The West End of London (commonly referred to as the West End) is a district of Central London, west of the City of London and north of the River Thames, in which many of the city’s major tourist attractions, shops, businesses, government buildings and entertainment venues, including West End theatres, are concentrated.
The term was first used in the early 19th century to describe fashionable areas to the west of Charing Cross.[1] The West End covers parts of the boroughs of Westminster and Camden.[2]
The summer double issue of The Times Literary Supplement @TheTLS , featuring @YsendaMG on the British abroad; @questingvole on Roald Dahl; poems by John Fuller and Simon Armitage (both titled ‘The Repair Shop’); @RebeccaSpang on cryptocurrencies; @Skye_Cleary on love – and much more
Genoa (Genova) is a port city and the capital of northwest Italy’s Liguria region. It’s known for its central role in maritime trade over many centuries. In the old town stands the Romanesque Cathedral of San Lorenzo, with its black-and-white-striped facade and frescoed interior. Narrow lanes open onto monumental squares like Piazza de Ferrari, site of an iconic bronze fountain and Teatro Carlo Felice opera house.
As Indonesia celebrates its independence day, we discuss President Joko Widodo’s plan to act as a diplomatic bridge between Russia and Ukraine. Plus: French troops officially leave Mali, cartel-driven violence in Mexico and the latest aviation news.
Investigators say there was so much fraud in federal Covid-relief programs that — even after two years of work and hundreds of prosecutions — they’re still just getting started.
Galerie Philia is proud to announce its summer exhibition taking place in two villas designed by Jean Nouvel and commissioned by Rivere Group on the luxurious Cote d’Azur. Villa Maeterlinck in Nice and villa in St Jean Cap Ferrat, both are perfectly integrated into the landscape and boast terrace gardens in front of wide private sea views on the Mediterranean.
Tillandsias in Saint Jean Cap Ferrat and Monsteras in Nice were planted by Jean Nouvel as an ode to their aerian roots. This specific fauna is in complete harmony with the asesthetic of the influential architect whose innovative aerian principle transforms buildings into dematerialized natural environments. Set in a mesmerizing atmosphere, between the breath-taking coast and the unassuming minimalism of Nouvel, Galerie Philia enhances this dialogue between the aesthetic of the architecture and its natural surroundings.
The concept of aerian roots is in the heart of the scenography of Galerie Philia as transcultural art and design works were selected for the plural and complex aesthetic and national identities they convey. Completed in 2015 and placed right by the famous Maeterlinck Palace, Villa Maeterlink is carved into the rock. Situated just by the waterfront, all of the rooms in the villa have a full view of the sea, with a living room spanning 40m2 without posts (cantilevered).
Set in a grand plot of 8600 m2, the entire house is made to measure including the stainless steel ceilings, light fixtures, and inox surfaces along with a multitude of special details that make this a truly unique place. The space breaths at all times thanks to the sliding partitions that were built in a studied way to dissipate the boundary between interior and exterior in this house that opens to the sea, and the stainless steel ceiling of the house allows one to see the sea at all times.
Blending with the unique and entirely customized architecture of Jean Nouvel, Galerie Philia’s elegant collection of sculptural design and art dresses these villas in a new look and create stunning vistas, transforming them into a living and breathing homes. The gardens and the interior of both villas are united by a harmonious scenography and become a reflection of the lightness of Nouvel’s aesthetic. The exhibition features unique pieces by Frederic Saulou, Andrés Monnier, Arno Declercq, Jojo Corväiá, Rick Owens, Elsa Foulon, Jan Ernst and many more designers represented by Galerie Philia.
The hand-carved stone firepit of Andres Monnier creates a radiant atmosphere in the patio with the ravishing views of plants as Gerard Kuijpers’ Dancing Stones move with the breeze from the mediterranean. Arno Declercq’s unique daybed accommodates a relaxing environment in the cozy living space and Jörg Pietschmann’s solid oak unique bench invites one to enjoy the monstera haven. The Revue Eclipse collaborated with Galerie Philia on the fine art selection, and internationally known artists will be exhibited such as Sam Szafran, Flora Temnouche, Edgar Sarin, Manuel Merida, Francisco Salazar, Jörg Kratz and Mateo Revillo.
Architectural Digest takes you to New York City for an insightful walking tour of Greenwich Village with architect Nicholas Potts. From jazz clubs and coffee shops to the dramatic arch at Washington Square Park and the landmark buildings on Waverly Place, “The Village” continues to exist at the nexus of New York’s past, present, and future.
Come along with Nick as he explores the architectural details hidden in plain sight. Check out Nicholas Potts here:
Angelo Codevilla’s final critique of our ruling class’s corruption… by Carnes Lord
America’s Rise and Fall among Nations: Lessons in Statecraft from John Quincy Adams is an extraordinary book by an extraordinary man. Angelo Codevilla, a senior fellow of the Claremont Institute, died in an automobile accident last year near his northern California vineyard. He was a first-generation immigrant, born in Italy, who shared with so many from a similar background a fierce love for his adopted homeland. A political scientist with far-ranging interests in comparative politics, international relations and strategic studies, and political philosophy, Codevilla also served in the United States government as a diplomat, naval officer, and congressional staffer.
Merseburg, city, Saxony-AnhaltLand (state), eastern Germany. It lies on the left bank of the Saale River, just south of Halle. Founded about 800 as a frontier fortress against the Slavs, it was a favourite residence of the German kings Henry I the Fowler (d. 936), Otto I, and Henry II.
It was the seat of a bishop from 968 until the Reformation (1561) and was chartered in 1188. It passed to Saxony in 1561 and was captured (1631) by the Swedes in the Thirty Years’ War. The residence of the dukes of Saxe-Merseburg from 1656 to 1738, it passed to Prussia in 1815. It was heavily bombed in World War II.
Merseburg’s most notable buildings are the imposing castle (1480–89) and the cathedral, begun in 1015 and dating mainly from the 13th and 16th centuries. Today there is a technical university (now part of Martin Luther University of Halle-Wittenberg) in Merseburg. The city’s industries include aluminum foil production.
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