THE NEW YORK TIMES BOOK REVIEW (January 12, 2025): The latest issue features ‘A Deal With The Devil’ – A.N. Wilson’s new biography of Goethe approaches its subject through his masterpiece and life’s work, the verse drama “Faust”.
In Sam Gold’s Romeo + Juliet, the lovers’ headlong rush into marriage is in tension throughout with the surprising regression to childhood that characterizes so much of the production.
Romeo + Juliet – a play by William Shakespeare, directed by Sam Gold, at Circle in the Square, New York City, October 24, 2024–February 16, 2025
Charles Taylor’s revelatory Cosmic Connections: Poetry in the Age of Disenchantment (Harvard University Press, 2024) draws together different strands from Taylor’s storied philosophical career to present a new account of Romantic poetry. “Philosophy moves us because it convinces us; poetry convinces us because it moves us.” Taylor asks what it would mean to take seriously poetry’s ambition to reveal new dimensions of the world through the resources of image and symbol. Readers of Friedrich Hölderlin or William Wordsworth are familiar with the feeling that a poem is true or right in some deep sense, without being able to defend or even describe that rightness in philosophical terms. Consider the climax of Wordsworth’s “Lines Composed a Few Miles Above Tintern Abbey,” which serves as Taylor’s central example. The poet discerns
A motion and a spirit, that impels All thinking things, all objects of thought, And rolls through all things.
A New Theory of Evolution
By Jessica Riskin
Evolution Evolving: The Developmental Origins of Adaptation and Biodiversity (Princeton University Press, 2024) makes for an exhilarating reading. It is not just a book but an intellectual revolution. The authors show that the experiences and behaviors of living beings shape the course of evolution. You might find it strange that this would be a revolutionary idea. You might wonder how it could possibly be otherwise: How could the experiences and behaviors of living beings have no bearing whatsoever on the course of evolution?
Adventures With Books
By Priya Satia
Debate about the role of Western education in Britain’s colonies and former colonies (including the United States) is as old as the British empire itself. Those ever-evolving debates have, in turn, been studied for decades by historians, literary scholars, sociologists, and other scholars trained in the Western system that has become a global inheritance. Saikat Majumdar’s The Amateur: Self-Making and the Humanities in the Postcolony (Bloomsbury Academic, 2024) opens up a startlingly fresh perspective on these debates, attending to the unexpected and agonistic ways in which this education system shaped particular individuals whose work has had profound impact around the world.
Psychedelic Rabbit Holes
By Susan Stryker
I came for the acid, and stayed for the deep roots of gender theory that I found in Benjamin Breen’s Tripping on Utopia: Margaret Mead, the Cold War, and the Troubled Birth of Psychedelic Science (Grand Central Publishing, 2024). Admittedly, gender is not the main focus of Breen’s book. But in using the personal, professional, and intellectual partnership of Margaret Mead and Gregory Bateson to structure the narrative of this work of breathtaking originality, Breen reveals the kernel of a far-flung constellation of ideas and contexts that has rewired my brain’s understanding of the gender concept’s origins.
What does political revolution require of writers, artists, photographers, and filmmakers? How do they transform their ways of making in order to keep pace with such upheaval? In Soviet Factography: Reality Without Realism (University of Chicago Press, 2024), Devin Fore uncovers an entire archive of radical responses to these questions in the wake of the Russian Revolution of 1917, revealing a fascinating array of original strategies to record a world turned upside down. We follow all manner of “factographic” authors and artists (writer Sergei Tret’iakov and filmmaker Dziga Vertov are only the best known) as they scramble to register the revolution as immediately as possible. Their aim is not to arrest this transformation but, on the contrary, to dynamize it anew, to carry it forward into all areas of life, private and public, subjective and social. This riveting study of “reality in revolution” pressures our understanding of both terms; it also shows us how a reordering of any society involves a refashioning of its individuals.
