As the world whirled around him, he painted to meet the moment. He captured both simple pleasures of daily life (like eating or driving) and large-scale violence by “bearing witness” to the world with an unflinching look at war, racism, and his own inner demons.
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The New York Times Book Review – April 2, 2023:
“Birnam Wood,” by the Booker Prize winner Eleanor Catton, is a fast-moving ecological novel and a generational cri de coeur.
Edinburgh calls to readers, its pearl-grey skies urging them to curl up with a book. Maggie O’Farrell, the author of “Hamnet,” suggests reading that best reflects her city.
The Burlington Magazine – April 2023: Few paintings capture the exhilaration of the arrival of spring as powerfully as Vincent van Gogh’s ‘Orchard in blossom, bordered by cypresses’, a detail of which is on the cover of our newly published April issue.
The manifold collections of the Rijksmuseum, Amsterdam, include rich holdings of the decorative arts, international in scope, with a natural bias towards the Netherlands. But unlike the Victoria and Albert Museum, London, the Museum für angewandte Kunst, Vienna, and the Musée des Arts Décoratifs, Paris, products of the nineteenth-century campaign to improve design, the Rijksmuseum, a national museum of art and history, had no strong motive to collect design drawings (although the Rijksprentenkabinet, housed in the museum, contains one of the world’s great assemblages of engraved ornament).
An air of anticipation has greeted the fourth anniversary of the fire that broke out on 15th April 2019 and destroyed the medieval roof of Notre-Dame, Paris, together with its flèche, designed by Eugène Viollet-le-Duc in 1859. The main controversies surrounding the restoration having been settled – as reported in this Magazine, in July 2020 the French government announced that the roof and flèche will be rebuilt as they were, using the same materials as the original – attention has turned to the discoveries being made and to the restoration process.
Aesthetica Magazine (April/May 2023) – Inside this issue, we consider identity, relationships and the impact of technology. We discuss the persistence of images and their ability to embed themselves in collective memory in Thomas Demand’s retrospective,
The Stutter of History. Refik Anadol speaks to us about the relationship between humans and machines, exploring the influence of art and creativity, as we rely more and more on AI to guide us through our lives. What does the future look like in this new world? Should we embrace it or fear it? Also, I am pleased to bring you an overview of this year’s shortlisted artists for the Aesthetica Art Prize 2023.
Thomas Demand highlights the fiction beneath attempts to document the truth, questioning the power and responsibility behind art and its maker.
Gareth Iwan Jones’ fascination with woodland ecocystems inspired enchanting scenes that document the beauty and mystery of forests.
March 31, 2023: The Art Newspaper’s annual report on museum visitor figures around the world has been published.
We talk to Lee Cheshire, who co-edited the report, and to Charles Saumarez Smith, a former director or chief executive of three London museums and galleries—the National Portrait Gallery, National Gallery and Royal Academy of Arts—about how important the figures are to museums and whether they are a valid gauge of institutions’ success.
The exhibition Manet/Degas opened at the Musée d’Orsay in Paris this week, before travelling later in the year to the Metropolitan Museum of Art in New York. Ben Luke visits the show in Paris and speaks to Laurence des Cars, the former director of the Musée d’Orsay and now president-director of the Musée du Louvre, and Stéphane Guégan, the co-curator of the exhibition.
And in London, a show of the paintings of Berthe Morisot, the pioneering Impressionist with artistic and familial connections to Manet and Degas, has opened at the Dulwich Picture Gallery.
This episode’s Work of the Week is Morisot’s Woman at Her Toilette (1875-80). Lois Oliver, the curator of the exhibition in Dulwich, tells us about this pivotal picture.Manet/Degas, Musée d’Orsay, Paris, until 23 July; Metropolitan Museum of Art, New York, 24 September-7 January 2024Berthe Morisot: Shaping Impressionism, Dulwich Picture Gallery, London, until 10 September, Musée Marmottan Monet later in 2023 (dates to be announced).
First up, the Los Angeles County Museum. This museum has long been a hub for cutting-edge contemporary art, and this month’s exhibition is no exception. Featuring the artwork of women representing the Islamic community, this show promises to be a feast for the senses.
Next, we’re off to London’s Design Museum, where we’ll be exploring the art of famous artist and architect Ai Weiwei. With interactive exhibits and immersive installations, this show is a must-see for anyone interested in the future of architecture as art.
From there, we’ll be making our way to the Baltimore Museum of Art, where we’ll be exploring the 50th anniversary of hip-hop. With works spanning the decades, this exhibition offers a fascinating insight into the ways in which artists have represented themselves and others throughout the story of this unique and popular music genre.
Last but not least, we’ll be heading to the Kunsthaus Zürich, where we’ll be exploring the fascinating intersection of Alberto Giacometti and Salvador Dalí. From the bold, colorful works of the Dalí to the chiseled and lapidarian aesthetic of the Giacometti, this show is a celebration of one of Europe’s most profound and innovative surrealist artists of the 20th century.
Maxine Hong Kingston: The Woman Warrior, China Men, Tripmaster Monkey, Hawai‘i One Summer, Other Writings edited by Viet Thanh Nguyen
Maxine Hong Kingston’s best work has a timeless quality, fresh, beautiful, horrifying, bursting with myth and fantasy and nagging reality.
The BBC: A Century on Air by David Hendy
This Is the BBC: Entertaining the Nation, Speaking for Britain? 1922–2022 by Simon J. Potter
World War II was the BBC’s finest hour, but its history since then reflects the corporation’s gradual loss of primacy in British life.
Fen, Bog and Swamp: A Short History of Peatland Destruction and Its Role in the Climate Crisis by Annie Proulx
Wild by Design: The Rise of Ecological Restoration by Laura J. Martin
Two recent books show that the concept of ecological restoration is a fuzzy one: even practitioners rarely agree on what is being restored, or to what end.
3rd Wednesday Literary Journal (Spring 2023)
18 March 2023–1 October 2023
Called Mirror Mirror: Reflections on Design at Chatsworth, the exhibition brings together a collection of furniture and objects displayed throughout and responding to Chatsworth House and its gardens. In total, 16 international designers and artists created pieces that respond to the interiors of the building.
Some responded by sourcing materials from the property itself, while others focussed on themes and ideas taken from decorations within the interiors.
In this Expert Voices, art historian and Director of Leo Castelli Gallery, Barbara Bertozzi Castelli shares her interpretation of Figures, recalling her memories working with her husband and Lichtenstein whom she felt was a modest and dedicated artist, and among those that changed the path of American art in the postwar period.
A key figure in the Pop art movement and beyond, Roy Lichtenstein (1923–1997) grounded his profoundly inventive career in imitation—beginning by borrowing images from comic books and advertisements in the early 1960s, and eventually encompassing those of everyday objects, artistic styles, and art history itself. Referring to Lichtenstein’s equalizing treatment of the subjects he chose for his art, Richard Hamilton, a fellow Pop artist, wrote in 1968: “Parthenon, Picasso or Polynesian maiden are reduced to the same kind of cliché by the syntax of the print: reproducing a Lichtenstein is like throwing a fish back into water.”
Boomers Daily 