Tag Archives: Arts & Literature

Previews: Country Life Magazine – March 20, 2024

Country Life Magazine – March 20, 2024: The latest issue features:

Riding to the rescue

James Alexander-Sinclair hails the remarkable revival of the gardens at Dowdeswell Court, Gloucestershire, the charming Cotswolds home of Jade Holland Cooper and Julian Dunkerton

The cutting-garden diaries

In the second of a series of articles, Oxfordshire flower grower Anna Brown shares her tips on creating a floral spring spectacular

Great nurseries

Growing sweet violets has been a family passion since 1866 at Groves Nursery in Bridport, Dorset, as Tilly Ware discovers

 ‘After everything they do, we owe them’

Service dogs and horses risk life and limb to keep us safe. Katy Birchall salutes the work of a charity supporting these animal heroes in retirement

Mark Cocker’s favourite painting

The Nature writer lauds a work by a masterful wildlife painter

Where traffic stops for sacred cows

Dairy farmer Jamie Blackett is heartened to witness cattle worship on a trip to Rajasthan

New series: The legacy

In the third instalment of this new series, Kate Green celebrates the Revd John Russell’s role in the emergence of the terrier

The very nature of Middle-earth

James Clarke visits the magical Malvern Hills to explore a land-scape that so inspired Tolkien

Planters punch

Amelia Thorpe picks garden pots that make a sizeable statement

The good stuff

Hetty Lintell ushers in spring with a selection of floral favourites

Interiors

Soak up the style with an array of elegant bathroom fittings and furnishings from Amelia Thorpe

Kitchen garden cook

Fresh spring onions steal the show, says Melanie Johnson

Grandeur in granite

The restored Cluny Castle in Aberdeenshire is equipped for a future as prosperous as its colourful past, finds John Goodall

It’s a kind of dark magic

Whitby jet and mourning go hand in hand, but is it time to reassess this beautiful heritage gemstone, asks Harry Pearson

How to revive a classic

Michael Billington puts himself in the director’s chair as he ponders spectacular remakes of plays by Ibsen and Chekhov

Back to square one

What is it about cryptic crosswords that has kept us racking our brains for the past 100 years? Rob Crossan has all the answers

Literary Previews: The Paris Review – Spring 2024

The Paris Review No. 247, Spring 2024—Subscriber Cover

Paris Review Spring 2024 — The new issue features interviews with Jhumpa Lahiri and Alice Notley, prose by Joy Williams and Eliot Weinberger, poetry by Mary Ruefle and Jessica Laser, art by Chris Oh and Farah Al Qasimi, two covers by Nicolas Party, and more…

Jhumpa Lahiri on the Art of Fiction: “My question is, What makes a language yours, or mine?”

Alice Notley on the Art of Poetry: “Writing is not therapy. That’s the last thing it is. I still have my grief.”

Prose by Elijah Bailey, Julien Columeau, Joanna Kavenna, Samanta Schweblin, Eliot Weinberger, and Joy Williams.

Poetry by Gbenga Adesina, Elisa Gabbert, Jessica Laser, Maureen N. McLane, Mary Ruefle, Julian Talamantez Brolaski, and Matthew Zapruder.

Art by Farah Al Qasimi and Chris Oh.

TABLE OF CONTENTS

Previews: The New Yorker Magazine – March 25, 2024

A woman wears a dress with a pattern that resembles a crossword puzzle. A man writes a letter on her back.

The New Yorker (March 18, 2024): The new issue‘s cover features Klaas Verplancke’s “On the Grid” – The artist blends the preferred pastimes and stylish attire of New York’s commuters. By Françoise Mouly with Art by Klaas Verplancke.

The Place to Buy Kurt Cobain’s Sweater and Truman Capote’s Ashes

A mannequin wears a dress next to displays of other items.

As the art market cools, Julien’s Auctions earns millions selling celebrity ephemera—and used its connections to help Kim Kardashian borrow Marilyn Monroe’s J.F.K.-birthday dress.

