When Vladimir Putin sent his tanks over the Ukrainian border to seize Kyiv in February 2022, it’s unlikely he evisaged the mess he finds himself in today. Four-and-a-half years later, Russia remains bogged down in what is no longer simply a ground war but one increasingly being fought in the air by drones.
After years of nightly attacks from Russian ballistic missiles and Iranian-designed Shahed drones, Ukraine has responded by scaling up to become the world’s leading manufacturer of unmanned systems. Its retaliatory campaign targeting Russian energy and retail infrastructure is bringing the war to the doorsteps of Russians in Moscow, Crimea and beyond, making life distinctly uncomfortable for Putin and his regime’s messaging over a “special military operation” that was expected to last days rather than years.
For our big story this week, Luke Harding gained exclusive access to Ukraine’s elite drone strike force, going behind the scenes with senior commanders.
Spotlight | Chaos on the streets of Ceuta People among the more than 70,000 who entered the Spanish enclave in north Africa last week describe the journey and their prospects to Okba MohammadandJavier Jennings Mozo
Technology | What if the streetlights have eyes? The new breed of camera-equipped streetlights has the potential to fight crime and track down missing persons. Or will it just take us one step closer to surveillance states, asks Zoe Williams
Feature | The Clacton klaxon: what Farage’s voters think of Britain The Reform UK leader’s constituency takes in genteel resorts and one of England’s poorest villages. With a snap byelection approaching, Tim Burrows finds out what residents want from him and their views on the country at large
Opinion | The battle of Elon Musk and the media The trillionaire Tesla owner has called the editor of the Economist a “traitor to the west” after a clash-filled interview. The truth must not be the loser, argues Jane Martinson
Culture | Why is the National Theatre shaking up Sophocles? Australian theatre director Benedict Andrews’ bold new London production Electra/Persona, starring Cate Blanchett and Nina Hoss, fuses Sophocles and Ingmar Bergman. Mark Lawson asks what it tells us about how we live today
Christopher Nolan’s $250 million action movie version of Homer’s ancient Greek poem is an entertaining way to hide from the high temperatures for a few hours. Nolan’s trademark jumps and twists in the narrative structure are relatively easy to follow, and appropriate for The Odyssey, a narrative of tales nested in tales. My teenagers had a good time. Unlike some of Nolan’s other films, The Odyssey is not boring, thanks to the source material, which is impossible to mess up entirely. It’s a family-friendly audiovisual spectacle, like an elaborate Fourth of July fireworks display – and with about the same level of narrative and emotional depth.
President Trump announced a proposal aimed at achieving the disarmament of Hamas and an Israeli withdrawal. Israel ramped up strikes on the Palestinian enclave.
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