The Museum of Modern Art (March 17, 2023) – In our latest ArtSpeaks episode, Eana Kim, Vilcek Fellow in Paintings and Sculpture chose Henri Matisse’s “Dance (I)” because his work led her life in an unexpected direction.
“What really struck me was Matisse’s journey from mastering all the academic skills to unlearning everything to create his own art,” Kim says. “He really tried to dig into and explore the fundamental elements, like forms and colors. He was looking into something more essential to create something pure. I needed to follow that path.”
In the online edition of MoMA’s ArtSpeaks program, we invite staff members, artists, and special guests to share personal impressions of an artwork in the galleries. Here, curator Eana Kim examines Matisse’s iconic expression of pleasure and joy.
March 17, 2023: the extraordinary story behind what Canadian police have called “the biggest art fraud in history”. More than 1,000 fake works purporting to be by the First Nations artist Norval Morrisseau are seized and eight people have been charged.
The Art Newspaper’s Editor, Americas, Ben Sutton, tells the extraordinary story, involving a rock star, a television documentary and alleged forgery rings, and what it tells us about the market for First Nations art in Canada. A report into artists’ pay in the UK has exposed the inordinately low sums paid to artists for their labour by arts organisations.
We talk to the art collective Industria, who wrote the report, and Julie Lomax, the CEO of a-n, The Artists’ Information Company, which has published the study. And this episode’s Work of the Week is An Old Woman (around 1513) by the Northern Renaissance artist Quinten Massys, a painting better known as The Ugly Duchess.
A new exhibition at the National Gallery focuses on this work in its collection, exploring its origins in a drawing by Leonardo da Vinci, and the combination of satire, folklore, humanism and misogyny from which it emerged. Emma Capron, the curator of the show, tells us more.A PDF of Industria’s Structurally F–cked report can be found at a-n.co.uk. Industria’s website is we-industria.org.The Ugly Duchess: Beauty and Satire in the Renaissance, National Gallery, London, until 11 June.
March 10, 2023: Is the Old Masters market struggling? As Tefaf opens its fair in Maastricht, we look at this major moment in the market calendar and what it tells us about the strength or otherwise of the market for historic art.
The Art Newspaper’s Acting Art Market editor, Anny Shaw, joins us from the fair. The Institut du Monde Arabe, or Arab World Institute, in Paris has just received a major gift of more than 1,600 modern and contemporary works from the French-Lebanese dealer and collector Claude Lemand and his wife, France—a collection that will transform the displays in the institute’s museum. We talk to the director of the museum,
Nathalie Bondil, about her future plans and the €6m project to transform the institute. And this episode’s Work of the Week is a self-portrait in red chalk by the Venetian Rococo artist Rosalba Carriera. Dagmar Kornbacher, the director of the Kupferstichkabinett in Berlin, tells me about the drawing, which is a key work in Muse or Maestra?, the museum’s new exhibition of work by historic Italian women artists.Tefaf Maastricht, until 19 March.Muse or Maestra?: Women in the Italian Art World, 1400-1800, Kupferstichkabinett, Berlin, until 4 June.
March 3, 2023: as the Art Dubai fair opens, The Art Newspaper’s acting digital editor Aimee Dawson tells us about this latest edition, its ongoing commitment to displaying the art of the global south and its continued focus on digital art.
The Museum of Modern Art in New York opens the largest media exhibition it has ever staged, Signals: How Video Transformed the World on 5 March. It looks at how artists around the globe have used video as a networked technology capable of reaching huge audiences but also how they have employed video to reflect on or engage in activism and urgent political developments.
We talk to the show’s curators, Stuart Comer and Michelle Kuo. And this episode’s Work of the Week is a coffee pot and milk jug from 1960 by Lucie Rie, the great modernist potter. Eliza Spindel, co-curator of the exhibition Lucie Rie: The Adventure of Pottery at Kettle’s Yard in Cambridge, UK, tells us about these objects and Rie’s life and work.Art Dubai until 5 March.Signals: How Video Transformed the World, Museum of Modern Art, New York, 5 March-8 July.Lucie Rie: The Adventure of Pottery, Kettle’s Yard, Cambridge, UK, 4 March-25 June.
