The devastating loss of local news outlets is a crisis for democracy. We can still fix it.
Qatar’s event is a human rights disaster—and a spectacle of sportswashing in an age of capitalist decay.
U.S. Customs and Border Protection is searching, downloading, and storing electronic data from thousands of travelers’ devices each year without a warrant.
Caught between raging disease and unpopular and costly lockdowns, he has no good fix
Why the West’s proposed price cap on Russian oil is no magic weapon
Why trustbusters should let Microsoft buy Activision Blizzard
The cost of health care is unaffordable for many in the developing world. But while universal health care may sound like an impossible dream, it’s more achievable than you might think.
Video timeline: 00:00 – The argument for universal health coverage is clear 00:57 – Thailand’s path to universal health coverage 03:31 – Universal health care around the world 04:48 – How to finance universal health coverage? 05:30 – Rwanda: from genocide to public health exemplar 07:19 – What is a pooling finance system? 08:01 – Which services make the cut? 11:17 – The economic benefits of UHC 12:23 – Could covid-19 be a catalyst for reform?
Literary Review – December 2022/January 2023:
JOANNA KAVENNA – Happiness is a Cold Fjord
Prince of Caricatura – James Gillray: A Revolution in Satire By Tim Clayton
Artist Before a Mirror – Picasso: The Self-Portraits By Pascal Bonafoux
Oils and Water – Looking to Sea: Britain Through the Eyes of Its Artists By Lily Le Brun
CAROLYNE LARRINGTON I Have Wedded Fyve!The Wife of Bath: A BiographyBy Marion TurnerNORMA CLARKE Sense & InsolvencySister Novelists: The Trailblazing Porter Sisters, Who Paved the Way for Austen and the BrontësBy Devoney LooserLRRICHARD DAVENPORT-HINES Yours Chastely, TomThe Hyacinth Girl: T S Eliot’s Hidden MuseBy Lyndall GordonMary & Mr Eliot: A Sort of Love StoryBy Mary Trevelyan & Erica Wagner
The collection of 1,500 rapidly changing segments is rich in sequences associated with brain development and disease.
Ancient chefs made bitter plants taste better with techniques such as grinding and soaking.
Such interventions could greatly reduce accidental catches of threatened species.
Understanding the weather pattern known as the Indian Ocean Dipole might help to predict lack of rainfall in countries such as Kenya.
Front-of-package health claims can be helpful—but they can also be misleading. Learn how to tell the difference.
A study that followed nearly 400,000 middle-aged individuals in the U.K. for a median of over 10 years found that, compared to individuals who reported drinking less than one cup of coffee a day, drinking four or more eight-ounce cups a day was associated with lower risk of 30 medical conditions.
The U.S. Food and Drug Administration (FDA) recently proposed new draft guidelines for food manufacturers who want to label their products as “healthy.” This term was last defined in the 1990s. According to the FDA, “our current definition permits manufacturers to use the claim ‘healthy’ on some foods that, based on the most up-to-date nutrition.
The staff of The New York Times Book Review choose the year’s standout fiction and nonfiction.
You don’t need to have read Egan’s Pulitzer-winning “A Visit From the Goon Squad” to jump feet first into this much-anticipated sequel. But for lovers of the 2010 book’s prematurely nostalgic New Yorkers, cerebral beauty and laser-sharp take on modernity, “The Candy House” is like coming home — albeit to dystopia. This time around, Egan’s characters are variously the creators and prisoners of a universe in which, through the wonders of technology, people can access their entire memory banks and use the contents as social media currency. The result is a glorious, hideous fun house that feels more familiar than sci-fi, all rendered with Egan’s signature inventive confidence and — perhaps most impressive of all — heart. “The Candy House” is of its moment, with all that implies.
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Bennett, a British writer who makes her home in Ireland, first leaped onto the scene with her 2015 debut novel, “Pond.” Her second book contains all of the first’s linguistic artistry and dark wit, but it is even more exhilarating. “Checkout 19,” ostensibly the story of a young woman falling in love with language in a working-class town outside London, has an unusual setting: the human mind — a brilliant, surprising, weird and very funny one. All the words one might use to describe this book — experimental, autofictional, surrealist — fail to convey the sheer pleasure of “Checkout 19.” You’ll come away dazed, delighted, reminded of just how much fun reading can be, eager to share it with people in your lives. It’s a love letter to books, and an argument for them, too.
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Kingsolver’s powerful new novel, a close retelling of Charles Dickens’s “David Copperfield” set in contemporary Appalachia, gallops through issues including childhood poverty, opioid addiction and rural dispossession even as its larger focus remains squarely on the question of how an artist’s consciousness is formed. Like Dickens, Kingsolver is unblushingly political and works on a sprawling scale, animating her pages with an abundance of charm and the presence of seemingly every creeping thing that has ever crept upon the earth.
