Tag Archives: Piano

Classical Music: Tiffany Poon Plays Schumann

DW Classical Music (February 4, 2024): Robert Schumann’s “Kinderszenen” (“Scenes from Childhood”) is one of the most popular piano works of the Romantic period. The highlight of the 13-part piano cycle is the “Träumerei” (Dreaming). The work is considered the epitome of romantic piano compositions.

New York pianist, Tiffany Poon, played Robert Schumann’s “Kinderszenen”, Op. 15 at the Dresden Music Festival 2023. The concert took place on June 17, 2023, at the Palais im Großen Garten.

Video timeline: (00:00) Coming on stage (00:21) 1. Von fremden Ländern und Menschen (Of Foreign Lands and Peoples) (02:02) 2. Kuriose Geschichte (A Curious Story) (03:07) 3. Hasche-Mann (Blind Man’s Buff) (03:39) 4. Bittendes Kind (Pleading Child) (04:39) 5. Glückes genug (Happy Enough) (05:17) 6. Wichtige Begebenheit (An Important Event) (06:09) 7. Träumerei (Dreaming) (08:51) 8. Am Kamin (At the Fireside) (09:47) 9. Schumann Ritter vom Steckenpferd (Knight of the Hobbyhorse) (10:32) 10. Fast zu ernst (Almost Too Serious) (12:40) 11. Fürchtenmachen (Frightening) (14:13) 12. Kind im Einschlummern (Child Falling Asleep) (16:16) 13. Der Dichter spricht (The Poet Speaks)

Robert Schumann’s “Kinderszenen” was composed in 1838 and published the following year without a dedication and with the misleading subtitle “Easy Pieces for the Pianoforte.” Unlike the “Album for the Young,” which Schumann had composed for “younger children” in his own words, he did not write the “Kinderszenen” for children, but for adults reflecting on their own childhood.

At first, the cycle was to be titled “Children’s Stories” and preceded or appended to the “Novelettes,” Op. 21. However, Schumann later refrained from doing so. He wanted to have the “Kinderszenen” published as a separate opus. Although the work was not very successful during the composer’s lifetime, it eventually evolved independently and was highly regarded. It had a significant influence on the Romantic program miniature for piano.

Classical: Pianist Tiffany Poon Plays Schumann

DW Classical Music (January 7, 2024) – A furious piano piece of the Romantic period. Tiffany Poon plays Robert Schumann’s Davidsbündlertänze, Op. 6 at the Dresden Music Festival 2023. The concert took place in the Palais im Grossen Garten.

Video timeline: (00:00) Coming on stage (00:27) 1. Lebhaft (02:03) 2. Innig (03:36) 3. Etwas hahnbüchen (05:10) 4. Ungeduldig (06:30) 5. Einfach (08:21) 6. Sehr rasch und in sich hinein (10:05) 7. Nicht schnell mit äußerst starker Empfindung (14:07) 8. Frisch (15:14) 9. No tempo indication (16:46) 10. Balladenmäßig sehr rasch (18:15) 11. Einfach (19:51) 12. Mit Humor (20:36) 13. Wild und lustig (23:44) 14. Zart und singend (25:50) 15. Frisch (27:58) 16. Mit gutem Humor (29:22) 17. Wie aus der Ferne (32:56) 18. Nicht schnell

The Davidsbündlertänze, Op. 6, are a two-part piano cycle by Robert Schumann, each consisting of nine character pieces. Schumann wrote 19 pieces, the last of which remains incomplete. The work was composed in the two months following his engagement to Clara Wieck on August 14, 1837. In the first piece, he quotes a motif from the Mazurka No. 5 from her Soirées musicales Op. 6 in the Motto of C. W. He speaks to her of wedding thoughts, which he has incorporated into the pieces. To his friend Carl Montag, however, he spoke of “death dances, St. Vitus’ dances, dances of graces and goblins”.

Schumann’s pseudonyms Florestan and Eusebius also play an important role here. The two characters symbolize his dual role in the fictitious Davidsbund, which also gives this cycle its name. Florestan is the “roaring, exuberant stormtrooper”. Eusebius represents the opposite pole as “the gentle youth who always remains modestly in the background”. In the first edition, the plays are either titled “Florestan and Eusebius” or just one of the two names.

Art & Music: ‘Boulevard de Clichy’ – Van Gogh Inspires The Pianist Remko Kühne

Van Gogh Museum (November 3, 2023) – What do you hear when you see a painting, ;Boulevard de Clichy’ – A day in Paris, by Van Gogh? What inspired Remko Kühne?

“Van Gogh lived close to this boulevard with his brother Theo. The music takes you on a day in Paris, starting off in the morning. The square is still calm, but a day in Paris is always full of surprises and will give you a lot of little events that trigger your memory for life.”

Boulevard de Clichy is one of the major streets in the Paris district of Montmartre, where many artists lived. Van Gogh painted the junction that he often crossed. Rue Lepic, where he lived with his brother Theo, began on the right, just beyond the edge of the picture.

Classical: Cellist Camille Thomas Plays Chopin

Deutsche Grammophon – DG (September 13, 2023) – Franco-Belgian cellist Camille Thomas plays on the Franchomme’s mythical cello – the Stradivarius Feuermann.

Chopin: No. 4 in E Minor, Largo Arr. for Cello and Piano by A. Franchomme / Adapted by Camille Thomas Listen to ‘The Chopin Project’ : https://camillethomas.lnk.to/TheChopi…

A journey in three chapters to discover Chopin’s life through the sound of the cello. The most ambitious project of the The Chopin’s sonata for cello and piano was dedicated to his friend Auguste-Joseph Franchomme. Franchomme transcribed the Chopin’s piano pieces for cello after knowing Chopin found no objection to this.

