The Economist Magazine (March 21, 2024): The latest issue features ‘Israel Alone’ – At a moment of military might, Israel looks deeply; ‘How To Trade An Election’ – It is getting harder for investors to ignore politics; China, Iran and Russia versus The West – Assessing the economic threat posed by the anti-Western axis…
There is still a narrow path out of the hellscape of Gaza. A temporary ceasefire and hostage release could cause a change of Israel’s government; the rump of Hamas fighters in south Gaza could be contained or fade away; and from the rubble, talks on a two-state solution could begin, underwritten by America and its Gulf allies. It is just as likely, however, that ceasefire talks will fail. That could leave Israel locked in the bleakest trajectory of its 75-year existence, featuring endless occupation, hard-right politics and isolation. Today many Israelis are in denial about this, but a political reckoning will come eventually. It will determine not only the fate of Palestinians, but also whether Israel thrives in the next 75 years.
It is becoming harder for investors to ignore politics
Investors differ in their approach to elections. Some see politics as an edge to exploit; others as noise to block out. Even for those without a financial interest, markets offer a brutally frank perspective on the economic stakes. As elections approach in America and Britain, as well as plenty of other countries, that is especially valuable.
Times Literary Supplement (March 22, 2024): The latest issue features ‘All the Lonely People’ – Charles Foster on a modern-day epidemic; Shakespeare and Bloomsbury; D.H. Lawrence, cuckhold; Marilynne Robinson’s god; Paul Theroux’s Orwell…
James Alexander-Sinclair hails the remarkable revival of the gardens at Dowdeswell Court, Gloucestershire, the charming Cotswolds home of Jade Holland Cooper and Julian Dunkerton
The cutting-garden diaries
In the second of a series of articles, Oxfordshire flower grower Anna Brown shares her tips on creating a floral spring spectacular
Great nurseries
Growing sweet violets has been a family passion since 1866 at Groves Nursery in Bridport, Dorset, as Tilly Ware discovers
‘After everything they do, we owe them’
Service dogs and horses risk life and limb to keep us safe. Katy Birchall salutes the work of a charity supporting these animal heroes in retirement
Mark Cocker’s favourite painting
The Nature writer lauds a work by a masterful wildlife painter
Where traffic stops for sacred cows
Dairy farmer Jamie Blackett is heartened to witness cattle worship on a trip to Rajasthan
New series: The legacy
In the third instalment of this new series, Kate Green celebrates the Revd John Russell’s role in the emergence of the terrier
The very nature of Middle-earth
James Clarke visits the magical Malvern Hills to explore a land-scape that so inspired Tolkien
Planters punch
Amelia Thorpe picks garden pots that make a sizeable statement
The good stuff
Hetty Lintell ushers in spring with a selection of floral favourites
Interiors
Soak up the style with an array of elegant bathroom fittings and furnishings from Amelia Thorpe
Kitchen garden cook
Fresh spring onions steal the show, says Melanie Johnson
Grandeur in granite
The restored Cluny Castle in Aberdeenshire is equipped for a future as prosperous as its colourful past, finds John Goodall
It’s a kind of dark magic
Whitby jet and mourning go hand in hand, but is it time to reassess this beautiful heritage gemstone, asks Harry Pearson
How to revive a classic
Michael Billington puts himself in the director’s chair as he ponders spectacular remakes of plays by Ibsen and Chekhov
Back to square one
What is it about cryptic crosswords that has kept us racking our brains for the past 100 years? Rob Crossan has all the answers
The New Yorker (March 18, 2024): The new issue‘s cover features Klaas Verplancke’s “On the Grid” – The artist blends the preferred pastimes and stylish attire of New York’s commuters. By Françoise Mouly with Art by Klaas Verplancke.
As the art market cools, Julien’s Auctions earns millions selling celebrity ephemera—and used its connections to help Kim Kardashian borrow Marilyn Monroe’s J.F.K.-birthday dress.
