vendler on Matthew Hollis’s biography of The Waste Land; Vernon Bogdanor on the UK’s future; Christopher Priest on Terry Pratchett; Felipe Fernández-Armesto on lying; @irinibus on the creative potential of constraints – and more.