Arts & Culture: The New Criterion — Nov 2023
Tag Archives: Arts & Literature
The burden of the humanities by Wilfred M. McClay
The New York Times Book Review – October 15, 2023
THE NEW YORK TIMES BOOK REVIEW (October 15, 2023): This week’s issue features a fabulous historical novel, the Janet Malcolm-like account of an Australian murder trial, a sprightly history of the Oxford English Dictionary, a homage to “The Haunting of Hill House”, historical fiction, thrillers, crime novels, romance, horror & Gothic fiction, science fiction & fantasy.)
A Fitting — and Frightening — Homage to ‘The Haunting of Hill House’
Apparitions, black hares and time warps festoon the pages of Elizabeth Hand’s “A Haunting on the Hill,” set in the same moldering mansion as Shirley Jackson’s classic horror novel.
The Wife Has Committed Murder but It’s the Husband Who Scares Her Lawyer
In Marie NDiaye’s new novel, “Vengeance Is Mine,” a woman is haunted by a decades-old trauma she feels, but cannot quite remember.
VENGEANCE IS MINE, by Marie NDiaye. Translated by Jordan Stump.
The characters in Marie NDiaye’s novels are an unsettling brood. They fret and pace around their homes, tormented by their pasts. Their minds trap and trick them. A daughter can’t shake memories of her mother’s murder; a man gropes for the truth about his imprisonment in a deserted vacation town; a chef pursues culinary perfection at any cost; a woman — reminded of a friend, a schoolteacher or was it her mother? — fatally chases an apparition in green.
Reviews: ‘The Week In Art’
The Week In Art Podcast (October 13, 2023): The Frieze art fair has turned 20 this week, and is only growing in its ambitions, having acquired the Armory Show fair in New York and Expo Chicago.
So what should we make of Frieze’s continuing expansion and what’s the mood at Frieze London and Frieze Masters this year? We talk to Tim Schneider, The Art Newspaper’s acting art market editor, who is over from New York for the fairs. In Reykjavik in Iceland, the artist-run Sequences Biennial opens on Friday. A former curator of the event is Hildigunnur Birgisdóttir, who will represent Iceland at the Venice Biennale in 2024. Tom Seymour went to the Icelandic capital to talk to her about Venice, Sequences and the Icelandic scene.
And this episode’s Work of the Week is Open Window, Collioure (1905) by Henri Matisse. The painting is a highlight of the exhibition Vertigo of Colour: Matisse, Derain, and the Origins of Fauvism at the Metropolitan Museum of Art in New York. We speak to Dita Amory, co-curator of the show, about this landmark painting in Matisse’s career.
Frieze London and Frieze Masters, Regent’s Park, London, until 15 October.
The Sequences Biennial, entitled Can’t See, begins on 13 October and continues until 22 October 2023.
Vertigo of Color: Matisse, Derain, and the Origins of Fauvism, Metropolitan Museum of Art, New York, 13 October-21 January 2024; Museum of Fine Arts, Houston, 25 February-27 May 2024.
Preview: London Review Of Books – Oct 19, 2023
Travels in the Americas: Notes and Impressions of a New World by Albert Camus, edited by Alice Kaplan, translated by Ryan Bloom
Bruno Schulz: An Artist, a Murder and the Hijacking of History by Benjamin Balint
On Nagorno-Karabakh
Democracy’s Data: The Hidden Stories in the US Census by Dan Bouk
Previews: Country Life Magazine – Oct 11, 2023
Country Life Magazine – October11, 2023: The latest issue features the rise of the super cottage, autumn berries and how to win at conkers.
Conkering heroes
Simon Lester swings into the win-at-all-costs world of that old playground chestnut: conkers
Last call for the corncrake
This small and secretive bird is becoming ever-more rare, but there is hope, finds Vicky Liddell
Doing it by the book
Independent bookshops are thriving against the high-street odds. Catriona Gray selects a few of her favourites from the shelf
Interiors
Giles Kime picks 10 blasts from the past that are back in fashion, Eleanor Doughty marvels at Nels Crosthwaite Eyre’s light touch, Bee Osborn hails the rise of the super cottage and Amelia Thorpe visits a resurgent Pimlico Road
Nine centuries of service
In the second of two articles, John Goodall focuses on London’s St Bartholomew’s Hospital
Native breeds
The ‘picturesque’ New Forest pony is central to centuries-old grazing rights, finds Kate Green
Colour supplements
Fiery autumn tints catch the eye of Jane Powers in the secluded Cliff House Garden in Co Dublin
We reap what he sowed
Katherine Cole hails campaigner Miles Hadfield, who fought to save a host of historic gardens
Having a gourd time
Pumpkins and squashes have long been an inspiration to chefs and artists, reveals Lia Leendertz
The good stuff
Brown is the colour this season, so it’s chocs away for Hetty Lintell
Classical Guitar: Laura Lootens Plays Albéniz
This work was originally written for piano, but Laura Lootens has arranged it herself for solo guitar. Born in 1860, Spanish composer Isaac Albéniz was mainly a pianist and wrote primarily for the piano. More than any other musician, he succeeded in incorporating the Spanish guitar idiom and folklore into his style.
