Times Literary Supplement @TheTLS (March 31, 2023) – This week’s @TheTLS features @Skye_Cleary on the Good Life; @David_Goodhart on the Tories post-Brexit; @PeterKGeoghegan on the UK’s finances; @DrCLaoutaris on Shakespeare’s lodger; @KatyaTaylor on L. M. Montgomery; @MirandaFrance1 on Javier Marías’s final novel – and more.
LitHub (March 28, 2023): Literary Hub is very pleased to reveal the cover for Nobel Prize winner J. M. Coetzee’s new novel The Pole, which will be published by Liveright this September. Here’s more about the book from the publisher:
Exacting yet maddeningly unpredictable, J. M. Coetzee’s The Pole tells the story of Wittold Walccyzkiecz, a vigorous, “extravagantly white-haired” Polish pianist who becomes infatuated with Beatriz, a stylish patron of the arts, after she helps organize his Barcelona concert. Although Beatriz, a married woman, is initially unimpressed by Wittold, she soon finds herself pursued and ineluctably swept into the world of the journeyman performer. As he sends her letters, extends countless invitations to travel, and even visits her husband’s summer home in Mallorca, their unlikely relationship blossoms, though, it seems, only on her terms. The power struggle between them intensifies—Is it Beatriz who limits their passion by controlling her emotions? Or is it Wittold, trying to force into life his dream of love?
The Dublin Literary Award is presented annually for a novel written or translated into English. Books are nominated for the award by invited public libraries in cities throughout the world, making the award unique in its coverage of international fiction.
Video timeline: 00:00 In the studio 01:10 Elliot’s still life series 01:45 Design inspiration from the V&A collection 03:03 Hot workshop: gathering molten glass with a blowpipe 03:30 Building up layers of clear and coloured glass 03:56 Spiralling the coloured glass 04:15 Shaping the glass with different tools 04:50 ‘Swedish’ or bubble overlay technique 05:57 Creating the fish shape 06:41 Adding surface texture, fins and a metallic finish 08:14 Cold workshop: cutting and polishing 09:17 The finished piece
Denver Art Museum (March 27, 2023): Artworks in Near East to Far West: Fictions of French and American Colonialism (through May 29) present a range of representations from sympathetic to stereotyped. Indeed, racialized stereotypes such as the “Noble Savage” and odalisque (a woman in a female-only domestic space, or harem, who is often overly sexualized in European art) circulated throughout French Orientalism and western American art.
Acknowledging the ongoing harm of such representations, we knew that we needed to make space for diverse perspectives: essentially, to make room for the voices too often repressed or ignored in the artwork.
We’ve uploaded everything anyone has ever known onto a worldwide network of machines. What if it doesn’t have all the answers?
Many Americans who advocate it have little interest in religion and an aversion to American culture as it currently exists. What really defines the movement?
What can elephants, birds, and flamenco players teach a neuroscientist-composer about music?
A show of paintings belonging to his most important patron reflects the artist’s quietly spirited side
Program:
“A Field Guide to the Bear-Men of Leningrad” : a rare non-speculative thing from me, about boyhood & masculinity & human monstrosity in 1930s Russi… https://instagr.am/p/CqDkW1jsCI5/
The New York Times Book Review – March 26, 2023:
Her new story collection, “Old Babes in the Wood,” offers elegiac scenes from a marriage plus a grab bag of curious fables.
There are authors we turn to because they can uncannily predict our future; there are authors we need for their skillful diagnosis of our present; and there are authors we love because they can explain our past. And then there are the outliers: those who gift us with timelines other than the one we’re stuck in, realities far from home. If anyone has proved, over the course of a long and wildly diverse career, that she can be all four, it’s Margaret Atwood.
Michael Lesy’s book of historical photographs and found text offers a singular portrait of American life.
Michael Lesy’s 1973 book “Wisconsin Death Trip” is an American oddity, a cult classic for a reason. In a way that few documentary texts do, it makes us leave the baggage of modernity at the trailhead. It forces us back into the inconceivably long nights in rural and small-town America before the widespread use of electricity, before radio, before antibiotics for dying children and antidepressants for anxiety bordering on mania, when events could make a family feel that some nocturnal beast had chalked its door.
The first installment of an essay series on American literature and faith.
I am a child of the church. In an early memory, I am 6 years old, half-asleep in the back of my grandparents’ station wagon on the way home from a revival…
Boomers Daily 