Science Magazine – November 17, 2023:The new issue features Heaps of Warming – Municipal solid waste emits large amounts of greenhouse gases; AI is set to revolutionize weather forecasts; Rewriting DNA in the body lowers cholesterol, and more….
The Economist Magazine (November 18, 2023): The latest issue features The World Ahead 2024 – 90-page guide to the coming year; How the young should invest – Markets have dealt them a bad hand. They could be playing it better; Better ways to fund science – Too much of researchers’ time is spent filling in forms; The best films of 2023 – They featured cattle barons, chefs, composers, physicists and whistleblowers…
Ashadow looms over the world. In this week’s edition we publish The World Ahead 2024, our 38th annual predictive guide to the coming year, and in all that time no single person has ever eclipsed our analysis as much as Donald Trump eclipses 2024. That a Trump victory next November is a coin-toss probability is beginning to sink in.
Rising prices and animal spirits give it a long-awaited opportunity
Global investors are giddy about Japan again. Warren Buffett made his first visit to Tokyo in more than a decade this spring; he has built up big holdings in five trading houses that offer exposure to a cross-section of Japan Inc. Last month Larry Fink, ceo of BlackRock, the world’s biggest asset manager, joined the pilgrimage to Japan’s capital. “History is repeating itself,” he told Kishida Fumio, the prime minister. He likened the moment to Japan’s “economic miracle” of the 1980s. Even disappointing gdp figures released on November 15th will not dent investors’ optimism.
The New York Review of Books (December 7, 2023 Issue) – The latest featuresA Fallen Artist in Mao’s China – Ha Jin’s The Woman Back from Moscow; Gut Instincts – Recent books about the importance of the microbiome have driven many patients to fixate on the idea of “gut health.” Are they right to do so?; Prelude to Empire – Abdulrazak Gurnah’s novels, whether set in German East Africa or the United Kingdom, never cease to demonstrate how the minutiae of people’s lives have been affected by European colonialism…
Ha Jin’s The Woman Back from Moscow, a fictionalized account of the life of the actress Sun Weishi, depicts the hypocrisy of the Communist elites and the fate of those who embraced new ideals after the revolution.
The Woman Back from Moscow: In Pursuit of Beauty by Ha Jin
This book will be denounced in Beijing. Ha Jin’s The Woman Back from Moscow is a novel based on the life of Sun Weishi, an adopted daughter of Chinese premier Zhou Enlai, whose brilliant mind and intensive study in Moscow of the Stanislavski acting method brought her to the pinnacle of China’s theatrical world during the Mao years. Her beauty and effervescent personality attracted powerful men—not only Zhou, who doted on her, but also Lin Biao, the Chinese Communist Party’s leading general, who divorced his wife in order to propose marriage to her (unsuccessfully), and Mao, who apparently raped her during a long rail trip. She had several other suitors and eventually married the film star Jin Shan.
Right before their colonoscopies, with the stress of a bowel prep still rumbling in their bellies and a mental image of the procedure beginning to sharpen, some patients will ask me why I chose a career in gastroenterology: “What made you interested in this?” The reason I usually give is that you could go all your life without a heart problem, or a lung problem, or a kidney problem, but not without a bit of nausea, constipation, or abdominal pain. The work of digestion is part of the rhythm of our daily lives, I tell them, which helps my work feel similarly immediate.
Nature Magazine – November 16, 2023: The latest issue cover features how echinoderms such as starfish and sea urchins have evolved five-fold symmetry, with five limbs radiating from a central mouth.
Times Literary Supplement (November 17, 2023): The new issue #TheTLS features Revenge of the grown-ups – The downfall of Sam Bankman-Fried; 2023 Books of the Year; the elusive Shakespeare; Simone Weil; Philosophers and public affairs – and more…
Scientific American – November 2023: The issue features The New Nuclear Age – Inside America’s plan to remake its atomic arsenal; The Most Shocking Discovery in Astrophysics Is 25 Years Old – Scientists are still trying to figure out dark energy; Behind the Scenes at a U.S. Factory Building New Nuclear Bombs – The U.S. is ramping up construction of new “plutonium pits” for nuclear weapons….
