Tag Archives: Arts & Literature

The New York Times Book Review – Sept 10, 2023

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THE NEW YORK TIMES BOOK REVIEW (September 10, 2023): The new issue features Zadie Smith’s very Dickensian new novel, “The Fraud,” In nonfiction, the extremely different romantic lives of George Orwell and George Eliot are reviewed, and a biography of the con man who paved the way for all those “Nigerian prince” email scams.

Zadie Smith Makes 1860s London Feel Alive, and Recognizable

In this illustration, a serpent with maroon and gold bands and wearing a gold crown sits inside a delicate filigreed teacup, with its body coiled around the bottom of the cup and the saucer. The cup rests next to a sugar cane plant, and a London tower looms in the distance.

Her new novel, “The Fraud,” is based on a celebrated 19th-century criminal trial, but it keeps one eye focused clearly on today’s political populism.

By Karan Mahajan

All over the dorm in California glinted pale-orange and tabasco-red and steel-blue copies of Zadie Smith’s “White Teeth,” with their hard white bright lettering. The year was 2001, and “White Teeth” had been assigned as incoming reading for my freshman dorm. I remember loving the sprawling, rude, funny, slapdash narration, the magical way in which Smith brought it all together in the figure of a genetically engineered mouse.

Lauren Groff’s Latest Is a Lonely Novel of Hunger and Survival

A color illustration of a girl wearing a torn blue coat and boots with a bag strapped around her back, looking back toward a coastal settlement as she enters the woods, covered in snowfall.

“The Vaster Wilds” follows a girl’s escape from a nameless colonial settlement into the unforgiving terrain of America.

By Fiona Mozley

Jamestown, Va., the first permanent English settlement in the Americas, very nearly didn’t survive. A few years into its existence, in the early 1600s, the majority of the population had succumbed to famine and disease. The period known as the Starving Time has taken on allegorical status. Jamestown is the colony that tried too much too soon; that underestimated the harsh climate, the foreign land, its existing, Indigenous population. Pilgrims went in search of heaven and found hell.

Reviews: ‘The Week In Art’

The Week In Art Podcast (September 7, 2023): It’s our 250th podcast, and in this special episode we focus on the future. We ask leading figures across the art world to tell us about their hopes and concerns for the visual arts. Among them are Max Hollein, the director of the Metropolitan Museum of Art in New York,

Bénédicte Savoy, the co-author of the Saar-Savoy report into the restitution of cultural heritage, Shanay Jhaveri, the head of visual arts at the Barbican, the Berlin-based curator Bonaventure Soh Bejeng Ndikung, Kymberly Pinder, the dean of Yale School of Art, and the artist Tomás Saraceno. Host Ben Luke is then joined by three core members of The Art Newspaper’s team and regular guests in the first 249 episodes of this podcast: editors-at-large Cristina Ruiz and Georgina Adam and our contemporary art correspondent Louisa Buck discuss the present and future of museums and heritage, art and artists and the art market.

Classical: Pianist Hélène Grimaud Plays Schumann

Deutsche Grammophon – DG – French Pianist Hélène Grimaud plays Kreisleriana, Op. 16, a composition in eight movements by Robert Schumann for solo piano, subtitled Phantasien für das Pianoforte.

It was written in only four days in April 1838 and a revised version appeared in 1850. In 1839, soon after publishing it, Schumann called it in a letter my favorite work, remarking that The title conveys nothing to any but Germans. The work’s title was inspired by the character of Johannes Kreisler from works of E. T. A. Hoffmann.

Previews: Country Life Magazine – Sept 5, 2023

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Country Life Magazine – September 6, 2023: The new issue features Labour’s Sir Keir Starmer’s vision for the countryside; Chelsea Physic Garden and motoring on at Goodwood; Remembering Elizabeth II and more…

Labour’s vision for rural Britain

Sir Keir Starmer promises a new politics of partnership and respect for rural communities

Not your average Fiesta

As Goodwood revs up for its Revival, the Duke of Richmond tells Octavia Pollock about 75 years of motorsport on his estate

Feudal splendours

In the second of two articles, John Martin Robinson steps inside Arundel Castle in West Sussex

New Museum Exhibitions: ‘Manet/Degas’ At The Met

Photo collage of two paintings, with the words Manet/Degas overlaid on top; Left of boy wearing pink shirt and hat sitting on a red couch with a dessert; Right: Two people wearing tan and black sitting at a table against a tan wall.