If asked to name the most successful exhibition of contemporary German art, few people would intuitively think of an exhibition presenting vivid reconstructions of the polychromy of ancient Greek and Roman sculpture.
Metropolitan Museum of Art, New York, 5th July 2022–26th March 2023
ART IN AMERICA MAGAZINE – MARCH 2023 – The artwork on the cover of this issue looks pretty simple: an elegant arrangement of colorful, cartoon-like flowers. Pretty it is; simple it most certainly is not. Artist Jill Magid scoured the digital worlds of hundreds of video games—from Super Mario to Minecraft—and selected pixelated plants and photo-realistic flowers from virtual landscapes that she then assembled into bouquets worthy of the fanciest dinner party.
After that, she took the resulting images and crafted her first series of NFT-backed artworks, which dropped on Valentine’s Day. The collection comprises 165 animated bouquets, including one that you can view online at artwrld.com and on Art in America’s Instagram, where Magid has generously collaborated with us on our first animated cover.
As the Rijksmuseum’s once-in-a-lifetime blockbuster brings together an unprecedented number of works by the Old Master, paintings including a self-portrait are still missing
Michiel van Musscher’s A Self-portrait of the Artist in his Studio (1670) is thought to have been inspired by a lost Vermeer workCourtesy of Christie’s
With only 37 authenticated Johannes Vermeer paintings (28 in the Rijksmuseum’s sold-out exhibition), could there be more out there, not yet recognised as from his hand? Vermeer’s production was certainly larger, so the hunt continues for the missing masterpieces. Experts believe that a number are still unaccounted for.
ARSCRONICA (February 27, 2023) – “It’s just a peaceful, wonderful experience, beautifully explained, both vocally and in type at the top of the screens,” says Derek Hutcheson Du Chap, a decorator visiting from Glasgow. David Hockney’s first immersive show opens to the public in London offering a hypnotic, multi-sensory journey through the British artist’s decades-long career, from sun-drenched California swimming pools to the Normandy countryside. (AFP)
Launching our programme with a collaboration with David Hockney in February 2023, we invite the world’s leading creative minds to use our vast space and revolutionary technology to create something completely new.
Lightroom is located in King’s Cross on Lewis Cubitt Square, adjacent to Coal Drops Yard and Central St Martin’s. The innovative showspace was designed by 59 Productions in close collaboration with Haworth Tompkins, who have designed the venue as a sister space to the award-winning Bridge Theatre. Along with a generous Foyer and gift shop, the space also contains a bar and seating area in collaboration with St John.
The Week In Art Podcast (February 24, 2023): Nigeria heads to the polls this weekend; what are the implications for its museums and art scene?
Dolly Kola-Balogun, director of the Retro Africa gallery in Abuja, reflects on the candidates and discusses the importance of art, and culture more widely, to the country’s future. We also talk to Patrick Bringley, the author of a new book All the Beauty in the World: the Metropolitan Museum of Art and Me, in which he reflects on his experiences as a guard at the museum and coming to terms with the loss of his brother.
And this episode’s Work of the Week is Boats in Front of the Grotto in the Park at Méréville by Hubert Robert. It features in The Garden: Six Centuries of Art and Nature at the Nationalmuseum in Stockholm, whose curator, Magnus Olausson, tells us about the painting.All the Beauty in the World: The Metropolitan Museum of Art and Me, by Patrick Bringley, Simon and Schuster (US) $27.99, out now. The Bodley Head (UK), £20, 16 March.The Garden—Six Centuries of Art and Nature, Nationalmuseum, Stockholm, Sweden, until 7 January 2024.
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