One afternoon in early 1994 a couple of astronomers sitting in an air-conditioned computer room at an observatory headquarters in the coastal town of La Serena, Chile, got to talking. Nicholas Suntzeff, an associate astronomer at the Cerro Tololo Inter-American Observatory, and Brian Schmidt, who had recently completed his doctoral thesis at the Center for Astrophysics | Harvard & Smithsonian, were specialists in supernovae—exploding stars. Suntzeff and Schmidt decided that the time had finally come to use their expertise to tackle one of the fundamental questions in cosmology: What is the fate of the universe?
The point of the thing was to forever change our concept of power. When the U.S. military assembled a team of scientists, led by physicist J. Robert Oppenheimer, to build a nuclear bomb during World War II with the hope of beating the Nazis to such a terrible creation, many of those involved saw their efforts as a strange kind of civic destiny. The Manhattan Project, wrote Richard Rhodes, Pulitzer-winning author of The Making of the Atomic Bomb, was “compelled from the beginning not by malice or hatred but by hope for a better world.” Oppenheimer himself once said, “The atomic bomb was the turn of the screw. It made the prospect of future war unendurable. It has led us up those last few steps to the mountain pass; and beyond there is a different country.”
Country Life Magazine – November 15, 2023:The latest issue features the annual Georgian Group Architecture Awards; Horns of plenty – The Bull, monarch of the meadow has been a key mythological figure since ancient times; the sensitive restoration of Somerton Castle in Lincolnshire, a once-neglected medieval stronghold; the great thatching renaissance, and more…
Here’s to the Georgians
Imaginative restoration, from Stowe House to Stroud canal, is lauded in the annual Georgian Group Architectural Awards
No, you’re not going batty
Jane Wheatley investigates the development pitfalls of finding a pipistrelle on your property
Back to the strawing board
The art of thatching is enjoying a renaissance as architects are drawn to its eco credentials, as Sarah Langford discovers
Horns of plenty
The monarch of the meadow has been a key mythological figure since ancient times. Ian Morton takes the bull by the horns
The toast of the town
Jonathan Self finds comfort in every crunchy, buttery mouthful and asks: how do you like yours?
Buried treasures
Christopher Stocks goes under-ground to examine the centuries-long allure of glittering grottos
The great country-house revival
Director-general Ben Cowell celebrates Historic Houses and half a century of achievement
Sir David Hempleman-Adams’s favourite painting
The explorer chooses a work that demonstrates the beauty and colour of the natural world
Hebridean overtures
Jamie Blackett runs the gauntlet of the ‘Grand National’ in pursuit of ever-elusive South Uist snipe
From ruin to rebirth
Nicholas Cooper marvels at the sensitive restoration of Somerton Castle in Lincolnshire, a once-neglected medieval stronghold
Native breeds
Kate Green meets the docile and floppy-eared British Lop
The good stuff
Need a sparkling conversation starter? Hetty Lintell picks out a fistful of fabulous cocktail rings
Dressed to impress
The sartorial centre of Savile Row provided the perfect setting for our Gentleman’s Life party
Interiors
Painting a floor is a fun way to add colour and pattern to a room, finds Amelia Thorpe
A touch of glass
Victorian glasshouses are feats of engineering that deserve a new lease of life, says Lucy Denton
Big apple
Charles Quest-Ritson is wowed by the display of trained apples in the 18th-century walled garden at The Newt in Somerset
Kitchen garden cook
Melanie Johnson savours the sweet earthiness of a chestnut
Shakespeare, but not as we know it
Sir Kenneth Branagh’s Lear may be off beam, but Michael Billington is buoyed by a stirring portrayal of the Bard’s wife
Sotheby’s (November 13, 2023) – This month, we’re taking a tour of the world’s most exciting and innovative museum exhibitions with Tim Marlow, CEO and Director of the Design Museum, London.
Africa & Byzantium Metropolitan Museum of Art, New York 19 November 2023 – 3 March 2024 Bringing together the art and culture of Byzantium and Africa, this ambitious New York exhibition looks in a new way at their importance to the development of the premodern world.
Africa & Byzantium comprises over 200 objects, from frescoes and mosaics to jewelry and manuscripts borrowed from many of the great collections, spanning over ten centuries of complex cultural exchange and influence.
Modigliani: Modern Gazes Staatsgalerie Stuttgart 24 November 2023 – 17 March 2024 Modigliani: Modern Gazes focuses on the 20th-century Italian artist’s portraits of modern women From bohemian Paris who stare unapologetically at the viewer, defiant and – as the director of the Staatsgalerie, Christiane Lange puts it – “emancipated”.