By Rachel Monroe

The sidewalks of Lower Broadway in downtown Nashville are filled with people moving among neon-lit venues owned by celebrity musicians: Kid Rock’s Big Ass Honky Tonk & Rock ‘n’ Roll Steakhouse, Jason Aldean’s Kitchen & Rooftop Bar, Miranda Lambert’s Casa Rosa. The Hard Rock Café, which opened in 1994, when the neighborhood could still reasonably be called eclectic, sits at the far edge of the strip, overlooking the Cumberland River. One evening last November, Julien’s Auctions took over a private room at the restaurant for a three-day sale in honor of the company’s twentieth anniversary. There was a spotlighted stage full of objects that musicians had worn or touched or played: a scratched amber ring that Janis Joplin wore onstage at the Monterey Pop Festival, in 1967; Prince’s gold snakeskin-print suit, small enough to fit on an adolescent-size mannequin; ripped jeans that had belonged to Kurt Cobain.

Mike Johnson, the First Proudly Trumpian Speaker

A black and white photo of men in suits walking inside a building.

Though he has adopted a “nerd constitutional-law guy” persona, he is in lockstep with the law-flouting former President.

By David D. Kirkpatrick

The Capitol Hill Club, in a white brick town house a few blocks from the House of Representatives, is a social institution exclusively for Republicans. One evening in October, Representative Mike Garcia was eating there alone when Representative Mike Johnson stopped to chat. Garcia is a first-generation immigrant and a retired Navy pilot from a Democratic-leaning district in Southern California. His predecessor, a Democrat, resigned after a scandal four years ago, and Garcia highlighted disagreements with his party to win reëlection in 2022. He was also a loyalist to former House Speaker Kevin McCarthy, a fellow-Californian who had just been ousted by a small band of hard-line conservative rebels annoyed at his willingness to compromise on budget disputes. Garcia had formally nominated McCarthy as Speaker at the beginning of 2023, and his removal deprived Garcia of a patron.

The New Criterion – April 2024 Arts/Culture Preview

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The New Criterion – The April 2024 issue features:

Poetry a special section
Black poetry  by William Logan
Shakespeare’s words  by Amit Majmudar
Bachmann: the unspeakable spoken  by Peter Filkins
The new & the old  by Katie Hartsock
The answer to Lord Chandos  by Pascal Quignard

New translations  by Ryan Choi, Frederick Amrine, Patrick Whalen & Beverley Bie Brahic

The New York Times Book Review – March 17, 2024

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THE NEW YORK TIMES BOOK REVIEW (March 16, 2024): 

22 of the Funniest Novels Since ‘Catch-22’

Catch-22 eBook by Joseph Heller, Christopher Buckley | Official Publisher  Page | Simon & Schuster

Because we could all use a laugh.

By Dwight GarnerAlexandra Jacobs and Jennifer Szalai

When it comes to fiction, humor is serious business. If tragedy appeals to the emotions, wit appeals to the mind. “You have to know where the funny is,” the writer Sheila Heti says, “and if you know where the funny is, you know everything.” Humor is a bulwark against complacency and conformity, mediocrity and predictability.

With all this in mind, we’ve put together a list of 22 of the funniest novels written in English since Joseph Heller’s “Catch-22” (1961). That book presented a voice that was fresh, liberated, angry and also funny — about something American novels hadn’t been funny about before: war. Set during World War II and featuring Capt. John Yossarian, a B-25 bombardier, the novel presaged, in its black humor, its outraged intelligence, its blend of tragedy and farce, and its awareness of the corrupt values that got us into Vietnam, not just Bob Dylan but the counterculture writ large.

You’re Not Being Gaslit, Says a New Book. (Or Are You?)

“On Gaslighting,” by the philosophy professor Kate Abramson, explores the psychological phenomenon behind the hashtags.

A still from a black-and-white movie portrays a couple in Victorian dress. The man, in a dark suit, looks down disdainfully at a woman in a gown and pompadour as she gazes into the distance.

By Dodai Stewart

ON GASLIGHTING, by Kate Abramson


Don’t be so sensitive.

You’re overreacting.

You’re imagining things.

These are things gaslighters say, writes Kate Abramson.