Corinne Fowler’s enjoyable and thought-provoking The Countryside: Ten Rural Walks Through Britain and Its Hidden History of Empire (Scribner, 2024) achieves many things with an admirably light touch. Combining her lifelong passion for walking with her pathbreaking work linking England’s buildings and landscapes to the nation’s imperial past, she explores the many ways in which rural Britain was indelibly shaped by its overseas endeavors. She highlights how money, people, and rural industries closely connected the Cotswolds to Calcutta, the Scottish Highlands to Jamaica, Cornwall to West Africa and the Americas, and so on.
Ego, Redux
By Jonathan Lear
It surprised me to discover that The Revised Standard Edition of the Complete Psychological Works of Sigmund Freud (Rowman & Littlefield, 2024) is distinguished by its fidelity to two authors, not just one. Over 30 years in the making — though time was wasted with in-fighting among psychoanalysts — The Revised Standard Edition (RSE) aims to reanimate the distinctive translation into English of James Strachey. This is striking because so many of Strachey’s choices — for example, translating Ich as “Ego,” or Besetzung as “cathexis” — have been the subject of intense criticism. Why, the criticism goes, translate the wonderfully colloquial German that Freud used into a Latinized, “scientific” English? And why not use the occasion of a revised edition to make corrections?
Neil Gong’s Sons, Daughters, and Sidewalk Psychotics: Mental Illness and Homelessness in Los Angeles (University of Chicago Press, 2024) does what the best ethnographies do: provide the reader with an empathetic understanding of its subject. Gong’s comparative work provides a portrait of “sidewalk psychotics” in Los Angeles and compares their experiences to the children of elite families who have similar mental-health struggles.
For those on the street, the aim of most social programs begins with getting them housed. Gong follows people from homelessness into apartments and finds that our social programs of “tolerant containment” do little to tackle mental-health challenges. Policies and programs that focus on housing first are meant to provide a wider range of services, and through detailed observations Gong shows that this rarely happens. The mantra seems to be: get housed, and hopefully the rest will take care of itself. Once housed, people are quite free from intervention or monitoring, including free from programs that might help them address their mental health.
In 1660, the first national post was established in England. By the Victorian age, there were 12 mail deliveries a day in London; friends could dash off a letter in the morning and expect to continue an exchange until late at night. Today, the personal letter in its physical form is largely extinct. But in the era of WhatsApp chats and exchanges on X, its legacy has never been more obvious. Far more than the novel, confession, or diary, the letter is the literary genre at the origins of the modern self: social rather than solitary, reactive rather than reflective, on the cusp of public and private life.
Wolfgang Streeck’s Taking Back Control?: States and State Systems After Globalism (Verso, 2024) may not make for particularly cheerful reading for the holidays. But it is essential for any scholar seeking to make sense of a range of current trends: the ongoing retreat from 1990s-style globalization, the crisis of liberal democracy, and the rapid return of hot wars, cold wars, and trade wars to a world that just yesterday claimed to have overcome them all. It was written before Donald Trump was re-elected as president of the United States, but it helps make sense not only of the recent U.S. election but the broad trend of elections over the last decade and a half, from roughly the start of the financial crisis of 2007-8 down to the present, and not only in the United States but around the world.
It is a bold move to write a biography in 2024 of an artist like Josiah Wedgwood, a British man of the 18th century. Iris Moon knows as much. She describes her book Melancholy Wedgwood (The MIT Press, 2024) as an “experimental biography,” by which she implies something more than defiance of the genre’s conventions. Wedgwood is most familiar today as the name attached to your grandmother’s prized vase. To a narrower audience, he is known as the ceramics entrepreneur whose successful factory embodies the emergence of modern capitalism in England. Neither of those stories is at the heart of Melancholy Wedgwood.
