Sotheby’s (March 28, 2024): Reverence for the past is a foundational thread. More than an homage, our instinct to look into the past is a dynamic creative force that shapes our present.
Behold the Leshantang collection, a testament to the eye of Tsai I-Ming, spanning the sweep of history from earliest dynasties to the modern era, this principle has guided the evolution of artistic expression.
London Review of Books (LRB) – March 27, 2024: The latest issue features Brandon Taylor – Two Years With Zola,,,
Mary Wellesley – Mother Tongue: The Surprising History of Women’s Words by Jenni Nuttall
Moshé Machover, James McAuley, Avital Balwit, Brian Vickers, Pat Butcher, Joe Oldaker, Arthur M. Shapiro, Penny Collier, John Potts
Mike Jay – Mapping the Darkness: The Visionary Scientists Who Unlocked the Mysteries of Sleep by Kenneth Miller
T.J. Clark – Poem: ‘Clapham in March’
Michael Ledger-Lomas: Andrew Lang: Writer, Folklorist, Democratic Intellect by John SloanTroubled by Faith: Insanity and the Supernatural in the Age of the Asylum by Owen Davies
Michael Hofmann – The Islander: A Biography of Halldór Laxness by Halldór Guðmundsson, translated by Philip Roughton
Apollo Magazine(March 26, 2024): The new April 2024 issue features ‘Why Everyone Loves Keith Haring’; Who’s afraid of immersive art?; Counting the cost of the Venice Biennale…
The New Yorker (March 25, 2024): The new issue‘s cover featuresMark Ulriksen’s “Standing Guard” – The artist depicts the tail-wagging occasion of the first signs of spring.
“The Caring Hand,” by Eva Oertli and Beat Huber, is one of more than fifty sculptures at the new Freedom Monument Sculpture Park.Photographs by Kris Graves for The New Yorker
The civil-rights attorney has created a museum, a memorial, and, now, a sculpture park, indicting the city of Montgomery—a former capital of the domestic slave trade and the cradle of the Confederacy.
The National Monument to Freedom, in Montgomery, Alabama, is a giant book, standing forty-three feet high and a hundred and fifty feet wide. The book is propped wide open, and engraved on its surface are the names of more than a hundred and twenty thousand Black people, documented in the 1870 census, who were emancipated after the Civil War. On the spine of the book is a credo written for the dead:
Your children love you. The country you built must honor you. We acknowledge the tragedy of your enslavement. We commit to advancing freedom in your name.
What if building on the water could be safer and sturdier than building on flood-prone land?
In a corner of the Rijksmuseum hangs a seventeenth-century cityscape by the Dutch Golden Age painter Gerrit Berckheyde, “View of the Golden Bend in the Herengracht,” which depicts the construction of Baroque mansions along one of Amsterdam’s main canals. Handsome double-wide brick buildings line the Herengracht’s banks, their corniced façades reflected on the water’s surface. Interspersed among the new homes are spaces, like gaps in a young child’s smile, where vacant lots have yet to be developed.
“The Morningside” reckons with climate change and its fallout while finding hope in the stories we preserve.
By Jessamine Chan
THE MORNINGSIDE, by Téa Obreht
The elegant, effortless world-building in Téa Obreht’s haunting new novel, “The Morningside,” begins with a map. Island City resembles Manhattan, but alarmingly smaller, the borders of the city redrawn by the rising water. There’s the River to the east, the Bay to the west. Here, hurricanes and tides have made building collapse a constant danger, the freeway is visible only on low-tide days, food is government rations, the wealthy have fled “upriver to scattered little freshwater townships,” and gigantic birds called rook cranes are everywhere.
CHASING BEAUTY: The Life of Isabella Stewart Gardner, by Natalie Dykstra
Bright, impetuous and obsessed with beautiful things, Isabella Stewart Gardner led a life out of a Gilded Age novel. Born into a wealthy New York family, she married into an even wealthier Boston one when she wed John Lowell Gardner in 1860, only to be ostracized by her adopted city’s more conservative denizens, who found her self-assurance and penchant for “jollification” a bit much.
Téa Obreht’s stunning debut novel, “The Tiger’s Wife,” is a hugely ambitious, audaciously written work that provides an indelible picture of life in an unnamed Balkan country still reeling from the fallout of civil war. At the same time it explores the very essence of storytelling and the role it plays in people’s lives, especially when they are “confounded by the extremes” of war and social upheaval and need to somehow “stitch together unconnected events in order to understand” what is happening around them.
Qui est per omnia secula benedictus are the final words of La Vita Nuova, Dante Alighieri’s collection of poetry and prose.
The Latin renders to “who is blessed for ever” and concludes an enigmatic, brief paragraph. First published in 1294, La Vita Nuova is a tantalizing prelude to the Florentine poet’s masterpiece, La Commedia, known today as The Divine Comedy. For centuries, readers and scholars have pored over La Vita Nuova (Italian for, literally, the new life)—convinced, as we often are, that a gifted writer’s nascent work contains the answers to longstanding mysteries.
“Building Stories,” the new exhibition at the National Building Museum in Washington, D.C., explores themes of architecture, construction, and design through children’s books, such as Rome Antics by David Macaulay.
