Not every workplace features a guillotine. At a book conservation lab tucked beneath the first floor of the Metropolitan Museum of Art, the office guillotine might as well be a water cooler ora file cabinet for all that it fazes the staff. “We have a lot of violent equipment,” said Mindell Dubansky, who heads the Sherman Fairchild Center for Book Conservation.
The Week In Art Podcast (April 19, 2024): We are back in Venice for the latest edition of the biggest biennial in the world of art. The 60th Venice Biennale comprises an international exhibition featuring more than 300 artists, dozens of national pavilions in the Giardini—the gardens at the eastern end of the city—and the Arsenale—the historic shipyards of the Venetian Republic—and host of official collateral exhibitions and other shows and interventions across Venice.
The Art Newspaper’s contemporary art correspondent, Louisa Buck, editor-at-large Jane Morris and host Ben Luke review the international exhibition, Foreigners Everywhere/Stranieri Ovunque, curated by the Brazilian artistic director, Adriano Pedrosa. We talk to artists and curators behind five national pavilions—Jeffrey Gibson in the US pavilion, John Akomfrah in the British pavilion, Romuald Hazoumè in the Benin pavilion, Gustavo Caboco Wapichana, the curator of the Hãhãwpuá or Brazilian pavilion, and Valeria Montii Colque in the Chilean pavilion—about their presentations.
And we like to end our Venice specials by responding to an example of the historic work that made la Serenissima one of the world’s great centres for art. So for this episode’s Work of the Week, Ben Luke gained exclusive access to one of the most significant paintings in Venetian history: the Assunta or Assumption of the Virgin made between 1516 and 1518 by Titian. Since the last Biennale in 2022, the Assunta has been unveiled after a four-year conservation project, funded by the charity Save Venice. We spoke to the man who restored this incomparable masterpiece, Giulio Bono, right beneath Titian’s painting.
The New Yorker (April 15, 2024): The new issue‘s cover featuresAna Juan’s “Clickbait” – The artist captures the mesmerizing—and distracting—glow of modern entertainment.
Can the World Be Simulated?
Video-game engines were designed to closely mimic the mechanics of the real world. They’re now used for movies, TV shows, architecture, military trainings, virtual reality, and the metaverse.
Richard Goodwin, an adviser to presidents, “was more interested in shaping history,” she says, “and I in figuring out how history was shaped.” Their bond is at the heart of her new book, “An Unfinished Love Story: A Personal History of the 1960s.”
THE NEW YORK TIMES BOOK REVIEW (April 5, 2024): The latest issue features Stephen King’s first novel, “Carrie,” published 50 years ago. The Book Review editors weren’t sure what to do with it, so they handed it to their mystery columnist, Newgate Callendar. He called it “brilliant” but conceded, “Maybe, strictly speaking, it is not a mystery.” Still, he added, “That this is a first novel is amazing. King writes with the kind of surety normally associated only with veteran writers.”
“Carrie” was published in 1974. Margaret Atwood explains its enduring appeal.
By Margaret Atwood
Stephen King’s “Carrie” burst upon an astonished world in 1974. It made King’s career. It has sold millions, made millions, inspired four films and passed from generation to generation. It was, and continues to be, a phenomenon.
“Carrie” was King’s first published novel. He started it as a men’s magazine piece, which was peculiar in itself: What made him think that a bunch of guys intent (as King puts it) on looking at pictures of cheerleaders who had somehow forgotten to put their underpants on would be riveted by an opening scene featuring gobs of menstrual blood? This is, to put it mildly, not the world’s sexiest topic, and especially not for young men. Failing to convince himself, King scrunched up the few pages he’d written and tossed them into the garbage.
As “Carrie” turns 50, George R.R. Martin, Sissy Spacek, Tom Hanks, the Archbishop of Canterbury and others recall the powerful impact the writer’s work has had on their lives.
