Tag Archives: Arts & Literature

Preview: London Review Of Books – April 13, 2023

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London Review of Books (LRB) – April 13, 2023 issue:

Let’s go to CroydonJonathan Meades

Iconicon: A Journey Around the Landmark Buildings of Contemporary Britain

Iconicon: A Journey Around the Landmark Buildings of Contemporary Britain By John Grindrod Cover Image

Its appeal is part of the recurrent cycle of the centripetal giving way to the lure of the burbs. Save that, in this instance, it’s not the lure that accounts for an invasion of beards and craft beer but the unaffordability of housing in East London. Let’s go to Croydon! For want of anywhere else.

Rewriting the Marcos YearsSheila S. Coronel

Which archival sources are used and whose voices are silenced? The Marcoses have – for now – claimed the archive and seized the narrative. They tell the story of a golden age followed by a fall and a quest for redemption. In the Philippines, a deeply Catholic country, the story has a satisfying narrative arc.

Arts/Culture: Humanities Magazine – Spring 2023

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Humanities Magazine – Spring 2023 Issue

Audubon in This Day and Age

The artist and his birds continue to challenge us

John James Audubon, dead for 172 years, has been in the news again. Disturbing facts known to his biographers—that, for example, when he kept a store in Henderson, Kentucky, he enslaved people—have gained new currency, although the National Audubon Society has, for now, held on to its name. For many, Audubon has become synonymous with an activity—call it science, ornithology, natural history, birding, love of the outdoors—that has, for the longest time, excluded people of color.  

A Lot of What Is Known about Pirates Is Not True, and a Lot of What Is True Is Not Known.

In 1701, in Middletown, New Jersey, Moses Butterworth languished in a jail, accused of piracy. Like many young men based in England or her colonies, he had joined a crew that sailed the Indian Ocean intent on plundering ships of the Muslim Mughal Empire. Throughout the 1690s, these pirates marauded vessels laden with gold, jewels, silk, and calico on pilgrimage toward Mecca. After achieving great success, many of these men sailed back into the Atlantic via Madagascar to the North American seaboard, where they quietly disembarked in Charleston, Philadelphia, New Jersey, New York City, Newport, and Boston, and made themselves at home.

Books: Literary Review Magazine – April 2023

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Literary Review – April 2023 issue: The April issue of Literary Review is out now! In this month’s cover article, Kirsten Tambling looks at how Shakespeare’s Juliet has been reinterpreted and received through the ages.

Such Sweet Sorrow

Searching for Juliet: The Lives and Deaths of Shakespeare’s First Tragic Heroine – In 1611, the Somerset-born traveller Thomas Coryat described an Italian architectural novelty: a ‘very pleasant little tarrasse, that jutteth or butteth out from the maine building: the edge whereof is decked with many pretty little turned pillers … to leane over’.

One Day in October

Killing Thatcher: The IRA, the Manhunt and the Long War on the Crown

Art: ‘BASQUIAT × WARHOL PAINTING FOUR HANDS’ – Fondation Louis Vuitton

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BASQUIAT × WARHOL. PAINTING FOUR HANDS

In 2018, the Fondation featured the “Jean-Michel Basquiat” exhibition. It continues its exploration of the work of the artist, revealing, this time, his collaboration with Andy Warhol.

Jean-Michel Basquiat et Andy Warhol, Untitled (collaboration no.23) / Quality, 1984-1985

Between 1984 and 1985, Jean-Michel Basquiat (1960-1988) and Andy Warhol (1928-1987) created around 160 paintings together in tandem, “à quatre mains”, including some of the largest works produced during their respective careers. Keith Haring (1958-1990), who witnessed their friendship and collaboration production, would go on to speak of a “conversation occurring through painting, instead of words,” and of two minds merging to create a “third distinctive and unique mind.”

“Basquiat × Warhol. Painting four hands” is the most important exhibition ever dedicated to this extraordinary body of work and brings together more than three hundred works and documents including eighty canvases jointly signed by the two artists. Also featured are individual works by each as well as a set of works by other major artists (Michael Halsband, Keith Haring, Jenny Holzer, Kenny Scharf……) in order to evoke the energy of the New York downtown art scene of the 1980s.

Previews: The New Yorker Magazine – April 10, 2023

A pitcher prepares to throw the ball while the batter the umpire and the catcher all look at their own clocks.

The New Yorker – April 10, 2023 issue:

The Christian Liberal-Arts School at the Heart of the Culture Wars

Ronald Reagan and Margaret Thatcher walking together in Hillsdale College gear.

Conservatives like Ron DeSantis see Hillsdale College as a model for education nationwide.

By Emma Green

Conservative movements to reform education are often defined by what they’re against. At a recent public briefing, the governor of Florida, Ron DeSantis, decried the imposition of critical race theory and mandatory diversity-and-inclusion training at the state’s schools.

The Trump Show Moves to a Courtroom

The Trump Show Moves to a Courtroom

The former President’s campaigns against officials investigating him have supplied Joe Biden with a favored theme: the need to fortify democratic institutions.

