Tag Archives: Art

Podcast: Historian Mary Beard On Emperor Nero

This week: Mary Beard on Nero, one of the most infamous Roman emperors. Was he the sadistic murderer of legend, the emperor who fiddled as Rome burned, or has he been a victim of spin and myth? 

As well as getting Mary’s take on this infamous figure and Nero: the man behind the myth, the exhibition about him that’s just opened at the British Museum in London, Ben Luke also talks to the exhibition’s curator Thorsten Opper.

Also this week, as the first London Gallery Weekend begins—with 140 galleries from Mayfair to Mile End taking part—The Art Newspaper‘s editor-at-large Georgina Adam speaks to Jeremy Epstein, co-founder of Edel Assanti gallery and one of the founders of London Gallery Weekend initiative. And in this episode’s Work of the Week, we talk to the artist Nina Katchadourian about a very personal piece of embroidery, created by her adopted grandmother, which has inspired a new work by the artist in her show at Pace in New York.

Art Exhibitions: ‘Cézanne Drawing’ – MoMA (Video)

Best known as a painter, Paul Cézanne (1839–1906) produced some of his most radically original works on paper. Cézanne Drawing brings together more than 250 rarely shown works in pencil and kaleidoscopic watercolor from across the artist’s career, along with key paintings, that together reveal how drawing shaped Cézanne’s transformative modern vision.

Learn more: https://www.moma.org/calendar/exhibit…

International Art: Apollo Magazine – June 2021

FEATURES | Peter Blake interviewed by Martin GayfordHarry Pearson on art at the Olympics; Alexander Röstel goes in search of Bernardo Bellotto in Dresden; Rebecca Ann Hughes on troublesome tourists in ItalyChristina J. Faraday on ‘speaking pictures’ in Renaissance England

REVIEWS | Kristina Wilson on American folk art in Boston; Jennifer Mass scrutinises Guernica online; Xavier F. Salomon on Kraków’s royal tapestries; Tom Stammers on Marie Antoinette’s dairy; Daniel Trilling on the Benin Bronzes; Francesca Wade on Clive Bell; Alexander Marr on baroque swagger; and Damian Thompson on John Pawson’s cookbook

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Art & Architecture: ‘The Pinault Collection’ – Paris

French billionaire François Pinault is not only one of the richest men in the world, he’s also an art collector of international renown. Now, he’s opening a museum for contemporary art in Paris. The new palace of art is located inside the former Bourse de Commerce, which has been redesigned by star architect Tadao Andō.

Artwork: ‘Flowers In A Terracotta Vase’ By Jan Van Huysum (1682-1749)

Lucy Chiswell, the Dorset Curatorial Fellow, explores Van Huysum’s ‘Flowers in a Terracotta Vase’ in ten minutes.

Jan van Huysum, also spelled Huijsum (15 April 1682 – 8 February 1749), was a Dutch painter.

Artworks: Andy Warhol’s ‘Marilyn Monroe’ Of 1962

Andy Warhol created his first painting of Marilyn Monroe in 1962, in the wake of the American movie star’s sudden death at the age of 36. Tragedy, and its portrayal in modern mass media, fascinated Warhol; at the time of Monroe’s death, the artist was enmeshed in his Death and Disaster series, an exploration of gruesome images found in newspapers and magazines. Monroe’s death pushed the narrative of tragedy and celebrity one step further, and in it Warhol found inspiration for arguably the most important suite in his oeuvre. Dating from 1967, Marilyn Monroe is a complete portfolio of ten screen prints, each produced in a different combination of intense, flat colors. This portfolio, which comes from the estate of Barbara Spiegel Linhart, who purchased the works from David Whitney in 1969, is the best possible example of this important set of screenprints, and is a highlight of Sotheby’s Contemporary Art Evening Sale this May.

Art: ‘Jeune Fille en Bleu’ By Amedeo Modigliani (1919)

Painted in 1919 after the artist fled Paris for the south of France, ‘Jeune Fille en Bleu’ is one of the finest works from the penultimate year of Amedeo Modigliani’s life. In this episode of Expert Voices, Sotheby’s Senior Specialist Simon Stock explains how the search for new subjects in this new location saw Modigliani depicting informal models found in local bars and shops. This portrait captures the serenity of the young girl sitter and we see all the recognisable traits of Modigliani’s late work: the simplified human form, the elongated neck and the vacant eyes.

Amedeo Clemente Modigliani was an Italian Jewish painter and sculptor who worked mainly in France. He is known for portraits and nudes in a modern style characterized by a surreal elongation of faces, necks, and figures that were not received well during his lifetime, but later became much sought-after.

Morning News Podcast: Ireland Reunification & Diplomacy, Art Immersion

The province’s largest party aligned with Britain has lost its leader; in the 100 years since the island was split it has rarely seemed so close to reuniting. Diplomacy, as with so much else, had to go online during the pandemic—and emerged more efficient and inclusive than many expected. And how art-lovers are getting ever more fully immersed

Cocktails with a Curator: Whistler’s “Lady Meux”

In this week’s episode of “Cocktails with a Curator,” Curator Aimee Ng explores the turbulent life of the woman portrayed in James McNeill Whistler’s serene “Harmony in Pink and Gray: Portrait of Lady Meux,” currently on view on the fourth floor of Frick Madison. A former bartender and actress, Lady Meux was shunned by London polite society even after she married Sir Henry Bruce Meux, heir to a huge brewery fortune. This week’s complementary cocktail is a refreshing Mummy, a nod to her extensive collection of some 1,800 Egyptian and Assyrian objects, including an infamous mummy of Nesmin.

To view this painting in detail, please visit our website: https://www.frick.org/ladymeux

Cocktails With A Curator: Francesco da Sangallo’s ‘St. John Baptizing’ (Video)

In this week’s episode of “Cocktails with a Curator,” Deputy Director and Peter Jay Sharp Chief Curator Xavier F. Salomon focuses on Francesco da Sangallo’s “St. John Baptizing,” which can be found at the very center of the third floor of Frick Madison. Commissioned in the 16th century for a church in the Tuscan town of Prato, the bronze statuette has been installed atop a facsimile of the marble holy water font on which it was originally displayed, allowing visitors to see it as it was meant to be viewed. This week’s complementary cocktail is the White Negroni, a modern twist on a classic Florentine cocktail.

To view this painting in detail, please visit our website: https://www.frick.org/sangallobaptizing