Tom Hanks
Actor, “The Green Mile”
In the late ’70s the image of Carrie covered in blood at the high school dance was already part of the national narrative — in a fun way. Struggling to afford the rent and the diapers while navigating those first years of a creative journey in the big city, I had not seen the movie nor read the book. Then a copy of “The Stand” was being gobbled up by our gang — read in a fever pitch on every subway ride and first thing in the morning. Once done, the copy was passed along to the next pair of eyes and promptly devoured.
The reawakening of Nature has inspired artists from Botticelli to David Hockney and beyond. Michael Prodger revels in the artistic beauty of the season
Prepare to be a-maze-d
Few can match the twists and turns of Adrian Fisher’s stellar career. Deborah Nicholls-Lee meets the maze designer behind the chilling climax of Saltburn
London Life
Tianna Williams visits a Scottish corner of the capital
Need to Know has all the latest happenings
William Sitwell welcomes back the big business lunch
Richard MacKichan joins the Noisenights crowd
The icing on Nature’s cake
Poet Laureate Simon Armitage celebrates an annual explosion of pink and white blossom with excerpts from his new book
The legacy
Kate Green on how Sir Joseph Banks sowed the seeds of Kew
Leading by example
In the second of two articles, John Goodall puts the spotlight on the superb school buildings of Lancing College, West Sussex
Little April showers
Discover why a thunderous start to the month suggests a good harvest as Lia Leendertz delves into the weather lore of spring
Interiors
Green is the natural choice for a kitchen, as Amelia Thorpe and Arabella Youens discover
A garden from scratch
Caroline Donald marvels at the rapid transformation of the charming seven-acre garden at Charlton Farm in Wiltshire
Kitchen garden cook
Melanie Johnson puts British asparagus — a verdant harbinger of spring — back on the menu
Travel
Camilla Hewitt raises a glass to Cognac
Richard MacKichan explores the Alps in summer
Hetty Lintell falls in love with Mallorca
Pamela Goodman is in awe of the Alhambra
Gen Sir James Everard’s favourite painting
The president of the Army Bene-volent Fund chooses a wonderful depiction of the Battle of Waterloo
Déjà vu all over again
Carla Carlisle attempts to sort the tragedy from the farce in the baffling world of modern politics
Get the London look
Matthew Dennison charts the rise and fall of fashion label Biba
The good stuff
Mesmerising opals are having a moment — Hetty Lintell dives in
The New Yorker (April 1, 2024): The new issue‘s cover features Pascal Campion’s “Into the Light” – The artist depicts stepping out of the subway into the overwhelming glow of the city.
When Leah started dating her first serious boyfriend, as a nineteen-year-old sophomore at Ohio State, she had very little sense that sex was supposed to feel good. (Leah is not her real name.) In the small town in central Ohio where she grew up, sex ed was basically like the version she remembered from the movie “Mean Girls”: “Don’t have sex, because you will get pregnant and die.”
It’s now thought that they could illuminate fundamental questions in physics, settle questions about Einstein’s theories, and even help explain the universe.
Black holes are, of course, awesome. But, for scientists, they are more awesome. If a rainbow is marvellous, then understanding how all the colors of the rainbow are present, unified, in ordinary white light—that’s more marvellous. (Though, famously, in his poem “Lamia,” John Keats disagreed, blaming “cold philosophy” for unweaving the rainbow.) In recent years, the amount of data that scientists have discovered about black holes has grown exponentially. In January, astronomers announced that the James Webb Space Telescope had observed the oldest black hole yet—one present when the universe was a mere four hundred million years old. (It’s estimated that it’s now 13.8 billion years old.) Recently, two supermassive black holes, with a combined mass of twenty-eight billion suns, were measured and shown to have been rotating tightly around each other, but not colliding, for the past three billion years. And those are just the examples that are easiest for the public to make some sense of. To me, a supermassive black hole sounds sublime; to a scientist, it can also be a test of wild hypotheses. “Astrophysics is an exercise in incredible experiments not runnable on Earth,” Avery Broderick, a theoretical physicist at the University of Waterloo and at the Perimeter Institute, told me. “And black holes are an ideal laboratory.”
News, Views and Reviews For The Intellectually Curious