HISTORY TODAY MAGAZINE – APRIL 2023 ISSUE
The stage has a short memory, print a long one: 400 years since its first publication, Shakespeare’s First Folio is the reason we remember him.
Americanised globalisation and the new world of Russian business in the 1990s.
In the 1990s, a version of the satirical puppet show Spitting Image arrived on Russian television. A Muscovite once told the story of his father, who took great care to record every episode on VHS.
It shows what was heterogeneous and conflicting in pictorial modernity, and reveals the value of Degas’s collection, where Manet took a greater place after his death.
A comparison of artists as crucial as Manet and Degas should not be limited to identifying the similarities in their respective bodies of work.
Admittedly, there is no lack of analogies among these key players in the new painting of the 1860s-80s when it comes to the subjects they imposed (from horse races to café scenes, from prostitution to the tub), the genres they reinvented, the realism they opened to other formal and narrative potentialities, the market and the collectors they managed to tame, and the places (cafés, theaters) and circles, whether comprised of family (Berthe Morisot) or friends, where they crossed paths.
From March 28 to July 23, 2023
A Nation of Descendants: Politics and the Practice of Genealogy in US History by Francesca Morgan.
In A Nation of Descendants: Politics and the Practice of Genealogy in U.S. History (University of North Carolina Press, 2021), historian Francesca Morgan tracks Americans’ obsession with tracing family ancestry. Morgan sheds light on the evolution of genealogical knowledge from the early republic to the present day. Although our New Books Network conversation concentrates on African Americans, in her text, she looks explicitly at how Anglo-American white, Mormon, Jewish, African American, and Native American people wrestled with locating and documenting their kin and ultimately shaped the practice of genealogy. A Nation of Descendants also explores the transformation of genealogical practices as it becomes commercialized and commodified.
Pirate Enlightenment, or the Real Libertalia by David Graeber
Pirates have long lived in the realm of romance and fantasy, symbolizing risk, lawlessness, and radical visions of freedom. But at the root of this mythology is a rich history of pirate societies―vibrant, imaginative experiments in self-governance and alternative social formations at the edges of the European empire.
The artist creates moving-image works, composing visuals, text, and sound to form spatial installations that restage cultural and sociopolitical events and focus attention on largely unnoticed stories. Price’s moving-image works are grounded in a conceptual approach.
Elizabeth Price (b. 1966) makes the transformation of digital works visible. The artist creates moving images, composing visuals, text, and sound to form spatial installations that restage cultural and sociopolitical events and focus attention on largely unnoticed stories. The SCHIRN is presenting a major solo exhibition of this winner of the Turner Prize, including both new works and others that are being shown for the first time in Germany.
Each of her video works is the result of meticulous research and a wide-ranging examination of archives and collections of material. Over the course of her digital appropriation, Price develops new narratives from art objects and documents of historical events. A recurring topic is the changing world of work as a result of digitalization, the migration of manual work to emerging countries that pay low wages, and the increase in information work, office activities, and administration. The SCHIRN is showing two extensive installations, each with two corresponding videos, as well as four video lectures created during the coronavirus lockdown which provide insight into the artist’s working process. Price’s videos defamiliarize the past until it is no longer recognizable, replacing it with new, seductive, and anarchic energy.
Times Literary Supplement @TheTLS (March 24, 2023) – This week’s @TheTLS, featuring Claire Lowdon of The Rachel Paper at fifty; @Veidlinger on the Holocaust; @margarettelinc1 on Defoe’s letters; @_RachelHandley on Murdoch, Foot, Midgley & Anscombe; new poems by Bidhu Padhi and @otium_Catulle – and more.
Chloë Ashby
My husband doesn’t enjoy peeling oranges. He doesn’t like the little white webs of pith or the way the juice trickles between his fingers and soaks and stains the skin. He’s not a fan of pips. The citrus-sweet taste he could take or leave. If I had to choose between him and my favourite fruit, I like to think I’d stick with him.
