Cover Preview: Science Magazine – April 22, 2022

Preview: The Economist Magazine – April 23, 2022

Preview: New York Review Of Books – May 12, 2022

May 12, 2022 issue cover

Painting Herself

From the beginning, female self-portraitists have chosen to show themselves at work, as if to demonstrate that they could handle a brush as well as male artists.

The Mirror and the Palette: Rebellion, Revolution, and Resilience: Five Hundred Years of Women’s Self Portraits

by Jennifer Higgie

The Self-Portrait

by Natalie Rudd

Top Photography: African Cheetahs – The Great Swim

Discover the story behind one of this year’s most dramatic images through the lens of Highly Commended wildlife photographer Buddhilini de Soyza.

When the Mara and Talek rivers broke their banks in January 2020 due to unseasonal flooding, the famed Tano Bora coalition of cheetahs were faced with a difficult choice.

The Natural History Museum in London is home to over 80 million objects, including meteorites, dinosaur bones and a giant squid. Our channel brings the Museum to you – from what goes on behind the scenes to surprising science and stories from our scientists.

Venice Biennale: ‘Hanji House’ – The Grand Canal

Stefano Boeri Architetti has designed a site-specific pavilion made of a traditional Korean paper-folding technique and tangram for the 59th Venice Art Biennale which will open to the public from 23 April to 27 November 2022 in Italy

The pavilion, called Hanji House, is visible from the Grand Canal of Venice with its four-pyramidal roofs. The pavilion was designed to be in dialogue with an exhibition, titled Chun Kwang Young: Times Reimagined, as part of the Art Biennale. 

The exhibition features 40 large-scale mulberry-paper reliefs, sculptures and installations created by the Korean artist Chun Kwang Young at the Palazzo Contarini Polignac in Venice.

“Hanji” is the name of a traditional Korean paper made technique deriving from mulberry, also known as the “thousand years paper” due to its great resistance. 

Previews: Monocle Magazine – May 2022

Monocle’s latest issue sets out the benchmarks (and benches) for a better world as we put the 50 recipients of this year’s Monocle Design Awards in the spotlight. Elsewhere, we visit the rugged terrain of northern Norway to witness one of the biggest military drills in Nato’s history and George Town to explore how Malaysia’s tropical tech hub is booming.


EDITOR’S LETTER Whether the subject is modern warfare or the evolving identity of an old European city, we’ve always believed in the power of sending out photographers and writers to capture the realities on the ground. Look closely and see what you’ll discover, writes editor in chief Andrew Tuck.

THE OPENER Funding fiascos, changing the clocks, cycling in LA and the inside scoop from the Venice Biennale.

BOOK SMARTS Clients from Frieze to Rizzoli come to the graphic designer for her storytelling skills. And she delivers bestsellers.

GLOWING FOR GOLD Malaysia’s favourite sport gets the neon treatment at Shuttle in the Dark. Monocle hits the court.

MY CABINET: NANIMARQUINAJust like the striking rugs that they produce, Nani Marquina’s team at the namesake firm she runs in the Catalan capital is tightly knit.


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Art Exhibitions: ‘Winslow Homer – Crosscurrents’

Join Stephanie Herdrich, Associate Curator of American Painting and Sculpture, and Sylvia Yount, Lawrence A. Fleischman Curator in Charge—both of the American Wing—for a virtual tour of “Winslow Homer: Crosscurrents.” This ambitious survey reconsiders Homer’s work through the lens of conflict, a theme that crosses his prolific career.

A persistent fascination with struggle permeates his art—from emblematic images of the Civil War and Reconstruction that examine the effects of the conflict on the landscape, soldiers, and formerly enslaved to dramatic scenes of rescue and hunting as well as monumental seascapes and dazzling tropical works painted throughout the Atlantic world.

The centerpiece of the exhibition is Homer’s iconic “The Gulf Stream” (The Met), a painting that reveals his lifelong engagement with charged subjects of race and the environment. Featuring 88 oils and watercolors, “Crosscurrents” represents the largest critical overview of Homer’s art and life in more than a quarter of a century.