By Colm Tóibín
Annotations to James Joyce’s ‘Ulysses’
by Sam Slote, Marc A. Mamigonian and John Turner.
Ulysses is haunted by the story of its own composition. As Joyce famously put it, ‘I’ve put in so many enigmas and puzzles that it will keep the professors busy for centuries arguing over what I meant, and that’s the only way of ensuring one’s immortality.’ The annotators point out, however, that it is ‘very likely that Joyce never said this’.
With smuggled cell phones and a handful of accomplices, Arthur Lee Cofield, Jr., took money from large bank accounts and bought houses, cars, clothes, and gold.
Early in 2020, the architect Scott West got a call at his office, in Atlanta, from a prospective client who said that his name was Archie Lee. West designs luxurious houses in a spare, angular style one might call millionaire modern. Lee wanted one. That June, West found an appealing property in Buckhead—an upscale part of North Atlanta that attracts both old money and new—and told Lee it might be a good spot for them to build. Lee arranged for his wife to meet West there.
Gauff has the charisma and talent to be not just a champion but a star, and this summer she has played better than ever before.
Last weekend, at a tournament in the Cincinnati suburb of Mason, Coco Gauff beat Iga Świątek for the first time. It was one of those moments in tennis when the ground seemed to shift: Gauff had never taken a set from Świątek, the current world No. 1, in the seven previous times they’d met. It was the biggest win of Gauff’s young career—but it was in keeping with a high-summer revving of her already formidable game. In the hard-court tournaments held across North America which are essentially warmups for the U.S. Open, Gauff has been the imposing presence that the tennis world has been waiting for her to become—waiting avidly, for sure, but a little anxiously, too. As recently as early July, when she lost in the first round at Wimbledon, there was fretting that she wasn’t making quick enough progress.
THE NEW YORK TIMES BOOK REVIEW (August 27, 2023) The new issue features: James McBride’s Latest Is a Murder Mystery Inside a Great American Novel; The First Chinese American Movie Star and the Cost of Glittering Fame, and more…
“The Heaven & Earth Grocery Store” opens with the discovery of a skeleton in a well, and then flashes back to explore its connection to a town’s Black, Jewish and immigrant history.
By Danez Smith
A few weeks ago, around the same time I was working on this review, I visited the Guggenheim with my fiancé. The exhibition on display as we trekked up the museum’s famous spiral was “Measuring Infinity,” a marvelous retrospective on the work of the great Venezuelan artist Gego. A German Jew who fled Nazi persecution in Europe, Gego arrived in Venezuela in 1939 and went on to become one of the most important artists to emerge from Latin America in the 20th century. Her work speaks to a deep curiosity about the interrelation of shapes, things and the dimensions created by those relationships.
A new biography of Anna May Wong, “Daughter of the Dragon,” is intended as a form of reclamation and subversion.
It was, according to the film historian Kevin Brownlow, “one of the most racist films ever made in America.” “Old San Francisco” (1927) featured a white actor playing a Chinese villain passing as a white man (got that?) who plans to sell an innocent white girl into white slavery until he is conveniently crushed by an earthquake. Before his grisly end he is aided in his nefarious scheme by an Asian character identified only as “a flower of the Orient,” played by an ingénue named Anna May Wong.
A modern art pioneer, renowned Swiss painter Ferdinand Hodler (1853–1918) created works that range from vast symbolist compositions to intimate, realist portraits and nearly abstract landscape paintings. This exhibition of approximately sixty works, primarily on paper, will focus on the role of drawing in his practice, from quick compositional sketches to elaborate oil studies.
Most of the drawings Hodler produced were preparatory studies for his large-scale figure compositions; these offer a fascinating account of his working process, which involved technical experiments with imprints, tracing, and collages. A few of his portrait drawings will also be featured, including a poignant series in which he recorded the illness and death of his lover Valentine Godé-Darel.
These rarely seen drawings offer a compelling survey of Hodler’s singular contribution to early modernism.
THE AMERICAN SCHOLAR – AUTUMN 2023:
Making sense of the life of a poet about whom we know so little
by Sarah Ruden
Great works of literature are sly and powerful beasts that pounce on their readers, grabbing them by the neck and shaking them back and forth. The young Augustine looks like a typical victim of Vergil’s Aeneid. The schoolboy being brought up as a Christian in fourth-century CE North Africa found the first-century BCE epic poem of pagan Rome the most impressive thing in his cultural life to date. Tellingly, his reaction shows no interest in the poem’s theme of individual sacrifice in the name of imperial destiny; rather, into middle age, the great theologian and founder of institutional Catholic monasticism remembered weeping for Dido, who commits suicide after her lover, Aeneas, abandons her at the end of Book IV.