As she explains in “On Gaslighting,” the term originated in the 1944 film “Gaslight,” and after entering the therapeutic lexicon of the 1980s, steadily made its way into colloquial usage.

As a society we have become adept at classifying actions within interpersonal relationships using therapy-speak. From “attachment style” to “trauma-bonding,” personal judgments have become diagnoses — without the assistance of a licensed professional: Anyone with a social media account or a jokey T-shirt can get in on the action. (In 2021, the flippant phrase “gaslight, gatekeep, girlboss” became a popular, snide social-media shorthand for a certain kind of capitalist feminism.)

Previews: The New Yorker Magazine – March 18, 2024

A skier skis from snow onto grass.

The New Yorker (March 11, 2024): The new issue‘s cover features Peter de Sève’s “Downhill” – The artist depicts carving up the slopes, straight into spring.

Among the A.I. Doomsayers

A large robotic foot hovers above a figure.

Some people think machine intelligence will transform humanity for the better. Others fear it may destroy us. Who will decide our fate?

By Andrew Marant

Katja Grace’s apartment, in West Berkeley, is in an old machinist’s factory, with pitched roofs and windows at odd angles. It has terra-cotta floors and no central heating, which can create the impression that you’ve stepped out of the California sunshine and into a duskier place, somewhere long ago or far away. Yet there are also some quietly futuristic touches. High-capacity air purifiers thrumming in the corners. Nonperishables stacked in the pantry. A sleek white machine that does lab-quality RNA tests. The sorts of objects that could portend a future of tech-enabled ease, or one of constant vigilance.

Have the Liberal Arts Gone Conservative?

A column with a pencil tip.

The classical-education movement seeks to fundamentally reorient schooling in America. Its emphasis on morality and civics has also primed it for partisan takeover.

The New York Times Book Review – March 10, 2024

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THE NEW YORK TIMES BOOK REVIEW (March ,8 2024): The latest issue features Renaissance scholar Ramie Targoff’s new book, “Shakespeare’s Sisters,” which sets out to show modern readers that the Elizabethan era did indeed produce its share of great women writers, and she details four of them across a range of disciplines. 

Some of the Best Bards Were Women

A round portrait is composed from the quadrants of four different medieval women’s faces.

In “Shakespeare’s Sisters,” the Renaissance scholar Ramie Targoff presents an astounding group of Elizabethan women of letters.

By Tina Brown

SHAKESPEARE’S SISTERS: How Women Wrote the Renaissance, by Ramie Targoff


Judith Shakespeare, Virginia Woolf’s imaginary sister of the Bard, was for years the accepted portrait of the nonexistent writer of Renaissance England. In “A Room of One’s Own,” her seminal feminist essay, Woolf concluded that any glimmer of female creativity in Shakespeare’s time would have been expunged by a pinched life as a breeding machine of children who so often died, disallowed opinions of her own. Had any woman survived these conditions, wrote Woolf, “whatever she had written would have been twisted and deformed, issued from a strained and morbid imagination.”

A Bee’s-Eye View of the World

A photo of a flower with stamen and pistils that appear to glow yellow, purple and orange in UV light.

Using clever camera methods, a new photo book illuminates how honeybees see plants and flowers.

By William Atkins

In WHAT THE BEES SEE: The Honeybee and Its Importance to You and Me, Craig P. Burrows’s ultraviolet-lit photographs mimic the fluorescence his botanical subjects emit when exposed to sunlight, revealing colors and textures usually obscured by the dazzle of visible light. Because bees see in the ultraviolet spectrum, Burrows’s method can afford us a glimpse of the world as they perceive it: His portraits of plants are, in part, prompts for interspecies empathy at a time when bees are under attack on multiple fronts, from air pollution to pesticides.

Reviews: ‘The Week In Art’

The Week In Art Podcast (March 8, 2024): To coincide with International Women’s Day on 8 March, the South London Gallery is opening the exhibition Acts of Resistance: Photography, Feminisms and the Art of Protest.