The circumstances that you bring to read — that bring you to read — shape how you receive a text. It just so happens that I was reviewing a stack of grant applications and planning an ethnographic writing course for next term when I stumbled upon The Ethnographer’s Way: A Handbook for Multidimensional Research Design (Duke University Press, 2024), by the anthropologists Kristin Peterson and Valerie Olson. This research-design manual, whose title is a play on Julia Cameron’s The Artist’s Way, is unconventional in many ways: It eschews a linear, hierarchically constructed style of formulating “scientific” research proposals and encourages a collective, creative, and conceptual approach to research design that pushes back against the demands of the neoliberal university and the idea of the “lone, isolated anthropologist.” It’s even a little woo-woo. (The authors admit as much). Peterson and Olson’s model for building and working in community from the inception of a research project aims to “mitigate disheartening experiences of disconnection that occur throughout institutionalized landscapes, such as those between professors and students, people working inside and outside of bounded organizations, and those with expertise versus those with experience.”
Simply named Kiosk, this book features photos of more than 150 modernist, modular kiosks that brighten streets across central and eastern Europe.
Authors David Navarro and Martyna Sobecka aimed to draw attention to the surviving, unusual structures that were constructed in factories in the Eastern Bloc from the 1970s to the 1990s.
Written by academics Harriet Harriss, Naomi House, Monika Parrinder and Dezeen editor Tom Ravenscroft, 100 Women: Architects in Practice showcases the work of architects from 78 different countries.
The book contains interviews with some of the world’s best-known architects including Liz Diller, Tatiana Bilbao, Mariam Issoufou Kamara and Lina Ghotmeh, along with numerous women who have not yet received extensive global attention.
The book not only contains many of the key buildings created by the movement’s trailblazers but also those designed by more under-represented architects.
Sacred Modernity aimed to showcase the “unique beauty and architectural innovation” of brutalist churches across Europe.
The book contains 139 photographs of 100 churches taken by photographer Jamie McGregor Smith over five years, along with essays by writers Jonathan Meades and Ivica Brnic.
Simon Phipps’ follow up to his Brutal North and Brutal London books, Brutal Wales highlights architecture in the brutalist style across the country.
Alongside photography of 60 buildings, the book has explanatory texts in both Welsh and English, as well as an introduction by social historian John Grindrod.
The Donald Judd Furniture book contains photos of all the furniture pieces created by the artist for his New York and Marfa, Texas, properties that remain in production.
Along with the photos, the book contains archival sketches by Judd, newly commissioned drawings of each piece and several essays by the artist.
London Estates documents the modernist council housing built in the UK capital in the post-war period.
Described by publisher Fuel as “the most comprehensive photographic document of council housing schemes in the capital”, the book was photographed by Thaddeus Zupančič.
Photographer Christopher Payne’s Made in America book contains images taken over the past decade in the USA’s factories.
Payne created the book as a way of helping to preserve the legacy of industry in America, while documenting the skill of workers who are featured in the photography.
The latest book in the 50 ideas series, 50 Design Ideas You Really Need to Know contains essays tracking the evolution of design from the 19th century to today.
Written by John Jervis, the book aims to make a broad range of design concepts accessible to a wide audience.
Times Literary Supplement (December 11, 2024): The latest issue features ‘The tragic Queen of France’ – The legend of Marie Antoinette; William Dalrymple’s Indian empire; Mary Beard – A night at the museum; The coffee house scientist; What Kindle readers want…
Fredric Jameson on the Art of Criticism: “Ideological critique has to end up being a critique of the self. You can’t recognize an ideology unless, in some sense, you see it in yourself.”
Hanif Kureishi on the Art of Fiction: “When I was in hospital in Rome, having the experience of being a paralyzed man nearly dead, my only excitement was in the thought that I could write some of this shit down.”
Gerald Murnane on the Art of Fiction: “A fatal question—what are people reading these days? Never mind what people are reading these days. What should I be writing about is the fundamental question.”
Prose by Dan Bevacqua, Caoilinn Hughes, Silas Jones, Alec Niedenthal, Adania Shibli, and Abdulah Sidran.
Poetry by Sargon Boulus, Egill Skallagrímsson, Rachel Mannheimer, Simone White, and Hua Xi.
Art by Ann Craven, Ala Ebtekar, and Josh Smith; cover by Seth Becker.
News, Views and Reviews For The Intellectually Curious
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