Category Archives: Literature

Literature: “Shakespeare And Company” Digitizes Reading Library Of Joyce, Hemingway & De Beauvoir

Shakespeare and Company lending library cards

Shakespeare And CompanyGertrude SteinJames JoyceErnest HemingwayAimé CésaireSimone de BeauvoirJacques LacanWalter Benjamin.

What do these writers have in common? They were all members of the Shakespeare and Company lending library.

In 1919, an American woman named Sylvia Beach opened Shakespeare and Company, an English-language bookshop and lending library in Paris. Almost immediately, it became the home away from home for a community of expatriate writers and artists now known as the Lost Generation. In 1922, she published James Joyce’s Ulysses under the Shakespeare and Company imprint, a feat that made her—and her bookshop and lending library—famous around the world. In the 1930s, she increasingly catered to French intellectuals, supplying English-language publications from the recently rediscovered Moby Dick to the latest issues of The New Yorker. In 1941, she preemptively closed Shakespeare and Company after refusing to sell her last copy of Joyce’s Finnegans Wake to a Nazi officer.

The Shakespeare and Company Project uses sources from the Beach Papers at Princeton University to reveal what the lending library members read and where they lived. The Project is a work-in-progress, but you can begin to explore now. Search and browse the lending library members and books. Read about joining the lending library. Download a preliminary export of Project data. In the coming months, check back for new features and essays.

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Literary Arts: New Website Archives Work Of British Illustrator And Designer Peter Campbell (1937-2011)

The website is about the work of the designer, writer and illustrator Peter Campbell (1937‑2011). The intention is to present an archive of Peter’s illustration, design and editorial work, as well as occasional selections from his writing.

British Illustrator Peter Campbell - London Review of Books

When asked what he did for a living, Peter would usually say he was a designer, or, a typographer. Designing for print – books, exhibition catalogues, magazines, posters – Peter Campbell - Self-Portraittook up the most substantial part of his time, at the BBC in the 1960s and 1970s and thereafter as a freelance. He was also an illustrator, a journalist, an author of children’s books, an editor and a publisher. The great range of his professional work, and his encompassing interest in the work of others, made him a collaborator sought out by writers, publishers and artists.

Diana Souhami, who worked with Peter often, wrote in the Guardian after his death: “He had the ability to conceptualise what each publishing project needed and to get it right. He was hugely and diversely productive, but seldom hit a wrong note.”

Discussing his journalism in her appreciation in the London ReviewMary‑Kay Wilmers wrote: “There are people whom getting a grip doesn’t suit, who don’t want to be confined. One can honour the world in depth or across a wide range and there were few aspects of the world that Peter didn’t wish to honour.”

He probably would have been delighted by – and certainly modestly sceptical of – Alan Bennett’s appraisal, in the posthumous publication of a catalogue of his pictures in Artwork, that he was “an heir to Ardizzone, Bawden and Ravilious.”

Peter Campbell was born in Wellington, New Zealand in 1937. In 1960 he emigrated to London where he lived for the rest of his life. He died in 2011.

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Top Digital Magazines: “The Brooklyn Rail – May 2020” – Arts & Culture

AUDREY FLACK with Charles Duncan

“When you’re alone in the studio, and your life is turned upside down by something, it’s you and the work.”

Art In Conversation

HENRI LOYRETTE with Joachim Pissaro

Read The Brooklyn Rail May 2020 Issue

Literary Podcasts: “WHY THE DECAMERON IS GREAT QUARANTINE READING”

The latest episode of the Octavian Report – Rostrum coronavirus crisis podcast features Wayne Rebhorn. The latest episode of our coronavirus crisis podcast features Wayne Rebhorn of the University of Texas at Austin. Wayne is the author of an acclaimed translation of Giovanni Boccaccio’s Decameron, perhaps the paradigmatic work of pandemic literature. 

The Decameron is set among a group of witty, earthy social isolators who have fled the plague ravaging Florence. We spoke with Wayne about Boccaccio and his most famous work, the conditions that helped birth it, and what we can learn from them in our current situation.

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Octavian Report Rostrum Podcasts

Interviews: “Shakespeare In A Divided America” Author James Shapiro

The Economist Asks PodcastIn a year of plagues, power struggles and star-crossed lovers divided by lockdown, Anne McElvoy asks James Shapiro, author of “Shakespeare in a Divided America”, what the bard would make of it all. Shakespeare is claimed by Americans of all political stripes.

But how can a lad from 16th-century Stratford-upon-Avon illuminate the past and future of the republic now? Plus, what the president might teach the professor about Shakespeare’s work. And, Shapiro prescribes a verse for the trials and tribulations of 2020.

