The Week In Art Podcast (May 10, 2024): We talk to The Art Newspaper’s reporter Sarvy Geranpayeh about her conversations with six Palestinian artists about their daily lives amid Israel’s ongoing military offensive in Gaza.
Frank Stella, one of the key artists in the history of American abstraction, has died, aged 87. We speak to Bonnie Clearwater, the director and chief curator of the NSU Art Museum in Fort Lauderdale, Florida, who worked with Stella on two landmark shows. And as Spring finally arrives in London, this episode’s Work of the Week is, fittingly, Vanessa Bell’s View into a Garden (1926). It features in an exhibition opening next week at the Garden Museum in London, called Gardening Bohemia: Bloomsbury Women Outdoors. Emma House, the curator at the museum, tells me more.
Glory of the World: Color Field Painting (1950s to 1983), NSU Art Museum Fort Lauderdale, US, until 25 August. Frank Stella: Recent Sculpture, Deitch Projects, New York, until 24 May.
Mrs Beeton’s recipes are still followed more than a century later. Kate Green raises a spoon to the first domestic goddess
This is how we brew it
Good coffee, companionship and delectable cakes are on offer in the cafés of the Cots-wolds. Ben Lerwill takes a sip
The magnificent seven
On the 75th birthday of Badminton Horse Trials, Kate Green salutes seven heroes of eventing’s premier weekend
Mere moth or merveille du jour?
The names of our butterflies and moths owe their artistic overtones to a golden group, discovers Peter Marren
Heaven is a place on earth
From Sissinghurst to Charleston, gardens offered the women of the Bloomsbury group refuge, solace and inspiration. Deborah Nicholls-Lee enjoys a stroll
Jane Tuckwell’s favourite painting
The event director of Badminton Horse Trials chooses a hunting scene with personal resonance
Where are the food targets?
Farmers should be allowed to prioritise producing food, believes Minette Batters
An air of homely distinction
The Anglo-American artistic circle of Russell House in Broadway, Worcestershire, lives on through its current incumbents, John Martin Robinson is pleased to say
Blow the froth off
Spring has donned its lacy garb as cow parsley flowers. Vicky Liddell walks the umbellifer lanes
There is no sting in this tale
The fearsome scorpion fly is straight out of science-fiction central casting, says Ian Morton
Angels in the house
Jo Caird marvels at a rare survival in a Cotswold church
The good stuff
Hetty Lintell packs her case and runs away to the airport
Interiors
Curl up and get cosy with the comfiest bedroom accessories, chosen by Amelia Thorpe
A haunt of ancient peace
Recently renovated, the gardens of Iford Manor in Wiltshire are as idyllic today as they were when Harold Peto created the Italianate design, marvels Tiffany Daneff
Native herbs
John Wright adds tonic and raises a glass to the juniper
I don’t think you’re ready for this jelly
Quivering, crystal-clear savoury jelly is all grown up. Tom Parker Bowles braves the wobble
Dulce et decorum est
Michael Sandle is still fighting the good fight through his art as he turns 88, reveals John McEwen
Put some graphite in your pencil
A trick of Cumbrian geology led to worldwide fame for Keswick, scribbles Harry Pearson
The New Yorker (May 6, 2024): The new issue‘s cover featuresMark Ulriksen’s “Shotime” – For many fans, the real harbinger of spring is the beginning of baseball season.
The Week In Art Podcast (May 3, 2024): After years of decreasing public funding, the lingering effects of the Covid pandemic and enduring questions around the ethics of corporate sponsorship, UK museums are facing unprecedented financial pressures.
Some commentators are suggesting that the time has come to abandon the policy of free admission to museums that is viewed by many as key to the cultural fabric of the UK. Among those arguing for charging is the critic and broadcaster Ben Lewis, who joins Ben Luke to discuss the issue.
This week, the British Museum opened the exhibition Michelangelo: the Last Decades. It focuses on the period after 1534, when Michelangelo left his native Florence for Rome, never to return, and embarked on many of his most ambitious projects. We take a tour of the show with its curator, Sarah Vowles.
And this episode’s Work of the Week is Maria Blanchard’s Girl at Her First Communion (1914). The painting features in a new exhibition at the Museo Picasso in Málaga. Its curator, José Lebrero Stals, tells us more about this underappreciated Spanish artist, who was at the heart of the Parisian avant garde in the 1910s and 20s.