PIANO Julien Brocal

VIDEO DIRECTOR Olivier Saint-Yves

Classical: Pianist Hélène Grimaud Plays Schumann

Deutsche Grammophon – DG – French Pianist Hélène Grimaud plays Kreisleriana, Op. 16, a composition in eight movements by Robert Schumann for solo piano, subtitled Phantasien für das Pianoforte.

It was written in only four days in April 1838 and a revised version appeared in 1850. In 1839, soon after publishing it, Schumann called it in a letter my favorite work, remarking that The title conveys nothing to any but Germans. The work’s title was inspired by the character of Johannes Kreisler from works of E. T. A. Hoffmann.

Classical Piano: Alice Sara Ott – Beethoven “Für Elise”

Deutsche Grammophon (July 28, 2023) – Earlier this year, pianist Alice Sara Ott became the face of the Apple Music Classical app when she starred in its launch video, performing Beethoven’s Piano Concerto No. 1, Op. 15 with the Netherlands Radio Philharmonic Orchestra and its Chief Conductor Karina Canellakis.

Beethoven: Für Elise, WoO 59 - YouTube

The recording of it now becomes the headline work in Ott’s latest Deutsche Grammophon album, Beethoven. The pianist has paired it with a series of solo works, including “Für Elise” and the “Moonlight” Sonata.

Music: Pianist Víkingur Ólafsson On Mozart – ‘The First Romantic Artist’


“Mozart really belonged to the 19th century”, says Icelandic star-pianist Víkingur Ólafsson about Wolfgang Amadeus Mozart “He belonged to a new area, where the artist was a free thinker. Image, if he had lived a little longer and would have had a dialogue with Ludwig van Beethoven.”

Ólafsson has no doubt that Mozart was a so-called Wunderkind. “He did have a divine gift.” But to Ólafsson another aspect of Mozart’s music is even more fascinating. According to Ólafsson Mozart wrote his best works after the age of 25, when his life was in deep crisis and the Vienna aristocracy had turned its back on him.

“The greater the music became, the less popularity he had.” To Ólafsson Mozart’s legacy must be seen in the light of the tragedy. Víkingur Ólafsson grew up in Reykjavík and started playing the piano at an early age under the tutelage of his mother, a piano teacher. He studied at the Juilliard School in New York, earning bachelor’s and master’s degrees under the supervision of Jerome Lowenthal and Robert McDonald. He also took lessons with Ann Schein.

In 2011, Ólafsson was the soloist in the opening concert of Harpa in Reykjavik, playing Edvard Grieg’s piano concerto with the Iceland Symphony Orchestra. Since he has developed into one of the most recognized and award-winning artists within classical and contemporary music.

In 2016, Víkingur signed an exclusive recording contract with the renowned label Deutsche Grammophon releasing four albums featuring the music of Philip Glass, Johann Sebastian Bach, Debussy & Rameau as well as Mozart & Contemporaries. Ólafsson has collaborated with many contemporary artists among them John Adams, Philipp Glass, Daniel Bjarnason and Icelandic singer Bjørk. He has also recorded the soundtrack of Darkest Hour, a film directed by Joe Wright, and released Bach Reworks, featuring six ‘remixed’ works by Johann Sebastian Bach from the likes of Ben Frost, Peter Gregson, Valgeir Sigurdsson as well as Ólafsson himself.

Víkingur Ólafsson was interviewed by Marc-Christoph Wagner at the Louisiana Museum of Modern Art in November 2021. Camera: Jarl Therkelsen Kaldan Edited by: Jarl Therkelsen Kaldan Produced by Marc-Christoph Wagner Copyright: Louisiana Museum of Modern Art, 2021 Louisiana Channel is supported by Den A.P. Møllerske Støttefond, Ny Carlsbergfondet and C.L. Davids Fond og Samling

Aerial Views: ‘Austria In Winter’ (4K UHD Video)

Austria, officially the Republic of Austria, is a landlocked East Alpine country in the southern part of Central Europe. It is composed of nine federated states, one of which is Vienna, Austria’s capital and its largest city. 

The Central Eastern Alps, also referred to as Austrian Central Alps or just Central Alps comprise the main chain of the Eastern Alps in Austria and the adjacent regions of Switzerland, Liechtenstein, Italy and Slovenia. Below it are the Southern Limestone Alps. 

Classical Music – Flute: “Dance of the Blessed Spirits” – Christoph Gluck

5 Minutes That Will Make You Love the Flute

It’s an instrument based on the most fundamental sign of life: breath. Listen to the best music ever written for it.

The flute is one of humanity’s oldest ways of producing a beautiful sound, and it is based on the most fundamental sign of life: breath. Made from bones, wood or reeds, the earliest specimens date from the Paleolithic era. The flute is often associated with things elegiac, poetic, angelic — with purity — but also with the world of magic; in mythology, Orpheus seduces the underworld playing the flute. In this excerpt from Gluck’s Orpheus opera, the flute is extremely sensual, and, with its lyrical soaring, takes us from earthly pleasures to heavenly ones.

Flute: Julien Beaudiment

Piano: Hugh Sung

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Gardens & Nature Videos: “Proserpina Returns Home” By Jonathan Gelez

Filmed and Produced by: Jonathan Gelez (The World Is Art)

Music:  “Spenta Mainyu” by Jesse Gallagher

Here is a simple and relaxing film about the beginning of the spring season as it happened in my garden. Since going outside wasn’t an option due to the confinement measures in place, I tried to capture the beauty of nature at home.

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