By Benjamin Wallace-Wells

Art Exhibitions: ‘HILMA AF KLINT & PIET MONDRIAN – FORMS OF LIFE’ At The Tate

Tate Modern – Explore the powerful work of two groundbreaking modern artists, a unique chance to discover the visionary work of Swedish painter Hilma af Klint and experience Dutch painter Piet Mondrian’s influential art in a new light.

Hilma af Klint The Ten Largest, Group IV No.2, Childhood 1907 Hilma af Klint Foundation

Although they never met, af Klint and Mondrian both invented their own languages of abstract art rooted in nature. At the heart of both of their artistic journeys was a shared desire to understand the forces behind life on earth.

HILMA AF KLINT & PIET MONDRIANFORMS OF LIFE

20 APRIL – 3 SEPTEMBER 2023

Hilma af Klint and Piet Mondrian: Forms of Life by Nabila Abdel Nabi |  Goodreads

Best known for his abstract work, Mondrian in fact began his career – like af Klint – as a landscape painter. Alongside Mondrian’s iconic grids, you will see the rarely exhibited paintings of flowers he continued to create throughout his life. Also on display will be enigmatic works by af Klint in which natural forms become a pathway to abstraction.

Both artists shared an interest in new ideas in spirituality, scientific discovery and philosophy. Af Klint was also a medium, and this exhibition showcases the large-scale, otherworldly masterpieces she believed were commissioned by higher powers.

New Art Exhibitions: ‘Juan de Pareja, Afro-Hispanic Painter’, The New York Met

The Metropolitan Museum of Art Juan de Pareja, Afro-Hispanic Painter (April 3rd – July 16th, 2023) offers an unprecedented look at the life and artistic achievements of seventeenth-century Afro-Hispanic painter Juan de Pareja (ca. 1608–1670).

Juan de Pareja, Afro-Hispanic Painter - The Metropolitan Museum of Art

Largely known today as the subject of The Met’s iconic portrait by Diego Velázquez, Pareja—who was born in Antequera, Spain—was enslaved in Velázquez’s studio for over two decades before becoming an artist in his own right. This presentation is the first to tell his story and examine the ways in which enslaved artisanal labor and a multiracial society are inextricably linked with the art and material culture of Spain’s “Golden Age.”

Diego Velázquez’s portrait of Juan de Pareja (ca. 1608–1670) has long been a landmark of European art, but this provocative study focuses on its subject: an enslaved man who went on to build his own successful career as an artist. This catalogue—the first scholarly monograph on Pareja— discusses the painter’s ties to the Madrid School of the 1660s and revises our understanding of artistic production during Spain’s Golden Age, with a focus on enslaved artists and artisans.

The authors illuminate the highly skilled labor within Seville’s multiracial society; the role of Black saints and confraternities in the promotion of Catholicism among enslaved populations; and early twentieth-century scholar Arturo Schomburg’s project to recover Pareja’s legacy.

The book also includes the first illustrated and annotated list of known works attributed to Pareja. Published by The Metropolitan Museum of Art/Distributed by Yale University Press

Art Exhibition Tour: ‘Philip Guston Now’ In London

National Gallery of Art (March 29, 2023) – What is the duty of an artist? Philip Guston’s answer might surprise you. Philip Guston constantly re-invented his style over the course of five decades.

Philip Guston Now

March 2 – August 27, 2023

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As the world whirled around him, he painted to meet the moment. He captured both simple pleasures of daily life (like eating or driving) and large-scale violence by “bearing witness” to the world with an unflinching look at war, racism, and his own inner demons.

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Explore Selected Works

Martial Memory, 1941
Female Nude with Easel, 1935

The New York Times Book Review – April 2, 2023

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The New York Times Book Review – April 2, 2023:

Guerrilla Gardeners Meet Billionaire Doomsayer. Hurly-Burly Ensues.

Credit…Deena So Oteh

“Birnam Wood,” by the Booker Prize winner Eleanor Catton, is a fast-moving ecological novel and a generational cri de coeur.

Read Your Way Through Edinburgh

Credit…Raphaelle Macaron

Edinburgh calls to readers, its pearl-grey skies urging them to curl up with a book. Maggie O’Farrell, the author of “Hamnet,” suggests reading that best reflects her city.

Arts & Culture: Aesthetica Magazine – April/May 2023

Aesthetica Magazine (April/May 2023) – Inside this issue, we consider identity, relationships and the impact of technology. We discuss the persistence of images and their ability to embed themselves in collective memory in Thomas Demand’s retrospective, 

The Stutter of History. Refik Anadol speaks to us about the relationship between humans and machines, exploring the influence of art and creativity, as we rely more and more on AI to guide us through our lives. What does the future look like in this new world? Should we embrace it or fear it? Also, I am pleased to bring you an overview of this year’s shortlisted artists for the Aesthetica Art Prize 2023.

Memory Investigated

Thomas Demand highlights the fiction beneath attempts to document the truth, questioning the power and responsibility behind art and its maker.

A Sense of Wonder

Gareth Iwan Jones’ fascination with woodland ecocystems inspired enchanting scenes that document the beauty and mystery of forests.