Michelangelo: the Last Decades, British Museum, until 28 July.
Kate Green and Agnes Stamp take a geological tour of our islands to dig out what makes them special; granite country, chalk downland, The Fens, Wealden clay, Welsh slate, Yorkshire mill-stone grit, The Highlands and Cotswold limestone
Matthew Rice sketches the myriad architectural styles
Mark Diacono rubs the soil between his fingers
Victoria Marston wraps her tongue around dialects
Harry Pearson downs a pint or three of local ale
And finally, the ultimate quiz
Et in Arcadia ego
For Constable, the countryside was a lover, for Samuel Palmer, it offered an escape from the real world and for Paul Nash it held an inescapable lure. Michael Prodger examines the effect of British landscapes on art
The Duchess of Marlborough’s favourite painting
The ceramicist chooses an evocation of her childhood
Let us now praise the Nanny State
We should embrace Mary Poppins-esque common sense, believes Carla Carlisle
The legacy
Kate Green salutes the 10th Duke of Beaufort on the eve of the Badminton Horse Trials that set British riders on their gallop to three-day-eventing victory
Cometh the ice men
Don’t cast those jumpers out just yet, advises Lia Leendertz
Interiors
Get ready for the warmer weather with Amelia Thorpe’s pick of outdoor furniture
London Life
Royal photographs
All you need to know about cloth, cheese and Trafalgar Square
Jack Watkins tells the tale of Covent Garden
Adam Hay-Nicholls relishes the roar of engines in Savile Row
Up hill and down dale
Kathryn Bradley-Hole finds that formality is leavened by verve and personality in the gardens of Dalemain at Penrith, Cumbria, where the blue poppies bloom
Kitchen garden cook
Melanie Johnson gathers bunches of fresh watercress
Native herbs
Unmistakeable in scent, versatile in use, wild garlic is a forager’s dream, but don’t let dairy cows graze it, warns Ian Morton
Travel
Mark Hedges escapes to our nearest paradise, the Isles of Scilly
Tom Parker Bowles feasts on a proper club sandwich
Pamela Goodman dares to swim the Dordogne
The good stuff
Hetty Lintell takes her time choosing the latest wonderful watches unveiled in Geneva
Apollo Magazine (April 29, 2024): The new May 2024 issue features ‘How national is the National Gallery?’; Alvaro Barrington’s winning hand; Fossil-fuelled: art and the oil industry…
The New Yorker (April 29, 2024): The new issue‘s cover featuresFaith Ringgold’s “Sonny’s Bridge, 1986” – The late artist’s work recalls her pioneering spirit through vivid, inventive designs.
Also: Kamasi Washington, “The Outsiders” reviewed, Bang on a Can’s Long Play Festival, and more.
The Return, Again, of the Power Lunch
Four Twenty Five, a luxe new dining room from the mega-restaurateur Jean-Georges Vongerichten, takes square aim at the expense-account crowd.
Donald Trump’s Sleepy, Sleazy Criminal Trial
The most striking aspect of the former President’s hush-money trial so far has been that, for the first time in a decade, Trump is struggling to command attention.
@nplusonemag (April 23, 2024): The latest issue features ‘Passage’ – Fast fashion nation. Six months of genocide in Gaza. Human_Fallback_2: 2 Human 2 Fallback. Martin Amis, re-reassessed. Border stories by Nicholas Hamburger and Paul Soto.
Who Sees Gaza?
A genocide in images
OCTOBER 7 MARKED the beginning of a new economy of war imagery. At first there was a video of a bulldozer plowing through the border fence between Israel and Gaza—an astonishing image, captured in a familiar way. Then things turned horribly surreal. The events of that day were beamed to the world in real time via body-cam, dashcam, cell phone, drone. A Hamas fighter wearing a GoPro stalked the highway with his automatic rifle jutting up from the bottom of the frame, first-person-shooter style. A dashboard camera showed a car zooming forward as a bullet pierced its windshield and the car began to drift, veering left, until it crashed into the rear end of a parked Toyota; you knew exactly when the person behind the wheel could no longer drive, was probably dead.
News, Views and Reviews For The Intellectually Curious
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