Oglethorpe University’s time capsule was meant to last thousands of years, but will it?
by Colin Dickey
Country Life Magazine – August 23, 2023: This week’s issue features the ‘Scotland special’, filled with castles, nature and 43 pages of magical dream property.
Christopher Woodward dives into the pools that keep the golden age of swimming alive
Brooding on its island cliff top, Dunvegan Castle, Isle of Skye, has been splendidly restored to glory, finds John Goodall
Vital to the water of life, whisky barrels require ancient skills. Joe Gibbs visits Speyside Cooperage to witness the magic
Small details put the finishing touch on Backhouse Rossie in Fife. Caroline Donald visits a garden redolent with history
Stephan Lehmann has uncovered around 50 suspected forged artworks to date – in the marketplace, in private collections and even in museums. Now, a large bronze of Alexander the Great has resurfaced in Greece. It was owned by a British art dealer and was handed back to Greece as previously looted art. But Lehmann and other experts say it’s a fake. Due to his work, archaeologist Stephan Lehmann is not always a popular figure: in the art trade and the museum world, many people prefer to sweep the problem of forgeries under the rug.
But one anonymous Swiss collector decided to confront the issue. He sent Lehmann an allegedly ancient but highly dubious bronze depicting Emperor Augustus, which he had purchased for several hundred thousand dollars in New York. Lehmann examined it and had it X-rayed at Germany’s Fraunhofer Institute, using one of the most powerful CT scanners in the world.
Testing the material an artwork is made of can not only uncover forgeries; it can also shed light on how forgers go about their work. This documentary sets out on the trail of art forgers, uncovering a dark and concealed side of the antiquities trade. It reveals just how good forgeries can be. Fakes have even sometimes turned up among supposedly looted works being returned to states as part of the restitution process.
How the U.S. government came to rely on the tech billionaire—and is now struggling to rein him in.
By Ronan Farrow
Last October, Colin Kahl, then the Under-Secretary of Defense for Policy at the Pentagon, sat in a hotel in Paris and prepared to make a call to avert disaster in Ukraine. A staffer handed him an iPhone—in part to avoid inviting an onslaught of late-night texts and colorful emojis on Kahl’s own phone. Kahl had returned to his room, with its heavy drapery and distant view of the Eiffel Tower, after a day of meetings with officials from the United Kingdom, France, and Germany. A senior defense official told me that Kahl was surprised by whom he was about to contact: “He was, like, ‘Why am I calling Elon Musk?’ ”
I was searching for truth. Instead, I found a family.
By the time I was twenty-one, I had made two short films and was dead set on making a feature. I had gone to a distinguished school in Munich, where I had few friends, and which I hated so passionately that I imagined setting it on fire. There is such a thing as academic intelligence, and I didn’t have it. Intelligence is always a bundle of qualities: logical thought, articulacy, originality, memory, musicality, sensitivity, speed of association, and so on. In my case, the bundle seemed to be differently composed. I remember asking a fellow-student to write a term paper for me, which he did quite easily. In jest, he asked me what I would do for him in return, and I promised that I would make him immortal. His name was Hauke Stroszek. I gave his last name to the main character in my first film, “Signs of Life.” I called another film “Stroszek.”
THE NEW YORK TIMES BOOK REVIEW – August 20, 2023: The issue features “never before told” narrative histories including a tale of the female botanists who surveyed the Grand Canyon in 1938, a recent biography of the 19th-century “abortionist of Fifth Avenue” and the book on this week’s cover: Prudence Peiffer’s “The Slip,” which brings into focus a thriving artistic community that existed at the southernmost tip of Manhattan in the 1950s and ’60s.
In Melissa Sevigny’s “Brave the Wild River,” we meet the two scientists who explored unknown terrain — and broke barriers.
BRAVE THE WILD RIVER: The Untold Story of Two Women Who Mapped the Botany of the Grand Canyon, by Melissa L. Sevigny
Let’s start this story on a sun-blistered evening in August 1938. A small band of adventurers had just concluded a 43-day journey from Utah to Nevada — although perhaps “journey” is too tame a description for a trip that had required weeks of small wooden boats tumbling down more than 600 miles of rock-strewn rivers. The goal was twofold. First, to simply survive. And then, to chart the plants building homes along the serrated walls of the Grand Canyon.
Prudence Peiffer’s “The Slip” is a group biography of six visual artists and the work they created on the edge of Manhattan in the 1950s and ’60s.
Boomers Daily 