Tag Archives: Arts & Literature

The New Criterion – April 2024 Arts/Culture Preview

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The New Criterion – The April 2024 issue features:

Poetry a special section
Black poetry  by William Logan
Shakespeare’s words  by Amit Majmudar
Bachmann: the unspeakable spoken  by Peter Filkins
The new & the old  by Katie Hartsock
The answer to Lord Chandos  by Pascal Quignard

New translations  by Ryan Choi, Frederick Amrine, Patrick Whalen & Beverley Bie Brahic

The New York Times Book Review – March 17, 2024

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THE NEW YORK TIMES BOOK REVIEW (March 16, 2024): 

22 of the Funniest Novels Since ‘Catch-22’

Catch-22 eBook by Joseph Heller, Christopher Buckley | Official Publisher  Page | Simon & Schuster

Because we could all use a laugh.

By Dwight GarnerAlexandra Jacobs and Jennifer Szalai

When it comes to fiction, humor is serious business. If tragedy appeals to the emotions, wit appeals to the mind. “You have to know where the funny is,” the writer Sheila Heti says, “and if you know where the funny is, you know everything.” Humor is a bulwark against complacency and conformity, mediocrity and predictability.

With all this in mind, we’ve put together a list of 22 of the funniest novels written in English since Joseph Heller’s “Catch-22” (1961). That book presented a voice that was fresh, liberated, angry and also funny — about something American novels hadn’t been funny about before: war. Set during World War II and featuring Capt. John Yossarian, a B-25 bombardier, the novel presaged, in its black humor, its outraged intelligence, its blend of tragedy and farce, and its awareness of the corrupt values that got us into Vietnam, not just Bob Dylan but the counterculture writ large.

You’re Not Being Gaslit, Says a New Book. (Or Are You?)

“On Gaslighting,” by the philosophy professor Kate Abramson, explores the psychological phenomenon behind the hashtags.

A still from a black-and-white movie portrays a couple in Victorian dress. The man, in a dark suit, looks down disdainfully at a woman in a gown and pompadour as she gazes into the distance.

By Dodai Stewart

ON GASLIGHTING, by Kate Abramson


Don’t be so sensitive.

You’re overreacting.

You’re imagining things.

These are things gaslighters say, writes Kate Abramson.

As she explains in “On Gaslighting,” the term originated in the 1944 film “Gaslight,” and after entering the therapeutic lexicon of the 1980s, steadily made its way into colloquial usage.

As a society we have become adept at classifying actions within interpersonal relationships using therapy-speak. From “attachment style” to “trauma-bonding,” personal judgments have become diagnoses — without the assistance of a licensed professional: Anyone with a social media account or a jokey T-shirt can get in on the action. (In 2021, the flippant phrase “gaslight, gatekeep, girlboss” became a popular, snide social-media shorthand for a certain kind of capitalist feminism.)

Previews: The New Yorker Magazine – March 18, 2024

A skier skis from snow onto grass.

The New Yorker (March 11, 2024): The new issue‘s cover features Peter de Sève’s “Downhill” – The artist depicts carving up the slopes, straight into spring.

Among the A.I. Doomsayers

A large robotic foot hovers above a figure.

Some people think machine intelligence will transform humanity for the better. Others fear it may destroy us. Who will decide our fate?

By Andrew Marant

Katja Grace’s apartment, in West Berkeley, is in an old machinist’s factory, with pitched roofs and windows at odd angles. It has terra-cotta floors and no central heating, which can create the impression that you’ve stepped out of the California sunshine and into a duskier place, somewhere long ago or far away. Yet there are also some quietly futuristic touches. High-capacity air purifiers thrumming in the corners. Nonperishables stacked in the pantry. A sleek white machine that does lab-quality RNA tests. The sorts of objects that could portend a future of tech-enabled ease, or one of constant vigilance.

Have the Liberal Arts Gone Conservative?

A column with a pencil tip.

The classical-education movement seeks to fundamentally reorient schooling in America. Its emphasis on morality and civics has also primed it for partisan takeover.

The New York Times Book Review – March 10, 2024

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THE NEW YORK TIMES BOOK REVIEW (March ,8 2024): The latest issue features Renaissance scholar Ramie Targoff’s new book, “Shakespeare’s Sisters,” which sets out to show modern readers that the Elizabethan era did indeed produce its share of great women writers, and she details four of them across a range of disciplines. 