I first met Rome as a student in 1968. Rome is complicated and demanding and can be overwhelming—especially if you are homesick. Eventually, the riches and surprises of the imperial city will render all attempts to keep one’s distance useless. I didn’t realize how attached I had become until a few years later.
James Alexander-Sinclair hails the remarkable revival of the gardens at Dowdeswell Court, Gloucestershire, the charming Cotswolds home of Jade Holland Cooper and Julian Dunkerton
The cutting-garden diaries
In the second of a series of articles, Oxfordshire flower grower Anna Brown shares her tips on creating a floral spring spectacular
Great nurseries
Growing sweet violets has been a family passion since 1866 at Groves Nursery in Bridport, Dorset, as Tilly Ware discovers
‘After everything they do, we owe them’
Service dogs and horses risk life and limb to keep us safe. Katy Birchall salutes the work of a charity supporting these animal heroes in retirement
Mark Cocker’s favourite painting
The Nature writer lauds a work by a masterful wildlife painter
Where traffic stops for sacred cows
Dairy farmer Jamie Blackett is heartened to witness cattle worship on a trip to Rajasthan
New series: The legacy
In the third instalment of this new series, Kate Green celebrates the Revd John Russell’s role in the emergence of the terrier
The very nature of Middle-earth
James Clarke visits the magical Malvern Hills to explore a land-scape that so inspired Tolkien
Planters punch
Amelia Thorpe picks garden pots that make a sizeable statement
The good stuff
Hetty Lintell ushers in spring with a selection of floral favourites
Interiors
Soak up the style with an array of elegant bathroom fittings and furnishings from Amelia Thorpe
Kitchen garden cook
Fresh spring onions steal the show, says Melanie Johnson
Grandeur in granite
The restored Cluny Castle in Aberdeenshire is equipped for a future as prosperous as its colourful past, finds John Goodall
It’s a kind of dark magic
Whitby jet and mourning go hand in hand, but is it time to reassess this beautiful heritage gemstone, asks Harry Pearson
How to revive a classic
Michael Billington puts himself in the director’s chair as he ponders spectacular remakes of plays by Ibsen and Chekhov
Back to square one
What is it about cryptic crosswords that has kept us racking our brains for the past 100 years? Rob Crossan has all the answers
Paris Review Spring 2024 — The new issue features interviews with Jhumpa Lahiri and Alice Notley, prose by Joy Williams and Eliot Weinberger, poetry by Mary Ruefle and Jessica Laser, art by Chris Oh and Farah Al Qasimi, two covers by Nicolas Party, and more…
Jhumpa Lahiri on the Art of Fiction: “My question is, What makes a language yours, or mine?”
Alice Notley on the Art of Poetry: “Writing is not therapy. That’s the last thing it is. I still have my grief.”
Prose by Elijah Bailey, Julien Columeau, Joanna Kavenna, Samanta Schweblin, Eliot Weinberger, and Joy Williams.
Poetry by Gbenga Adesina, Elisa Gabbert, Jessica Laser, Maureen N. McLane, Mary Ruefle, Julian Talamantez Brolaski, and Matthew Zapruder.
The New Yorker (March 18, 2024): The new issue‘s cover features Klaas Verplancke’s “On the Grid” – The artist blends the preferred pastimes and stylish attire of New York’s commuters. By Françoise Mouly with Art by Klaas Verplancke.
As the art market cools, Julien’s Auctions earns millions selling celebrity ephemera—and used its connections to help Kim Kardashian borrow Marilyn Monroe’s J.F.K.-birthday dress.
The sidewalks of Lower Broadway in downtown Nashville are filled with people moving among neon-lit venues owned by celebrity musicians: Kid Rock’s Big Ass Honky Tonk & Rock ‘n’ Roll Steakhouse, Jason Aldean’s Kitchen & Rooftop Bar, Miranda Lambert’s Casa Rosa. The Hard Rock Café, which opened in 1994, when the neighborhood could still reasonably be called eclectic, sits at the far edge of the strip, overlooking the Cumberland River. One evening last November, Julien’s Auctions took over a private room at the restaurant for a three-day sale in honor of the company’s twentieth anniversary. There was a spotlighted stage full of objects that musicians had worn or touched or played: a scratched amber ring that Janis Joplin wore onstage at the Monterey Pop Festival, in 1967; Prince’s gold snakeskin-print suit, small enough to fit on an adolescent-size mannequin; ripped jeans that had belonged to Kurt Cobain.
The Capitol Hill Club, in a white brick town house a few blocks from the House of Representatives, is a social institution exclusively for Republicans. One evening in October, Representative Mike Garcia was eating there alone when Representative Mike Johnson stopped to chat. Garcia is a first-generation immigrant and a retired Navy pilot from a Democratic-leaning district in Southern California. His predecessor, a Democrat, resigned after a scandal four years ago, and Garcia highlighted disagreements with his party to win reëlection in 2022. He was also a loyalist to former House Speaker Kevin McCarthy, a fellow-Californian who had just been ousted by a small band of hard-line conservative rebels annoyed at his willingness to compromise on budget disputes. Garcia had formally nominated McCarthy as Speaker at the beginning of 2023, and his removal deprived Garcia of a patron.
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