Eugène Delacroix, Greece on the Ruins of Missolonghi, 1826, oil on canvas, 208 cm × 147 cm (Musée des Beaux-Arts de Bordeaux). Speakers: Dr. Steven Zucker and Dr. Beth Harris.
Ferdinand Victor Eugène Delacroix was a French Romantic artist regarded from the outset of his career as the leader of the French Romantic school.
In 1991, the Scottish artist Peter Doig (b. 1959) visited Le Corbusier’s Unité d’Habitation in northeast France, a utopian housing project that had opened in 1961 in Briey-en-Fôret, then been abandoned.
To Doig, the project was a temple of hope laid to ruin, and the nine large-scale canvases it inspired — Doig’s seminal ‘Concrete Cabins’ series, the largest and most distinctive cycle in Doig’s oeuvre — became a meditation on the decay of Le Corbusier’s modernist vision of social cohesion.
Boiler House was first exhibited in Salzburg after Doig had won the Eliette von Karajan prize in 1994, and was included in Doig’s 2008 retrospective at Tate Britain. It stands alone within the cycle, an isolated building in the forest.
Depicting the building designed to house the estate’s coal boiler, it is rendered in fluid trails of impasto, and carries a stark anthropomorphic charge, the angular geometries looming large through a screen of trees, shifting in and out of focus like a memory or fragments from a movie reel.
Learn More: https://www.christies.com/features/Bo…
Pick your favourite between Paris and London as we pit Europe’s premier art capitals against each other in a tongue-in-cheek battle. Compare and contrast the allure of each location as we build-up to our marquee evening auctions on Modernités/Contemporary (21 October | Paris/London).
Discover some of defining moments of the 20th and 21st centuries by the greatest artists working in Europe and beyond. From the birth of the avant-garde and modernism, to seminal contemporary works, the artists represented all forged a distinct path.
Master Surrealist Francis Picabia created complex-dream like paintings for his series, “Transparencies”. In this episode of Anatomy of an Artwork, discover the hidden inspirations for his painting, Minos, and learn about the meaning behind each transparent layer.
Francis Picabia (1879 – 1953) was a French avant-garde painter, poet and typographist. After experimenting with Impressionism and Pointillism, Picabia became associated with Cubism. His highly abstract planar compositions were colourful and rich in contrasts.
In this week’s episode of “Cocktails with a Curator,” Curator Aimee Ng explores the life of Lodovico Capponi, the subject of a 16th-century portrait at the Frick by Agnolo Bronzino. A page at the Medici court, Lodovico had the misfortune of falling in love with a Florentine noblewoman whom Duke Cosimo I intended to marry to one of his cousins. Join Aimee with an Aperol Spritz as she discusses one of her favorite works in the museum and examines what some of the details—from his black-and-white outfit to the partially obscured cameo in his right hand—may tell us about the young man and his life.
To view this painting in detail, please visit our website: https://www.frick.org/agnolobronzino
In the popular imagination, possibly no other artist’s work is more recognizable than that of Salvador Dalí. Indeed, for many he is the ultimate mad artist, whose singular vision remorselessly probed his own psychological depths. His nightmarish visions and bizarre landscapes express the angst and turbulence of the twentieth century.
Dalí’s creativity embraced many different modes of expression and was never constrained by any one style. Over eight decades, the prodigious range of Dalí’s activity spanned every conceivable medium, from painting and drawing to sculpture, film, furniture, books, stage design and jewelry, not to mention his highly eccentric public persona, which could be considered an art form in itself.
Selected by curator and art historian Paul Moorhouse, Assouline presents Salvador Dalí: The Impossible Collection, spotlighting 100 works by this extraordinary creative mind, exploring Dalí’s inspirations and array of influences, from Old Masters to realism, Impressionism, Fauvism and Cubism as well as experimental approaches that delved into his obsessions with religion, science and stereoscopy.
Paul Moorhouse is a London-based art historian and curator. Currently chief executive of the Anthony Caro Studio, he was senior curator and head of displays at the National Portrait Gallery, London (2005–17) and senior curator at the Tate (1985–2005), where he was closely involved with the creation of Tate Modern and Tate Britain. He has curated numerous exhibitions internationally and published extensively, with books and exhibition catalogues on major modern and contemporary artists, including Anthony Caro, Salvador Dalí, Alberto Giacometti, Howard Hodgkin, Hans Hofmann, Richard Long, Gerhard Richter, Bridget Riley, Cindy Sherman and Andy Warhol.
Curator An Van Camp explains Rembrandt’s use of a printmaking technique known as etching, and what his early experiments tell us about the young artist’s working process.
The Young Rembrandt exhibition is open at the Ashmolean until 1 Nov 2020: https://www.ashmolean.org/youngrembrandt
The Getty Villa is devoted to the study and display of art from the ancient world. Housed in a spectacular recreation of an ancient Roman villa, its collection celebrates the culture and artistry of ancient peoples and draws connections to our world today.
Located near the Pacific shore in Malibu, California, the Getty Villa serves a varied audience through exhibitions, conservation, scholarship, research, and public programs. The Villa houses approximately 44,000 works of art from the Museum’s extensive collection of Greek, Roman, and Etruscan antiquities, of which over 1,200 are on view.
In the summer of 1969, Cy Twombly made a series of paintings inspired by the Apollo 11 space mission.
Born in Lexington, Virginia, in 1928, Edwin Parker ‘Cy’ Twombly studied art in Boston and at the avant-garde Black Mountain College in North Carolina. After graduating, he served as a cryptologist in the US Military — an experience that left a distinctive mark on his artistic style.
Learn more: https://www.christies.com/features/Mo…
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