The hype about TikTok is justified—and so are the concerns. There’s a reason why the world’s most exciting app is also its most mistrusted https://econ.st/3bQE9JX
Preview: The Economist Magazine – July 9, 2022
Category Archives: Stories
Museum Insider: ‘Caligula’ Marble Bust’s True Colors
Archaeologists Vinzenz and Ulrike Koch Brinkmann have spent the last 40 years dedicated to the study of polychromy—or “many colors” in Greek—in ancient sculpture. Once a fringe area of study, their research combats the misconception of white purity in ancient Greece and Rome. They reflect on the marble bust of Caligula and how the reconstruction of its former color can help us better understand history.
Explore more perspectives on Caligula: https://www.metmuseum.org/perspective…
Previews: The Atlantic Magazine – July/Aug 2022
How animals perceive the world, a return to Chagos, Steve Bannon, and a mad hunt for Civil War gold. Plus Jack White, how the U.S. has no nuclear strategy, dad rage, Ulysses at 100, one family’s doll test, downsides of beach resorts, and more.
COVER STORY
- How Animals Perceive the World – Every creature lives within its own sensory bubble, but only humans have the capacity to appreciate the experiences of other species. What we’ve learned is astounding.
FEATURES
- American Rasputin – Steve Bannon is still scheming. And he’s still a threat to democracy.
- They Bent to Their Knees and Kissed the Sand – Half a century ago, the British government forcibly removed 2,000 people from a remote string of islands in the middle of the Indian Ocean. They’ve never stopped struggling to return.
Morning News: British PM Johnson To Resign, Uvalde Shooter, G20 Meets In Bali
British Prime Minister Boris Johnson is planning to resign according to multiple media reports. A new report on the Uvalde school shooting found that the police officers missed several opportunities to intercept the shooter. And G20 foreign ministers meet in Bali, Indonesia this week.
Preview: Times Literary Supplement – July 8, 2022
This week’s @TheTLS , featuring @Godwin_lives on Shelley’s unfinished poems; @devoneylooser on Charles Austen and the slave trade; @jeres on the life of a plongeur; @Mika_R_S on Anna Wintour; @RozKaveney on Samuel R. Delany; @nheller on the Buddha’s tooth – and more.
Morning News: Ukraine War & Future Conflicts, Italian Bank ‘Doom Loop’
A.M. Edition for July 6. Military strategists are learning in real time how future wars will be fought. WSJ Brussels bureau chief Dan Michaels explains how the war in Ukraine could shape future conflicts. Plus, the doom cycle haunting Italian banks. Luke Vargas hosts.
Opinion: The Long War In Ukraine, Supreme Court Activism, Business Books
A selection of three essential articles read aloud from the latest issue of The Economist. This week, how to win the long war in Ukraine, why the Supreme Court’s judicial activism will deepen cracks in America (10:20), and beach reads for business people (17:55).
Surrealist Art: Max Ernst’s ‘Attirement Of The Bride’
Attirement of the Bride is an example of Max Ernst’s veristic or illusionistic Surrealism, in which a traditional technique is applied to an incongruous or unsettling subject. The theatrical, evocative scene has roots in late nineteenth-century Symbolist painting, especially that of Gustave Moreau. It also echoes the settings and motifs of sixteenth-century German art. The willowy, swollen-bellied figure types recall those of Lucas Cranach the Elder in particular. The architectural backdrop with its strong contrast of light and shadow and its inconsistent perspective shows the additional influence of Giorgio de Chirico, whose work had overwhelmed Ernst when he first saw it in 1919.
Preview: The New Yorker Magazine – July 11, 2022
The New Yorker Fiction Issue was inspired by Jack Kerouac’s classic book “On the Road,” and the magazine features four writers’ reflections on memorable road trips.
Preview: The Burlington Magazine – July 2, 2022
Louise Bourgeois: Paintings Louise Bourgeois: The Woven Child
‘Je vois red’ raged Louise Bourgeois (1911–2010) on one of the loose sheets of paper that she made notes on, most often about herself and her work and, in this case, about the painting Natural history #2 (1944; Easton Foundation, New York), which struck her as all going wrong. Slipping between two languages, Bourgeois’s fury conforms to the themes of rage, the death drive and childhood aggression that the art historian Mignon Nixon has traced in the artist’s work in reference to the ideas of the psychoanalyst Melanie Klein.
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