Some of the Best Bards Were Women

A round portrait is composed from the quadrants of four different medieval women’s faces.

In “Shakespeare’s Sisters,” the Renaissance scholar Ramie Targoff presents an astounding group of Elizabethan women of letters.

By Tina Brown

SHAKESPEARE’S SISTERS: How Women Wrote the Renaissance, by Ramie Targoff


Judith Shakespeare, Virginia Woolf’s imaginary sister of the Bard, was for years the accepted portrait of the nonexistent writer of Renaissance England. In “A Room of One’s Own,” her seminal feminist essay, Woolf concluded that any glimmer of female creativity in Shakespeare’s time would have been expunged by a pinched life as a breeding machine of children who so often died, disallowed opinions of her own. Had any woman survived these conditions, wrote Woolf, “whatever she had written would have been twisted and deformed, issued from a strained and morbid imagination.”

A Bee’s-Eye View of the World

A photo of a flower with stamen and pistils that appear to glow yellow, purple and orange in UV light.

Using clever camera methods, a new photo book illuminates how honeybees see plants and flowers.

By William Atkins

In WHAT THE BEES SEE: The Honeybee and Its Importance to You and Me, Craig P. Burrows’s ultraviolet-lit photographs mimic the fluorescence his botanical subjects emit when exposed to sunlight, revealing colors and textures usually obscured by the dazzle of visible light. Because bees see in the ultraviolet spectrum, Burrows’s method can afford us a glimpse of the world as they perceive it: His portraits of plants are, in part, prompts for interspecies empathy at a time when bees are under attack on multiple fronts, from air pollution to pesticides.

Reviews: ‘The Week In Art’

The Week In Art Podcast (March 8, 2024): To coincide with International Women’s Day on 8 March, the South London Gallery is opening the exhibition Acts of Resistance: Photography, Feminisms and the Art of Protest.

Activism and photography have long gone hand in hand but this collaborative exhibition, organised with the Victoria and Albert Museum (V&A), attempts to capture a new chapter in this distinguished history, with a particular focus on feminism across the world. We talk to Sarah Allen, the head of programme at the South London Gallery, and Fiona Rogers, the V&A’s Parasol Foundation curator of women in photography, about the show. The financier, philanthropist, collector and leader of cultural organisations Jacob Rothschild died last week at the age of 87.

We talk to Anna Somers Cocks, the founder of The Art Newspaper, who interviewed Lord Rothschild on numerous occasions, about his impact on the visual arts and heritage. And this episode’s Work of the Week is Adelphi, made in 1967 by Robert Ryman. It is one of around 50 pieces by Ryman in the exhibition The Act of Looking, which opened this week at the Musée de l’Orangerie in Paris. Guillaume Fabius, the co-curator of the show, joins us to discuss the painting.

Acts of Resistance: Photography, Feminisms and the Art of Protest, South London Gallery, London, 8 March-9 June.

Robert Ryman: The Act of Looking, Musée de l’Orangerie, Paris, until 1 July.

Previews: Country Life Magazine – March 6, 2024

Country Life Magazine – March 5, 2024: The latest issue features The Country Life Top 100 – Britain’s leading exponents of country-house architecture, interior design, gardens and specialist services…

The Top 100 builders, architects, interior decorators and garden designers in Britain

Welcome to the eighth edition of our guide to Britain’s leading exponents of country-house architecture, interior design, gardens and specialist services

New series: The legacy

In the first of this new series, Kate Green celebrates Dame Miriam Rothschild’s remarkable contribution to the nation as a pioneer of wildflower gardening

Reach for the Skye

Following in the slipstream of swimming cattle, Joe Gibbs enjoys safe passage to the Isle of Skye courtesy of the world’s last manual turntable ferry

Hail the conquering heroes

Jack Watkins is in the saddle for a canter through 100 years of the Cheltenham National Hunt Festival’s Blue Riband event, the Gold Cup

Arts & antiques

Works by a whole host of great artists are more accessible than you might imagine. Carla Passino talks to leading art dealers about the Old Masters you could collect

Sir Alistair Spalding’s favourite painting

The artistic director admires a religious fresco that encourages contemplation and reflection

Out of Africa

Carla Carlisle reflects on the life of Karen Blixen after visiting the author’s former home in Kenya

Renewal and recovery

The restoration of Boston Manor House in Greater London offers a fascinating insight into changing tastes, reveals Charles O’Brien