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After losing her brother when she was 12, one of the narrators of Serpell’s second novel keeps coming across men who resemble him as she works through her trauma long into adulthood. She enters an intimate relationship with one of them, who’s also haunted by his past. This richly layered book explores the nature of grief, how it can stretch or compress time, reshape memories and make us dream up alternate realities. “I don’t want to tell you what happened,” the narrator says. “I want to tell you how it felt.”
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Diaz uncovers the secrets of an American fortune in the early 20th century, detailing the dizzying rise of a New York financier and the enigmatic talents of his wife. Each of the novel’s four parts, which are told from different perspectives, redirects the narrative (and upends readers’ expectations) while paying tribute to literary titans from Henry James to Jorge Luis Borges. Whose version of events can we trust? Diaz’s spotlight on stories behind stories seeks out the dark workings behind capitalism, as well as the uncredited figures behind the so-called Great Men of history. It’s an exhilarating pursuit.
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Yong certainly gave himself a formidable task with this book — getting humans to step outside their “sensory bubble” and consider how nonhuman animals experience the world. But the enormous difficulty of making sense of senses we do not have is a reminder that each one of us has a purchase on only a sliver of reality. Yong is a terrific storyteller, and there are plenty of surprising animal facts to keep this book moving toward its profound conclusion: The breadth of this immense world should make us recognize how small we really are.
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In this quietly wrenching memoir, Hsu recalls starting out at Berkeley in the mid-1990s as a watchful music snob, fastidiously curating his tastes and mercilessly judging the tastes of others. Then he met Ken, a Japanese American frat boy. Their friendship was intense, but brief. Less than three years later, Ken would be killed in a carjacking. Hsu traces the course of their relationship — one that seemed improbable at first but eventually became a fixture in his life, a trellis along which both young men could stretch and grow.
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In this rich and nuanced book, Aviv writes about people in extreme mental distress, beginning with her own experience of being told she had anorexia when she was 6 years old. That personal history made her especially attuned to how stories can clarify as well as distort what a person is going through. This isn’t an anti-psychiatry book — Aviv is too aware of the specifics of any situation to succumb to anything so sweeping. What she does is hold space for empathy and uncertainty, exploring a multiplicity of stories instead of jumping at the impulse to explain them away.
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Through case histories as well as independent reporting, Villarosa’s remarkable third book elegantly traces the effects of the legacy of slavery — and the doctrine of anti-Blackness that sprang up to philosophically justify it — on Black health: reproductive, environmental, mental and more. Beginning with a long personal history of her awakening to these structural inequalities, the journalist repositions various narratives about race and medicine — the soaring Black maternal mortality rates; the rise of heart disease and hypertension; the oft-repeated dictum that Black people reject psychological therapy — as evidence not of Black inferiority, but of racism in the health care system.
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O’Toole, a prolific essayist and critic, calls this inventive narrative “a personal history of modern Ireland” — an ambitious project, but one he pulls off with élan. Charting six decades of Irish history against his own life, O’Toole manages to both deftly illustrate a country in drastic flux, and include a sly, self-deprecating biography that infuses his sociology with humor and pathos. You’ll be educated, yes — about increasing secularism, the Celtic tiger, human rights — but you’ll also be wildly, uproariously entertained by a gifted raconteur at the height of his powers.
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Warning signs: inside the 2 December Guardian Weekly | China | The Guardian
Discontent over China’s zero-Covid suppression policy came to a head last weekend in a series of unprecedented protests across the country. The civil disobedience – remarkable just for the fact it was happening at all in a state where such behaviour is rarely tolerated – seemed to have been smothered by police by the start of the week. Even so it revealed to the world signs of a hitherto unseen fracture in China’s totalitarian political system.
From one Cop to another: hot on the heels of the recent climate conference comes this month’s global summit on biodiversity, which is being held in Montreal. To set the scene, biodiversity reporter Phoebe Weston explains how the damage done to the natural world is a tale of decline spanning thousands of years. Can delegates at Cop15 seize their chance to change the narrative?
With five Grammy awards off the back of four albums spanning everything from folk to jazz and pop, the British multi-instrumentalist Jacob Collier is a global phenomenon. But despite being feted by music royalty including Stormzy, Chris Martin and Herbie Hancock, the 28-year-old has kept a relatively low profile. Global music critic Ammar Kalia takes a trip into Collier’s colourful, polyharmonic world of quarter-tones and non-standardised pitch.
Boomers Daily 