Among the great innovators of contemporary painting, with a lifelong commitment to drawing and printmaking, Pat Steir first came to prominence in the late 1970s and early 1980s for her iconographic canvases and immersive wall drawings.
By the late 1980s, her inventive approach to painting—the rigorous pouring technique seen in her Waterfall works, in which she harnessed the forces of gravity and gesture to achieve works of astonishing lyricism—attracted substantial critical acclaim. Informed by a deep engagement with art history and Eastern philosophy, and a passion for artistic advocacy in the both the visual and literary realms, Steir’s storied five-decade career continues to reach new heights through an intrepid commitment to material exploration and experimentation.
Nathaniel Rackowe’s large-scale, futuristic works are fundamentally influenced by modern urban architecture. Spanning sculpture, installation, and public art, his practice is concerned with abstracting the metropolis into units of form. Scaffolding poles, cement blocks, corrugated sheets, Perspex, glass, and fluorescent tubing are the building blocks of his sculptural vocabulary. The British artist has created cuboids of light that seem to hover eerily in the air (“Spin” series, 2006–ongoing), upturned sheds that appear frozen in mid-explosion (“Black Shed Expanded” series, 2008–ongoing), and flanks of moving mechanical doors edged with fluorescent lights that close in claustrophobically on visitors (Sixty Eight Doors, 2005). It’s no surprise that he is an admirer of science fiction writers such as Philip K. Dick and Iain M. Banks and films like Brazil (1985) and Blade Runner (1982).
A cornerstone of New York’s cultural landscape since its founding in 1994, The Armory Show brings the world’s leading international contemporary and modern art galleries to New York each year.
The fair plays a leading role in the city’s position as an important cultural capital through elevated presentations, thoughtful programming, curatorial leadership, meaningful institutional partnerships, and engaging public art activations.
This week: is art censorship on the rise? The Art Newspaper’s chief contributing editor, Gareth Harris, joins Ben Luke to discuss his new book, Censored Art Today.
We look at the different ways in which freedom of expression is being curbed across the globe and at the debates around contested history and cancel culture. This episode’s Work of the Week is Diane Arbus’s Puerto Rican woman with a beauty mark, N.Y.C., 1965, one of the 90 images that feature in Diane Arbus: Photographs, 1956-1971, which opens at the Montreal Museum of Fine Arts, Canada, on 15 September. Sophie Hackett, the exhibition’s curator, discusses Arbus’s remarkable eye and technical brilliance.
As the Guggenheim Bilbao celebrates its 25th anniversary, Thomas Krens, the director and chief artistic officer of the Solomon R. Guggenheim Foundation from 1988 to 2008, reflects on the genesis and development of a museum that had a dramatic impact on contemporary art and museums’ role in the cultural regeneration of cities across the world.
American artist Cy Twombly’s engagement with the art and poetry of ancient Greece and Rome played a central role in his creative process. This exhibition explores Twombly’s lifelong fascination with the ancient Mediterranean world through evocative groupings of his paintings, drawings, prints, and sculpture made from the mid-20th to the early 21st century, tracing an imaginative journey of encounters with and responses to ancient texts and artifacts. The presentation includes Greek and Roman antiquities from the artist’s personal collection, on public display for the first time.
Organized by the J. Paul Getty Museum, Los Angeles, and the Museum of Fine Arts, Boston Supported by an indemnity from the Federal Council on the Arts and the Humanities Major support from Jo Carole and Ronald S. Lauder Generously sponsored by
• Jil Sander refashions the English garden in Hamburg
• Annette Messager on the art of making the strange familiar
• A dazzling Medici table-top in focus
• On Jeju Island, the Hawaii of South Korea
Plus: the restored Galleria Nazionale dell’Umbria, Inigo Jones’s Banqueting House, Joseph Wright of Derby’s brush with the divine, and reviews of Cézanne in Chicago, Milton Avery in London and a history of fancy dress
Established in 1896, the Carnegie International is the longest-running North American exhibition of international art. Organized every three to four years by Carnegie Museum of Art, the International presents an overview of how art and artists respond to the critical questions of our time.
Discover the history of this storied exhibition through archival footage and historical photographs, accompanied by the voices of curators and artists.
Galerie Philia is proud to announce its summer exhibition taking place in two villas designed by Jean Nouvel and commissioned by Rivere Group on the luxurious Cote d’Azur. Villa Maeterlinck in Nice and villa in St Jean Cap Ferrat, both are perfectly integrated into the landscape and boast terrace gardens in front of wide private sea views on the Mediterranean.
Tillandsias in Saint Jean Cap Ferrat and Monsteras in Nice were planted by Jean Nouvel as an ode to their aerian roots. This specific fauna is in complete harmony with the asesthetic of the influential architect whose innovative aerian principle transforms buildings into dematerialized natural environments. Set in a mesmerizing atmosphere, between the breath-taking coast and the unassuming minimalism of Nouvel, Galerie Philia enhances this dialogue between the aesthetic of the architecture and its natural surroundings.
The concept of aerian roots is in the heart of the scenography of Galerie Philia as transcultural art and design works were selected for the plural and complex aesthetic and national identities they convey. Completed in 2015 and placed right by the famous Maeterlinck Palace, Villa Maeterlink is carved into the rock. Situated just by the waterfront, all of the rooms in the villa have a full view of the sea, with a living room spanning 40m2 without posts (cantilevered).
Set in a grand plot of 8600 m2, the entire house is made to measure including the stainless steel ceilings, light fixtures, and inox surfaces along with a multitude of special details that make this a truly unique place. The space breaths at all times thanks to the sliding partitions that were built in a studied way to dissipate the boundary between interior and exterior in this house that opens to the sea, and the stainless steel ceiling of the house allows one to see the sea at all times.
Blending with the unique and entirely customized architecture of Jean Nouvel, Galerie Philia’s elegant collection of sculptural design and art dresses these villas in a new look and create stunning vistas, transforming them into a living and breathing homes. The gardens and the interior of both villas are united by a harmonious scenography and become a reflection of the lightness of Nouvel’s aesthetic. The exhibition features unique pieces by Frederic Saulou, Andrés Monnier, Arno Declercq, Jojo Corväiá, Rick Owens, Elsa Foulon, Jan Ernst and many more designers represented by Galerie Philia.
The hand-carved stone firepit of Andres Monnier creates a radiant atmosphere in the patio with the ravishing views of plants as Gerard Kuijpers’ Dancing Stones move with the breeze from the mediterranean. Arno Declercq’s unique daybed accommodates a relaxing environment in the cozy living space and Jörg Pietschmann’s solid oak unique bench invites one to enjoy the monstera haven. The Revue Eclipse collaborated with Galerie Philia on the fine art selection, and internationally known artists will be exhibited such as Sam Szafran, Flora Temnouche, Edgar Sarin, Manuel Merida, Francisco Salazar, Jörg Kratz and Mateo Revillo.
Unpronounceable volcanoes, Björk, Vikings, Game of Thrones – these are some of the things you might think of relating to Iceland. This remote and fascinating island, located in the middle of the Atlantic Ocean with a population of 360,000 people, is one of the most creative nations in the world. Is it due to isolation, the inspiration from nature or its centuries-old folklore legends? Eve Jackson goes to the land of ice and fire to find out why Iceland has such an exceptional and disproportionate amount of artists.
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