The Metropolitan Museum of Art (September 4, 2023) – This exhibition examines one of the most significant artistic dialogues in modern art history: the close and sometimes tumultuous relationship between Édouard Manet and Edgar Degas. Born only two years apart, Manet (1832–1883) and Degas (1834–1917) were friends, rivals, and, at times, antagonists who worked to define modern painting in France.

Manet/Degas

Manet/Degas - Yale University Press London

September 24, 2023–January 7, 2024

Through more than 150 paintings and works on paper,  Manet/Degas  takes a fresh look at the interactions of these two artists in the context of the family relationships, friendships, and intellectual circles that influenced their artistic and professional choices, deepening our understanding of a key moment in nineteenth-century French painting.

Manet/Degas is organized by The Metropolitan Museum of Art, New York, and the Musées d’Orsay et de l’Orangerie, Paris.

Previews: The New Yorker Magazine – Sept 11, 2023

Office space and mall.

The New Yorker – September 11, 2023 issue: The new issue features Dana Goodyear on editing humans with crispr, Elizabeth Kolbert on decoding whale communication, James Wood on George Eliot, and more.

The Transformative, Alarming Power of Gene Editing

Hands cutting DNA with a pair of scissors. Growth of a human baby is displayed in the background.

A rogue scientist showed that crispr gives humans the ability to transform ourselves. But should we?

By Dana Goodyear

Crispr, which may be the single most transformative biological technology of the twenty-first century, is a natural phenomenon, evolved over billions of years. It was first observed in the nineteen-eighties, when researchers noticed unexplained sequences of viral DNA in E. coli. Eventually, they realized that these sequences played a role in the bacteria’s immune system: they could find and destroy other pieces of viral DNA. 

The Holy Heresies of George Eliot

Two people lying with their faces close to each other with their long hair flowing over an open book

Her greatest rebellion against Victorian moralism was to reclaim the sacred for herself.

By James Wood

Literature bores me, especially great literature,” the narrator of one of John Berryman’s “Dream Songs” says. George Eliot sometimes bores me, especially the George Eliot draped in greatness. Think of the extremities of nineteenth-century fiction: labile Lermontov; crazy, visionary Melville; nasty, world-hating Flaubert; mystic moor-bound Brontës; fanatical, trembling Dostoyevsky; explosive Hamsun. There’s enough wildness to destroy the myth of that stable Victorian portal “classic realism.” It was not classic—certainly not then—and not always particularly “real.”

Books: Literary Review Magazine – September 2023

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Literary Review – September 2023: The new issue features Yoga Goes To Hollywood by Dominic Green; How England Lost France; Who’s Afraid of AI?; Don’t Mention Tiananmen; Anne Boleyn’s Ascent and Tastes of China….

Dates with Destiny

Turning Points: Crisis and Change in Modern Britain, from 1945 to Truss  eBook : Limited, Steve Richards Media, Richards, Steve: Amazon.co.uk: Books

RICHARD VINEN

Turning Points: Crisis and Change in Modern Britain, from 1945 to Truss By Steve Richards

In the good old days, dates were for foreigners. France, to take the obvious example, had repeatedly been turned upside down by war, revolution and changes of regime. But the English tourist in Paris rarely bothered to find out which of these distasteful events might be commemorated by, say, the rue du Quatre Septembre. The history of England (this was less true of Scotland and not at all true of Ireland) was a smooth and mostly benign progression. Educated people could tell you what the Glorious Revolution was but might be hazy about when exactly it had happened.