Works by German-speaking contemporaries Paula Modersohn-Becker, Jeanne Mammen, Egon Schiele, Gustav Klimt and Wilhelm Lehmbruck also feature, in a show that places Modigliani in the wider cultural context of the young European avant-garde.
Mark Rothko: Paintings on Paper. National Gallery of Art, Washington DC 19 November 2023 – 31 March 2024 Rothko exhibitions have always focused on his canvases but the artist drew no distinction between them and his paintings on paper – some of which were up to seven feet tall.
Forming the basis of Mark Rothko: Paintings on Paper, a ground-breaking show at the National Gallery of Art in Washington, many of the watercolors, acrylics and oil paintings on paper have never been seen before.
Botticelli Drawings 19 November 2023 – 11 February 2024 Legion of Honor, San Francisco Although his reputation dwindled until the Pre-Raphaelites rediscovered his work in the 19th century, Sandro Botticelli is now one of the most revered of the Renaissance masters.
There has, however, never been a significant exhibition of his drawings so Botticelli Drawings – an admirable and important project – will give us the chance to trace his artistic journey in a more intimate way than ever before.
An Atlas of Es Devlin Cooper Hewitt, New York 18 November 2023 – 11 August 2024 Devlin is a polymath and then some, with a wide ranging practice that incorporates stage design from La Scala in Milan to the Super Bowl. She is utterly compelling but hard to classify, which is why it is appropriate that Devlin herself will install her 30 year archive.
An Atlas of Es Devlin – featuring over 300 sketches, paintings, cutouts, and maquettes – will also stage a replica of her London studio along with giant film installations, a library programme including collective readings and the chance to participate in a cumulative artwork.
At 60 years old, Doctor Who, the BBC show following the adventures of the regenerating Time Lord, continues to be highly enjoyable fiction. But it’s science fiction. The Gallifreyan takes science seriously… so we take a closer look at some of the science of Doctor Who, from time travel and the TARDIS to invading Cybermen and rogue planets.
How to make the Moon on Earth
The expense and prestige involved in sending landers and rovers to the Moon means you can’t afford for them not to work when they get there. But the lunar landscape is like nothing here on Earth. So how, and where do you test equipment that’s bound for the Moon?
Hauser & Wirth – Art Gallery (November 11, 2023) = Gerhard Richter, born in 1932, is one of the most important and celebrated artists of our time. His works can be found in international collections and have been exhibited in numerous museums and galleries in Europe and the United States. Richter first vacationed in the Swiss Alpine village Sils, located in the Upper Engadin region, in 1989, a location he has regularly visited during both summer and winter holidays for over 25 years.
Curated by Dieter Schwarz and presented across three venues in the Upper Engadin—Nietzsche-Haus, the Segantini Museum and Hauser & Wirth St. Moritz—this momentous exhibition is the first to explore Gerhard Richter’s deep connection with the Engadin’s alpine landscape. More than seventy works from museums and private collections—including paintings, overpainted photographs, drawings and objects—are testament to the artist’s fascination with the Upper Engadin. Opening 16 December 2023, ‘Engadin’ will be on view through 13 April 2024.
The work connecting the three exhibition venues is a steel sphere that Richter had produced as an edition, on view at each site. He first presented it at Nietzsche-Haus in 1992, in an exhibition curated by Hans Ulrich Obrist. Each unique sphere bears the name of a mountain in the Upper Engadin. The matte, subtly reflective, almost surreal sphere delicately reflects all that surrounds it. It symbolizes the sublime yet inhospitable manifestations of nature, which are especially conspicuous in the mountains.
On view at the Segantini Museum and Hauser & Wirth are paintings that Richter created from photographs taken during his hikes in the Upper Engadin. These works mark a new chapter in his landscape painting—a genre that had always appealed to him for its supposed untimeliness. Richter’s Engadin landscapes are exemplary of the ambiguity in his painting, oscillating between a seductive transfiguration of nature and a reflection of its alienness. Particularly noteworthy is the painting ‘Wasserfall (Waterfall)’ (1997) from Kunst Museum Winterthur, a work that clearly traces Richter’s engagement with 19th-century painting, from romanticism to realism. The artist later overpainted some of the Engadin motifs, including depictions of Piz Materdell and Lake Sils, transforming them into abstract paintings with a melancholic atmosphere that responds to impressions of the landscape.
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