Thus, for instance, his works contain allusions to rasgueado, a guitar technique that strums all six strings percussively in rapid succession, as we often hear in flamenco. So it is no wonder that many of Albéniz’s piano works have also been performed on the guitar.
This piece is a track from Laura Lootens album of works by Albéniz on CAvi music. Laura Lootens – Albéniz: España, Op. 165: No. 3, Malagueña. Allegretto (Arr. Laura Lootens) Laura Lootens / Albéniz: Suite Española, Malagueña and Other Works
Album page: https://dgt.link/lootens-albeniz
Video direction: Jure Knez
Previews: The New Yorker Magazine – Oct 16, 2023
Jake Sullivan’s Trial by Combat
Inside the White House’s battle to keep Ukraine in the fight.
On a Monday afternoon in August, when President Joe Biden was on vacation and the West Wing felt like a ghost town, his national-security adviser, Jake Sullivan, sat down to discuss America’s involvement in the war in Ukraine. Sullivan had agreed to an interview “with trepidation,” as he had told me, but now, in the White House’s Roosevelt Room, steps from the Oval Office, he seemed surprisingly relaxed for a congenital worrier. (“It’s my job to worry,” he once told an interviewer. “So I worry about literally everything.”)
The Crimes Behind the Seafood You Eat
China has invested heavily in an armada of far-flung fishing vessels, in part to extend its global influence. This maritime expansion has come at grave human cost.
By Ian Urbina
In the past few decades, partly in an effort to project its influence abroad, China has dramatically expanded its distant-water fishing fleet. Chinese firms now own or operate terminals in ninety-five foreign ports. China estimates that it has twenty-seven hundred distant-water fishing ships, though this figure does not include vessels in contested waters; public records and satellite imaging suggest that the fleet may be closer to sixty-five hundred ships.
Chicago Exhibitions: ‘Caravaggio In Rome’
Michelangelo Merisi da Caravaggio.
Among Friends and Rivals: Caravaggio in Rome
Sep 8–Dec 31, 2023
Michelangelo Merisi da Caravaggio.
Caravaggio’s followers, known as the Caravaggisti, embraced the stylistic hallmarks of the painter’s intensely naturalistic work. Like their trailblazing idol, they used models from real life, boldly depicting their quirks and flaws in dynamic compositions whose turbulent movement was revealed in dramatic extremes of light and dark. The themes and individual artistic approaches of Caravaggisti often depended on their direct or indirect relationships to Caravaggio—some knew the artist personally, while others knew him only through his work.
Museum Exhibition Tour: ‘Manet/Degas’ At The Met
Manet/Degas
September 24, 2023–January 7, 2024
Born only two years apart, Manet (1832–1883) and Degas (1834–1917) were friends, rivals, and, at times, antagonists who worked to define modern painting in France. By examining their careers in parallel and presenting their work side by side, this exhibition investigates how their artistic objectives and approaches both overlapped and diverged. Through more than 160 paintings and works on paper, Manet/Degas takes a fresh look at the interactions of these two artists in the context of the family relationships, friendships, and intellectual circles that influenced their artistic and professional choices, deepening our understanding of a key moment in nineteenth-century French painting. On view: September 24, 2023–January 7, 2024
Reviews: ‘The Week In Art’
The Week In Art Podcast (October 6, 2023): The looted Ethiopian icon, AI copyright debate in US, and the end of China’s museum boom.
The Art Newspaper’s London correspondent Martin Bailey tells us about the Kwer’ata Re’esu, a European painting of Christ that became a revered icon in Ethiopia before being looted by an agent for the British Museum in the 19th century. Martin’s colour photographs of the work—which has been stored in a vault in Portugal—might help us to identify its maker and prompt new calls for the icon’s return to Ethiopia. On Monday this week, campaigners in the US staged an AI Day of Action, amid mounting concerns over the exploitation of artists’ work by corporations behind powerful artificial intelligence tools.
We talk to our reporter Daniel Grant about renewed calls for the US Congress to enact a law that would ban corporations from copyrighting art made by AI. And as China’s economy struggles, some museums in the country are closing or scaling down their ambitions. We talk to our correspondent in China, Lisa Movius, about how the end of the Chinese economic miracle has hastened the end of its museum boom.
Boomers Daily 