Poetry And Animation: “Singularity” Featuring Poem By Marie Howe (2020)

Directed by: Elizabeth and Matthew Boulton

Poem by Marie Howe.

Text and context: brainpickings.org/2020/04/23/singularity-marie-howe-animated

Created for The Universe in Verse: brainpickings.org/the-universe-in-verse

Produced by SALT Project (saltproject.org) with Maria Popova (brainpickings.org). Original music by Zoë Keating (zoekeating.com).

This has been a multi-woman labor of love, with everyone involved donating their time and talent.

Today: 250th Anniversary Of William Wordsworth’s Birth – “That Inward Eye”

From an Apollo Magazine article (April 7. 2020):

‘They flash upon that inward eye
 Which is the bliss of solitude’
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William Wordsworth Daffodils - I Wandered Lonely As A Cloud - Amazon photo‘We are fond of tracing the resemblance between Poetry and Painting,’ wrote William Wordsworth  (1770–1850) in the famous ‘Preface’ to Lyrical Ballads (1800), ‘and, accordingly, we call them Sisters.’ To speak of the ‘sister arts’ was indeed a critical platitude of the age, though as it happens Wordsworth’s attitude towards painting wasn’t normally very sisterly. 

 

Apollo Magazine logoWhen, in 1840 or so, a well-meaning houseguest called Margaret Gillies made a drawing of the 70-year old Mrs Wordsworth, everyone agreed that it was an excellent likeness; but her kind act was rewarded with a testy and somewhat ungracious sonnet from the sitter’s husband. He preferred to visualise Mary in her salad days: ‘’tis a fruitless task to paint for me, / Who, yielding not to changes Time has made, / By the habitual light of memory see / Eyes unbedimmed, see bloom that cannot fade, / And smiles that from their birth-place ne’er shall flee / Into the land where ghosts and phantoms be’.
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All she possesses, as a painter, is the outward eye: ‘that inward eye’ is the poet’s hallmark, as of course Miss Gillies would have known from Wordsworth’s most famous poem, the one about the daffodils – ‘They flash upon that inward eye / Which is the bliss of solitude’. By chance we know (because Wordsworth left it on record, saying they were the best thing in the poem) that those two lines were actually contributed by Mary, so the uxoriousness of the thing is double: not only does she evade the merely visual but she also possesses the innate genius to be able to name the imaginative power that so transcends it.
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Profiles: The “Stylish” Legacy Of British Author Hugo Charteris (1922-1970)

From a New Criterion online article:

Hugo Charteris The LifelineAlan Ross, for forty years The London Magazine’s editor, found Charteris “one of the most original, quirky and shrewd explorers of the behaviour of the landed gentry . . . and at a time when prose was plain, his was idiosyncratically stylish.”

When Hugo Charteris’s first novel, the haunting A Share of the World, was published in 1953 to the praise of Rosamond Lehmann (who helped to get it published), Peter Quennell, Evelyn Waugh, and Francis Wyndham (Charteris’s relation and consistent supporter), the author, just turned thirty-one, seemed set for lasting fame. It hasn’t worked that way in the The New Criterion March 2020almost five decades since his death of cancer in 1970, aged only forty-seven.

Nowadays, few people seem to know his name. This is true among not only the ever-growing majority who pay little attention to novels and novelists, but also the enlightened minority who do.

Read full article

Reading: New York Public Library Celebrates 125 Years With “125 Books List”

New York Public Library logoThe New York Public Library is marking its 125th birthday this year—in part with this list of their favorite books written for adults from the past 125 years, which they hope will “inspire a lifelong love of reading.” 

New York Public Library Celebrates 125 Years with 125 Favorite Books List

New York Public Library Celebrates 125 Years with 125 Favorite Books List

See the full list here

WWI Literature: A Reading Of “In Another Country” – Ernest Hemingway (1927)

“In Another Country” is a poignant short story about the casualties of war, written by Noble Prize winner Ernest Hemingway, which deals with the experiences of an injured American army officer stranded and alienated in Italy who describes in first person narrative the events and the experiences of being rehabilitated during World War 1. It is a semi-autobiographical work of fiction.

In Another Country PDF

Summary (Wikipedia)

The short story is about an ambulance corps member in Milan during World War I. Although unnamed, he is assumed to be Nick Adams, a character Hemingway made to represent himself. He has an injured knee and visits a hospital daily for rehabilitation. There the “machines” are used to speed the healing, with the doctors making much of the miraculous new technology. They show pictures to the wounded of injuries like theirs healed by the machines, but the war-hardened soldiers are portrayed as skeptical, perhaps justifiably so.

As the narrator walks through the streets with fellow soldiers, the townspeople hate them openly because they are officers. Their oasis from this treatment is Cafe Cova, where the waitresses are very patriotic.

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