Featuring archival footage of Ansel Adams, as well as interviews with Berkeley-based photographer Richard Misrach and FAMSF curator Lauren Palmor, this film examines the impact of Ansel Adams’s prolific photography in the Bay Area and beyond. “Ansel Adams in Our Time” is organized by the Museum of Fine Arts, Boston, in partnership with the Fine Arts Museums of San Francisco.
It is on view at the de Young museum from April 8 until July 23, 2023.
FRANCE 24 (April 7, 2023) – As the “Ramses and the Gold of the Pharaohs” exhibition opens in Paris, we bring you a special show dedicated to the celebrated king who ruled the Egyptian empire over 3,000 years ago. The exhibition’s centrepiece is the pharaoh’s sarcophagus, which is on special loan to France.
It’s a gesture of recognition from Egyptian authorities after French scientists saved the mummy of Ramses II from a devastating fungus in 1976. Our Culture Editor Eve Jackson went to check out the once-in-a-lifetime show, while Lyana Saleh of FRANCE 24’s Arabic channel spoke with renowned Egyptian archaeologist Zahi Hawass about the fight to repatriate Egypt’s ancient artefacts.
April 6, 2023: This week: Ben Luke talks to Melanie Gerlis about the recent turbulence in the banking sector, as US banks go under, an ailing Credit Suisse is acquired by UBS and Deutsche Bank shares fall at one point by 14%.
What are the implications for the art world? Melanie also explains the figures in the latest Art Basel and UBS Global Art Market Report. The Baltimore Museum of Art in the US this week opens the exhibition The Culture: Hip Hop & Contemporary Art in the 21st Century.
We speak to Asma Naeem, the director of the BMA and co-curator of the show, about what she’s called “the second pop art movement”. And this episode’s Work of the Week is The Calling of Saint Matthew by the 17th-century Afro-Hispanic artist Juan de Pareja. He is best known as the subject of one of the greatest ever portraits, by Diego Velázquez, the artist who enslaved Pareja for two decades before his manumission in Rome in 1650.
David Pullins and Vanessa K. Valdés, the curators of a new exhibition about Juan de Pareja at the Metropolitan Museum of Art in New York, tell us about the painting.The Culture: Hip Hop and Contemporary Art in the 21st Century, Baltimore Museum of Art, until 16 July; St Louis Art Museum, 26 August-1 January 2024.Juan de Pareja, Afro-Hispanic Painter, Metropolitan Museum of Art, New York, until 16 July.
Meşher, Istanbul’s leading multidisciplinary art space, is to celebrate the life and work of the painter and designer John Craxton (1922–2009). The late British artist’s first solo exhibition in Türkiye will run April 5–July 23, 2023.
Meşher will have the honour of exhibiting the biggest and the most comprehensive display of Craxton’s artworks ever to be showcased. John Craxton: Drawn to Light, curated by Ian Collins, friend and the biographer of the artist, brings together a diverse selection of works spanning the artist’s long career.
Featuring nearly 200 works, the exhibition offers a wide-ranging presentation of Craxton’s artworks including a monumental tapestry, paintings, drawings, prints, book designs and personal effects. The exhibition charts a joyful creative life moving from war-time darkness into light and from monochrome to brilliant colour. The window display features an example of the vintage motorbikes the artist loved to ride.
In addition to loaned works, Meşher’s John Craxton: Drawn to Light exhibition features 44 artworks from the Ömer Koç Collection, whose holding of Craxton works is second only to the John Craxton Estate. Photographs by the American photographer Robert McCabe and the London-born painter Nicholas Moore also enrich the John Craxton: Drawn to Light exhibition. First travelling to Aegean in 1954, McCabe’s photography focuses on its landscape and people, providing a close parallel with the art of John Craxton. Nicholas Moore’s photographs show scenes from his 1985 trip to Istanbul with John Craxton. A frequent visitor and an admirer of Istanbul, Craxton’s revelatory exhibition invites art lovers to explore his art and life in the lands he loved best.
The New Yorker – April 17, 2023 issue:Truth is stranger than fiction: for the first time in its long history, The New Yorker is publishing a courtroom sketch on the cover.
By the time Donald Trump marched out from behind a phalanx of American flags and emerged into the gilded Mar-a-Lago ballroom to speak to cheering supporters on Tuesday night, America’s first indicted ex-President hardly seemed chastened by his historic day as a defendant in a Manhattan courtroom.
The fact that Donald Trump has finally been brought to court for an alleged crime relating to paying hush money may well contradict Alvin Bragg’s key contention.
Following the Manhattan District Attorney’s investigation, the former President was arraigned on felony charges stemming from hush-money payments.
Individually, snowflakes are fragile, easily broken, dissolving into droplets of water at the mere touch of a finger or a breath of air, while en masse, they’re capable of wreaking havoc on the city streets and causing catastrophe when avalanching down a mountainside.
Times Literary Supplement @TheTLS (April 7, 2023) – This week’s @TheTLS, featuring the late Jane Maas on Philip Roth’s great love; David Throsby on consulting firms; an extract from The God Desire by @Baddiel; @LamornaAsh on Max Porter; @funesdamemorius on Mike Nelson; a new poem by Carl Dennis – and more.
Galleria Borghese – From April 4 to June 11, 2023, the Galleria Borghese brings to fruition its research on landscape painting and the relationship between Art and Nature with Dosso Dossi. The Aeneas Frieze, a never-before-seen exhibition – the first dedicated to the great Ferrarese master’s pictorial cycle-curated by Marina Minozzi.
Dosso Dossi (Giovanni di Nicolò Luteri, Tramuschio ?, c. 1487 – Ferrara, 1542) – The Cretan Plague c. 1520-1521
For the first time, five of the ten canvases that made up the frieze created by Dosso Dossi between 1518 and 1520 for the Camerino d’Alabastro of Duke Alfonso I d’Este in Ferrara are being brought together in a single location. The operation, also prompted by enthusiasm for the recent reappearance of some of these paintings, is the result of an ambitious collaboration with the Louvre Abu Dhabi, the National Gallery of Art in Washington, D.C., and the Museo del Prado in Madrid.
Dosso Dossi (Giovanni di Nicolò Luteri, Tramuschio ?, c. 1487 – Ferrara, 1542) The Repair of the Trojan Ships; the Building of the Temple to Venus at Eryx and the Offerings at Anchises’s Grave c. 1518-1519
The Frieze, of which only seven canvases have been found to date, was made by Dosso Dossi drawing inspiration from specific episodes of the Virgilian poem taken from the first, third, fifth and sixth books, leaving out, however, the part devoted to the hero’s love story with Dido, that of the wars in Italy and the founding of Rome.
Iconicon: A Journey Around the Landmark Buildings of Contemporary Britain
Its appeal is part of the recurrent cycle of the centripetal giving way to the lure of the burbs. Save that, in this instance, it’s not the lure that accounts for an invasion of beards and craft beer but the unaffordability of housing in East London. Let’s go to Croydon! For want of anywhere else.
Which archival sources are used and whose voices are silenced? The Marcoses have – for now – claimed the archive and seized the narrative. They tell the story of a golden age followed by a fall and a quest for redemption. In the Philippines, a deeply Catholic country, the story has a satisfying narrative arc.
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