Cyborgs Old & New

The Handover: How We Gave Control of Our Lives to Corporations, States and  AIs: Runciman, David: 9781631496943: Amazon.com: Books

BLAKE SMITH

The Handover: How We Gave Control of Our Lives to Corporations, States and AIs By David Runciman

Artificial intelligence, it is commonly acknowledged, will pose one of the gravest challenges to humanity in the coming years. In the minds of some, it is already the most urgent problem we face. While there are a number of possible dangers that might bring about the extinction of our species, AI confronts us with a particularly dire situation, because it may well be that we have only a brief amount of time – perhaps a generation – in which to set up norms and constraints on the development of autonomous, non-human intelligences that may otherwise escape our control.

The New York Times Book Review – September 3, 2023

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THE NEW YORK TIMES BOOK REVIEW (September 3, 2023): The new issue features “THE EXHIBITIONIST“, a barbed comic novel about a midwardly mobile London family by Charlotte Mendelson;  “THE GUEST“, by Emma Cline, “about one woman’s week of lying, scamming and conning her way through the Hamptons; CROOK MANIFESTO, the sequel to Colson Whitehead’s 2021 novel “Harlem Shuffle” (and the middle volume of a planned trilogy), and more….

In Stephen King’s Latest, Beware the Kindly Old Professors

His new novel, “Holly,” charges into thorny contemporary debates with a pair of unassuming fiends.

Art Books: ‘Latin American Artists: From 1785 to Now’

Forthcoming: Latin American Artists – Ellen Mara De Wachter

The essential survey showcasing the work of more than 300 modern and contemporary artists born or based in Latin America

BOOK: Latin American Artists:From 1785 to Now, Phaidon Publications –  dreamideamachine ART VIEW

Latin American artists have gained increasing international prominence as the art world awakens to the area’s extraordinary art scenes and histories. In an accessible A-Z format, this volume introduces key artworks by 308 artists who together demonstrate the variety and vitality of artwork being made.

BOOK: Latin American Artists:From 1785 to Now, Phaidon Publications –  dreamideamachine ART VIEW

Artists featured include: Allora and Calzadilla, Manuel Alvarez Bravo, Francis Alÿs, Olga de Amaral, Fernando Botero, Leonora Carrington, Lygia Clark, Carlos Cruz-Diez, Leonor Fini, Gego, Felix Gonzalez-Torres, Carmen Herrera, Graciela Iturbide, Alfredo Jaar, Frida Kahlo, Guillermo Kuitca, Wifredo Lam, Teresa Margolles, Marisol, Cildo Meireles, Ana Mendieta, Beatriz Milhazes, Ernesto Neto, Hélio Oiticica, Gabriel Orozco, José Clemente Orozco, Diego Rivera, Zilia Sánchez, David Alfaro Siqueiros, Cecilia Vicuña, Adrián Villar Rojas and Faith Wilding.

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Reviews: ‘The Week In Art’

The Week In Art Podcast (August 31, 2023): In the first episode of this new season of The Week in Art, we talk to Martin Bailey, The Art Newspaper’s London correspondent, about the thefts scandal at the British Museum and its implications for the museum in the future.

The artist Grada Kilomba is one of four curators of this year’s Sāo Paulo biennial, called Choreographies of the Impossible, and she joins our host Ben Luke to discuss the show. And this episode’s Work of the Week is Village Square at Céret, a painting made in 1920 by Chaïm Soutine. It features in the exhibition Against the Current, which opens this week at K20 in Düsseldorf, Germany. The exhibition’s co-curator, Susanne Meyer-Büser, tells us about the picture.

The Sāo Paulo biennial: Choreographies of the Impossible, Ciccillo Matarazzo Pavilion, Sāo Paulo, Brazil, 6 September-10 December.

Chaïm Soutine: Against the Current, K20 Düsseldorf, 2 September until 14 January next year; Louisiana Museum of Modern Art, Humlebæk, Denmark, 9 February-14 July 14 2024; Kunstmuseum Bern, Switzerland, 16 August-1 December 2024.