Hugh Dunkerley
When Clare wakes, the car is moving along a wide valley between fields of grazing cattle. She shifts in her seat, her side sweaty where her brother Robbie has been leaning against her. The last thing she remembers is crossing into Austria at a high pass, a young border guard peering in at them through the drizzle. Now the sun is out, and the tarmac is steaming in the heat. At a junction, her father slows down. ‘This is it,’ he says, turning the car. They pass through a village, all whitewashed houses with large overhanging roofs. In the deserted square is a small inn, Der Jäger painted across one wall in beautiful gothic script. Next to the lettering is a twenty-foot-high figure of a hunter in Tyrolean leather trousers and green hat, striding across a mountain side. Clare notices that he has the same jaw as John Travolta in Grease.
K11 Musea, Hong Kong – From the subway yards and parking lots of 1970s New York, K11 MUSEA’s third annual Art Karnival welcomes China’s largest street art exhibition, ‘City As Studio’!
Bleeding the city with the heart and soul of the art form, we take the plunge into the world of spray paint, tags, and throw-ups that steered a global cultural movement. Presented by K11 MUSEA and K11 Art Foundation, curated by “Champion of Graffiti and Street Art” Jeffrey Deitch,the exhibition brings the extensive history and evolution of street art to the people,
Over 100 works showcase the visions of more than 30 artists, including some of the most recognisable names of the medium — from veterans Jean-Michel Basquiat, Keith Haring, and FUTURA, to young bloods KAWS, AIKO, and more.
Orion Magazine (Spring 2023) – THIS ISSUE features exclusively works in or about translation, engaging with over twenty-five languages across six continents.
The Northern Mariana Islands lie in a crescent moon south-southeast of Japan. At the lower point is Guåhan, also known as Guam, an island that is geologically part of the same volcanic chain but that set itself apart by becoming an unincorporated U.S. territory instead of remaining part of the Commonwealth.
BANZEIRO—THIS IS WHAT THE PEOPLE of the Xingu call places where the river grows savage. Where, if you’re lucky, you can make it through; where, if you’re not, you can’t. It is a place of danger between where you’re coming from and where you want to go.
Our Spring 2023 issue speaks to the language of nature and features works in or about translation. Here, Orion staffers and friends pulled together a list of their favorite fiction and nonfiction books that in some way reflect this literature of etymology.
Farrar, Straus and Giroux
This slim fantastical novel reads like an incantation. Set in rural late-19th century Iceland, its braided, lyrical, fugue-like narrative is tender and electric. Here we find a cruel priest named after a monster, trapped in an ice cave, raving at a dead fox. But too, a kindly herbalist burying his friend with her feather collection—a young woman with Down syndrome who spoke a language of her own—who he rescued from an unthinkable fate. This was my first encounter reading Sjón, who is apparently so big in his home country he doesn’t need a last name, but the book’s otherworldliness made perfect sense when I learned he writes lyrics for Björk. This one will haunt me for a while.
Simon and Schuster
In Lulu Miller’s Why Fish Don’t Exist, naming becomes an imposition, an attempt at order and, sometimes, hierarchy. In this book—part memoir, part biography—Miller is searching for a reason to keep living, a sense of order in a chaotic world, and she does so by looking to a taxonomist who spent his life naming the creatures under the sea: David Starr Jordan.
Taking a new approach to this endlessly inventive and versatile Japanese artist, “Hokusai: Inspiration and Influence” explores his impact both during his lifetime and beyond. More than 100 woodblock prints, paintings, and illustrated books by Hokusai are on view alongside about 200 works by his teachers, students, rivals, and admirers, creating juxtapositions that demonstrate his influence through time and space.
The great painter, book illustrator, and print designer Katsushika Hokusai (1760–1849) has become the best known of all Japanese artists and one of…
Members are invited to a special exhibition preview March 22–25 before it opens to the public, and can enjoy members-only hours on Sunday mornings during the run of the show. Join today!
Kunsthalle Praha, Prague, Czech Republic (March 20, 2023) – From post-war Paris and New York, through swinging London, to the free spirits of Tehran and Beijing. Kunsthalle Praha explores the idea of bohemia.
Boomers Daily 