The act of destruction is precisely the point: a kind of performance piece meant to display Trump’s arbitrary power over the Presidency, including its physical seat. By Adam Gopnik
Trump and the Presidency That Wouldn’t Shut Up
His posts and rants are omnipresent, ugly, and unhinged. Don’t look to history to make it make sense. By Jill Lepore
Inside the Data Centers That Train A.I. and Drain the Electrical Grid
A data center, which can use as much electricity as Philadelphia, is the new American factory, creating the future and propping up the economy. How long can this last? By Stephen Witt
California tried to use drones to find illegal marijuana operations, but they found building code violations instead.
You Can Thank This Ohio Klansman for Expanding Your Freedom of Speech
Brandenburg v. Ohio established the “imminent lawless action” standard. More than 50 years later, partisans keep trying to apply it selectively. Jacob Sullum
How the Punisher, a Murderous Anti-Hero, Became the Mascot for Increasingly Militarized Police Forces
“He is breaking the very laws…that cops are supposed to uphold.”
Madagascar rarely makes front page news but the toppling of its president by protesters led by Gen Z Madagascar is part of a phenomenon that stretches from Nepal to Indonesia and the Philippines to Morocco. Leaderless groups, formed online, have learned from one another as they take to the streets to vent their frustration against what they see as corrupt older elites and a lack of economic opportunity for their generation.
Our southern Africa correspondent, Rachel Savage, explains how a tumultuous month unfolded on the Indian Ocean island and explores the deep-seated discontent that led to the military siding with student demonstrators to force President Andry Rajoelina out of power.
Five essential reads in this week’s edition
Spotlight | A far-right fight club on their hands Ben Makuch reports on security service monitoring of ‘active clubs’ as they move across borders to spread extremism, mixing the behaviour of football hooligans with the ideology of the Third Reich
Benin bronzes at the Metropolitan Museum of Art in New York. Photograph: Art2010/Alamy
Spotlight | Nothing to see here? Due to open within weeks,Nigeria’s Museum of West African art is intended to showcase the Benin bronzes and other masterpieces stolen by 19th-century colonisers. But the project has been beset by political rows that mean, as Philip Oltermannand Eromo Egbejule report, visitors will see more replicas than original pieces
Science | Waiting for graphene to explode Two decades after the material was first produced and then much hyped, graphene has dropped from business and general discussion. Julia Kollewe reports on the successes and setbacks of taking it from lab to mainstream use
Opinion | An A-level in English won’t make integration work A government demand that immigrants get a qualification that most British citizens don’t have if they want to earn the right to stay is the latest absurd way to focus on ‘outsiders’ rather than address domestic problems, argues Nesrine Malik
Culture | The hardest part David Harewood reflects on returning to play Othello after almost 20 years and with fellow Black actors looks at how attitudes to Shakespeare’s most difficult tragedy have changed
What else we’ve been reading
The year’s Stirling prize has gone to a social housing complex for older people in south-east London. Catherine Slessor writes with great enthusiasm about how the award-winning architects Witherford Watson Mann have completely reimagined accommodation for later life. Out with disorientating corridors, in with bright, informal, nature filled spaces, described by the Stirling judges as “a provision of pure delight”. Emily El Nusairi, deputy production editor
Kathryn Lewek as the Queen Of The Night in The Magic Flute at the Royal Opera House. Photograph: Tristram Kenton/The Guardian
I saw The Magic Flute in Paris last year, and it was fascinating to see how different opera houses interpret the staging. This review of a London production made me reflect on the way different directors handle staging and sound to bring the story to life. It reminded me of listening to the Queen of the Night’s aria when I was growing up and the experience of seeing opera live. Hyunmu Lee, CRM executive
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