The sidewalks of Lower Broadway in downtown Nashville are filled with people moving among neon-lit venues owned by celebrity musicians: Kid Rock’s Big Ass Honky Tonk & Rock ‘n’ Roll Steakhouse, Jason Aldean’s Kitchen & Rooftop Bar, Miranda Lambert’s Casa Rosa. The Hard Rock Café, which opened in 1994, when the neighborhood could still reasonably be called eclectic, sits at the far edge of the strip, overlooking the Cumberland River. One evening last November, Julien’s Auctions took over a private room at the restaurant for a three-day sale in honor of the company’s twentieth anniversary. There was a spotlighted stage full of objects that musicians had worn or touched or played: a scratched amber ring that Janis Joplin wore onstage at the Monterey Pop Festival, in 1967; Prince’s gold snakeskin-print suit, small enough to fit on an adolescent-size mannequin; ripped jeans that had belonged to Kurt Cobain.
The Capitol Hill Club, in a white brick town house a few blocks from the House of Representatives, is a social institution exclusively for Republicans. One evening in October, Representative Mike Garcia was eating there alone when Representative Mike Johnson stopped to chat. Garcia is a first-generation immigrant and a retired Navy pilot from a Democratic-leaning district in Southern California. His predecessor, a Democrat, resigned after a scandal four years ago, and Garcia highlighted disagreements with his party to win reëlection in 2022. He was also a loyalist to former House Speaker Kevin McCarthy, a fellow-Californian who had just been ousted by a small band of hard-line conservative rebels annoyed at his willingness to compromise on budget disputes. Garcia had formally nominated McCarthy as Speaker at the beginning of 2023, and his removal deprived Garcia of a patron.
When it comes to fiction, humor is serious business. If tragedy appeals to the emotions, wit appeals to the mind. “You have to know where the funny is,” the writer Sheila Heti says, “and if you know where the funny is, you know everything.” Humor is a bulwark against complacency and conformity, mediocrity and predictability.
With all this in mind, we’ve put together a list of 22 of the funniest novels written in English since Joseph Heller’s “Catch-22” (1961). That book presented a voice that was fresh, liberated, angry and also funny — about something American novels hadn’t been funny about before: war. Set during World War II and featuring Capt. John Yossarian, a B-25 bombardier, the novel presaged, in its black humor, its outraged intelligence, its blend of tragedy and farce, and its awareness of the corrupt values that got us into Vietnam, not just Bob Dylan but the counterculture writ large.
These are things gaslighters say, writes Kate Abramson.
As she explains in “On Gaslighting,” the term originated in the 1944 film “Gaslight,” and after entering the therapeutic lexicon of the 1980s, steadily made its way into colloquial usage.
As a society we have become adept at classifying actions within interpersonal relationships using therapy-speak. From “attachment style” to “trauma-bonding,” personal judgments have become diagnoses — without the assistance of a licensed professional: Anyone with a social media account or a jokey T-shirt can get in on the action. (In 2021, the flippant phrase “gaslight, gatekeep, girlboss” became a popular, snide social-media shorthand for a certain kind of capitalist feminism.)
Nature Magazine – March 13, 2024: The latest issue cover features ‘Burning Question’ – How drought conditions are driving overnight fires in North America…
The de-extinction company Colossal is the first to convert elephant cells to an embryonic state, but using them to make mammoths won’t be easy, say researchers.
The New Yorker (March 11, 2024): The new issue‘s cover features Peter de Sève’s “Downhill” – The artist depicts carving up the slopes, straight into spring.
Katja Grace’s apartment, in West Berkeley, is in an old machinist’s factory, with pitched roofs and windows at odd angles. It has terra-cotta floors and no central heating, which can create the impression that you’ve stepped out of the California sunshine and into a duskier place, somewhere long ago or far away. Yet there are also some quietly futuristic touches. High-capacity air purifiers thrumming in the corners. Nonperishables stacked in the pantry. A sleek white machine that does lab-quality RNA tests. The sorts of objects that could portend a future of tech-enabled ease, or one of constant vigilance.
The classical-education movement seeks to fundamentally reorient schooling in America. Its emphasis on morality and civics has also primed it for partisan takeover.
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