Activism and photography have long gone hand in hand but this collaborative exhibition, organised with the Victoria and Albert Museum (V&A), attempts to capture a new chapter in this distinguished history, with a particular focus on feminism across the world. We talk to Sarah Allen, the head of programme at the South London Gallery, and Fiona Rogers, the V&A’s Parasol Foundation curator of women in photography, about the show. The financier, philanthropist, collector and leader of cultural organisations Jacob Rothschild died last week at the age of 87.

We talk to Anna Somers Cocks, the founder of The Art Newspaper, who interviewed Lord Rothschild on numerous occasions, about his impact on the visual arts and heritage. And this episode’s Work of the Week is Adelphi, made in 1967 by Robert Ryman. It is one of around 50 pieces by Ryman in the exhibition The Act of Looking, which opened this week at the Musée de l’Orangerie in Paris. Guillaume Fabius, the co-curator of the show, joins us to discuss the painting.

Acts of Resistance: Photography, Feminisms and the Art of Protest, South London Gallery, London, 8 March-9 June.

Robert Ryman: The Act of Looking, Musée de l’Orangerie, Paris, until 1 July.

Previews: Country Life Magazine – March 6, 2024

Country Life Magazine – March 5, 2024: The latest issue features The Country Life Top 100 – Britain’s leading exponents of country-house architecture, interior design, gardens and specialist services…

The Top 100 builders, architects, interior decorators and garden designers in Britain

Welcome to the eighth edition of our guide to Britain’s leading exponents of country-house architecture, interior design, gardens and specialist services

New series: The legacy

In the first of this new series, Kate Green celebrates Dame Miriam Rothschild’s remarkable contribution to the nation as a pioneer of wildflower gardening

Reach for the Skye

Following in the slipstream of swimming cattle, Joe Gibbs enjoys safe passage to the Isle of Skye courtesy of the world’s last manual turntable ferry

Hail the conquering heroes

Jack Watkins is in the saddle for a canter through 100 years of the Cheltenham National Hunt Festival’s Blue Riband event, the Gold Cup

Arts & antiques

Works by a whole host of great artists are more accessible than you might imagine. Carla Passino talks to leading art dealers about the Old Masters you could collect

Sir Alistair Spalding’s favourite painting

The artistic director admires a religious fresco that encourages contemplation and reflection

Out of Africa

Carla Carlisle reflects on the life of Karen Blixen after visiting the author’s former home in Kenya

Renewal and recovery

The restoration of Boston Manor House in Greater London offers a fascinating insight into changing tastes, reveals Charles O’Brien

The Devil wears parsley

March can be the month of all weathers, warns Lia Leendertz

The masked singer

Jack Watkins goes in search of the elusive, enchanting woodlark

London Life

  • Cashing in with Russell Higham
  • Celebrating Claridge’s
  • Revisiting James Burton’s beat with Carla Passino
  • Jack Watkins finds change in the air at the Natural History Museum

Stancombe revisited

Marion Mako visits Stancombe Park, Gloucestershire — Waugh’s garden inspiration for Brideshead

Kitchen garden cook

Melanie Johnson harnesses the subtle depth of flavour of leeks

And so to sleep…

Hemlock is a pretty addition to riverbanks, but its charm ends there, says Deborah Nicholls-Lee

The claws are out

Simon Lester shares the thrill of an encounter with the secretive native white-clawed crayfish

The good stuff

Patterned or pastel? Hetty Lintell showcases the finest waistcoats

Previews: The New Yorker Magazine – March 11, 2024

Barbie slaps Oppenheimer at the Academy Awards.
Art by Barry Blitt

The New Yorker (March 4, 2024): The new issue‘s cover features Barry Blitt’s “Slappenheimer” – The artist revisits the infamous Oscars slap to riff on the tensions of this year’s ceremony.

Joe Biden’s Last Campaign

Joe Biden photographed at his desk in the Oval Office by Thea Traff.

Trailing Trump in polls and facing doubts about his age, the President voices defiant confidence in his prospects for reëlection.

By Evan Osnos

Forty-Three Mexican Students Went Missing. What Really Happened to Them?

A man looks at photos of the missing students.

One night in 2014, a group of young men from a rural teachers’ college vanished. Since then, their families have fought for justice.

By Alma Guillermoprieto