The Devil wears parsley

March can be the month of all weathers, warns Lia Leendertz

The masked singer

Jack Watkins goes in search of the elusive, enchanting woodlark

London Life

  • Cashing in with Russell Higham
  • Celebrating Claridge’s
  • Revisiting James Burton’s beat with Carla Passino
  • Jack Watkins finds change in the air at the Natural History Museum

Stancombe revisited

Marion Mako visits Stancombe Park, Gloucestershire — Waugh’s garden inspiration for Brideshead

Kitchen garden cook

Melanie Johnson harnesses the subtle depth of flavour of leeks

And so to sleep…

Hemlock is a pretty addition to riverbanks, but its charm ends there, says Deborah Nicholls-Lee

The claws are out

Simon Lester shares the thrill of an encounter with the secretive native white-clawed crayfish

The good stuff

Patterned or pastel? Hetty Lintell showcases the finest waistcoats

Previews: The New Yorker Magazine – March 11, 2024

Barbie slaps Oppenheimer at the Academy Awards.
Art by Barry Blitt

The New Yorker (March 4, 2024): The new issue‘s cover features Barry Blitt’s “Slappenheimer” – The artist revisits the infamous Oscars slap to riff on the tensions of this year’s ceremony.

Joe Biden’s Last Campaign

Joe Biden photographed at his desk in the Oval Office by Thea Traff.

Trailing Trump in polls and facing doubts about his age, the President voices defiant confidence in his prospects for reëlection.

By Evan Osnos

Forty-Three Mexican Students Went Missing. What Really Happened to Them?

A man looks at photos of the missing students.

One night in 2014, a group of young men from a rural teachers’ college vanished. Since then, their families have fought for justice.

By Alma Guillermoprieto

Books: Literary Review Magazine – March 2024

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Literary Review – March 1, 2024: The latest issue features ‘Gaughin’s Midlife Crisis’; Geology vs Genesis; Japan’s War Trials; Saddam’s Blunderers and Barbara Comyns in Full…

Comedian Who Got Serious

“The Showman: The Inside Story of the Invasion That Shook the World and Made a Leader of Volodymyr Zelensky” By Simon Shuster

As someone who has to consume quite a lot of Russian media, I can tell you that if there is one common denominator, it’s that whether we’re talking about a shouty TV news programme (less Newsnight, more a kind of geopolitical Jeremy Kyle Show), a stodgy government newspaper of record or a racy tabloid, no one has a good word for Volodymyr Zelensky. 

The Agony and the Ecstasy

Kubrick: An Odyssey By Robert P Kolker

There are, I have long suspected, two types of cinephiles: those who think Stanley Kubrick’s 2001: A Space Odyssey (1968) is a masterpiece and those who think it’s a relentless bore. Early in their new biography of the film director, Kubrick: An Odyssey, Robert P Kolker and Nathan Abrams make clear which camp they belong to, describing the scene in which the astronaut Frank Poole jogs around (and around and around and around) the spaceship Discovery as ‘one of the most lyrical passages in film history’. 

The New York Times Book Review – March 3, 2024

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THE NEW YORK TIMES BOOK REVIEW (March 1, 2024): The latest issue features ‘Yakety-Yak’ – In “Language City”, Ross Perlin chronicles some of the precious traditions hanging on in New York, the world’s most linguistically diverse metropolis…

Kate DiCamillo Says ‘Paying Attention Is a Way to Love the World’

Credit…Rebecca Clarke

The feisty title character of her new book, “Ferris,” has a sharp eye for detail, and so, its author hopes, does she. Meanwhile, she is on an Alice McDermott reading jag.

How to Speak New York

In “Language City,” the linguist Ross Perlin chronicles some of the precious traditions hanging on in the world’s most linguistically diverse metropolis.

Art Insider: An Engineer Reviews Turner’s “Rain, Steam And Speed” (1844)

The National Gallery (March 1, 2024): Is there engineering in art, as well as art in engineering? We look at Turner’s famous depiction of a steam train in ‘Rain, Steam and Speed’ and stormy seas in ‘Dutch Boats in a Gale’ (1801).

Rob Bell from the Institution of Mechanical Engineers gives us an engineer’s take on these two paintings at the National Gallery. The Institution of Mechanical Engineers was founded in 1847 and has over 100,000 members around the world.