A strong line-up of galleries from France was joined by exhibitors from across Europe, Africa, Asia, North and South America, and the Middle East for a global showcase of the highest quality. Reaching beyond the Grand Palais Éphémère, the fair presented an active cultural program from morning to night, all week, and throughout the city, through a robust program of collaborations with Paris’s cultural institutions and its city-wide sector Sites.
October 13, 2023–January 21, 2024
Their daring, energetic experiments with color, form, structure, and perspective changed the course of French painting; it marked an introduction to early modernism and introduced Matisse’s first important body of work in his long career.
This exhibition, which is co-organized by The Metropolitan Museum of Art and the Museum of Fine Arts, Houston, emphasizes as never before the legacy of that summer and examines the paintings, drawings, and watercolors of Matisse and Derain through sixty-five works on loan from national and international museums, including Musée National d’Art Moderne, Centre Pompidou; National Galleries of Scotland; National Gallery of Art, Washington, D.C.; San Francisco Museum of Modern Art; and the Museum of Modern Art, New York; as well as private collections.
Times Literary Supplement (October20, 2023): The new issue features ‘Rocket Man’ – North Korea’s dictator is no joke; A snapshot of Teju Cole; Daniel Dennett’s evolution; Monet’s muses; John le Carré undercover, and more…
As he inks, hand wipes, and rolls his final print through the press, he reflects on his philosophy. “My goal is to leave no fingerprints,” he says. All you see is the artist’s work. I’m just another pencil. I’m just another brush. But I want the pencil to be sharpened really well. I want the brush to be sable. And to do that and be completely spontaneous, I trust the materials.”
Country Life Magazine – October18, 2023: The latest issue features Norfolks – Little pockets of fun; The real Macnab – great adventures in the field; Britain’s loneliest trees; Beethoven’s Austria and Amsterdam’s canal life, and more…
In memory of the Sycamore Gap tree, so callously cut down, we salute its fellow arboreal sentinels of Britain
The Editor and The Judge set off across the Tulchan estate in pursuit of a stag, a brace of grouse and a salmon, in the spirit of John Buchan’s hero
The author picks a scene full of the thrill of the racecourse
The rural people of Scotland are reeling under a prejudiced new law on hunting. Jamie Blackett despairs for the fox
What makes a building English? Steven Brindle considers the answer, from soaring cathedral vaults to austere Palladian villas and rambling country piles
Kate Green luxuriates in the luscious locks of the Leicestershire Longwool
Few creatures face as difficult a journey as the salmon does to and from its spawning grounds. Simon Lester follows in its wake
A dramatic kitchen and why it’s time to cuddle up in British wool
Charles Quest-Ritson takes the well-worn path to the famed nursery of Larch Cottage in Cumbria
Behind hounds or on the marsh, casting for a salmon or stalking a stag, nothing stirs Adrian Dangar’s heart as fieldsports do
Melanie Johnson finds the perfect pairing for hazelnuts
Its inhabitants are as much creatures of state power and industrial capitalism as their city-dwelling counterparts.
Demanding that your friend pull the car over so you can examine an unusual architectural detail is not, I’m told, endearing. But some of us can’t help ourselves. For the painter Grant Wood, it was an incongruous Gothic window on an otherwise modest frame house in Eldon, Iowa, that required stopping. It looked as if a cottage were impersonating a cathedral. Wood tried to imagine who “would fit into such a home.” He recruited his sister and his dentist as models and costumed them in old-fashioned attire. The result, “American Gothic,” as he titled the painting from 1930, is probably the most famous art work ever produced in the United States.
In many states, lawyers are pushing a new legal strategy that forces biological parents to compete for custody of their children.
Its inhabitants are as much creatures of state power and industrial capitalism as their city-dwelling counterparts.
It depends on which tech bro, city official, billionaire investor, grassroots activist, or Michelin-starred restaurateur you ask.By Nathan Heller
Offsetting has been hailed as a fix for runaway emissions and climate change—but the market’s largest firm sold millions of credits for carbon reductions that weren’t real.
The New Criterion – November 2023 issue:
THE NEW YORK TIMES BOOK REVIEW (October 15, 2023): This week’s issue features a fabulous historical novel, the Janet Malcolm-like account of an Australian murder trial, a sprightly history of the Oxford English Dictionary, a homage to “The Haunting of Hill House”, historical fiction, thrillers, crime novels, romance, horror & Gothic fiction, science fiction & fantasy.)
Apparitions, black hares and time warps festoon the pages of Elizabeth Hand’s “A Haunting on the Hill,” set in the same moldering mansion as Shirley Jackson’s classic horror novel.
In Marie NDiaye’s new novel, “Vengeance Is Mine,” a woman is haunted by a decades-old trauma she feels, but cannot quite remember.
VENGEANCE IS MINE, by Marie NDiaye. Translated by Jordan Stump.
The characters in Marie NDiaye’s novels are an unsettling brood. They fret and pace around their homes, tormented by their pasts. Their minds trap and trick them. A daughter can’t shake memories of her mother’s murder; a man gropes for the truth about his imprisonment in a deserted vacation town; a chef pursues culinary perfection at any cost; a woman — reminded of a friend, a schoolteacher or was it her mother? — fatally chases an apparition in green.
The Week In Art Podcast (October 13, 2023): The Frieze art fair has turned 20 this week, and is only growing in its ambitions, having acquired the Armory Show fair in New York and Expo Chicago.
So what should we make of Frieze’s continuing expansion and what’s the mood at Frieze London and Frieze Masters this year? We talk to Tim Schneider, The Art Newspaper’s acting art market editor, who is over from New York for the fairs. In Reykjavik in Iceland, the artist-run Sequences Biennial opens on Friday. A former curator of the event is Hildigunnur Birgisdóttir, who will represent Iceland at the Venice Biennale in 2024. Tom Seymour went to the Icelandic capital to talk to her about Venice, Sequences and the Icelandic scene.
And this episode’s Work of the Week is Open Window, Collioure (1905) by Henri Matisse. The painting is a highlight of the exhibition Vertigo of Colour: Matisse, Derain, and the Origins of Fauvism at the Metropolitan Museum of Art in New York. We speak to Dita Amory, co-curator of the show, about this landmark painting in Matisse’s career.
Frieze London and Frieze Masters, Regent’s Park, London, until 15 October.
The Sequences Biennial, entitled Can’t See, begins on 13 October and continues until 22 October 2023.
Vertigo of Color: Matisse, Derain, and the Origins of Fauvism, Metropolitan Museum of Art, New York, 13 October-21 January 2024; Museum of Fine Arts, Houston, 25 February-27 May 2024.
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