This video takes an in-depth look at Monet’s approach to painting in series, an approach that consumed his later years. From stacks of wheat in the French countryside to sites of foggy London to water lilies at his home garden in Giverny, Monet painted beloved subjects again and again, depicting changing light and atmospheric conditions in works that captivate us still today. New scientific discoveries, however, reveal that Monet’s genius goes well beyond what we see on the surface.
Tag Archives: Art History
Cocktails With A Curator: Vermeer’s “Mistress And Maid” (The Frick Video)
In this week’s episode of “Cocktails with a Curator,” Curator Aimee Ng pulls back the curtain on hidden details in “Mistress and Maid,” the largest of the Frick’s three Vermeer paintings and Henry Clay Frick’s final acquisition for his collection. Take a closer look at the rumpled tablecloth, the lady’s wispy curls, and the dark background to understand how this mysterious work has changed since Vermeer applied paint to canvas in the mid-17th century. For this week’s complementary cocktail, the Genever Brûlée, Aimee has dipped into the bottle of genever she featured in her summer episode on Vermeer’s “Officer and Laughing Girl.”
To view this painting in detail, please visit our website: https://www.frick.org/mistressmaid
Art History: Jacqueline Roque – “Picasso’s Great Love, Wife & Muse” (Video)
In this episode of Expert Voices, Brooke Lampley describes Pablo Picasso’s remarkable love affair with Jacqueline Roque. A classically beautiful portrayal, Picasso married Rocque in 1961 – leading her to be an omnipresent constant in his life.
Painting: Buste de femme assise
Art: Michelangelo’s Sculpture ‘David’ & The Republic Of Florence
Michelangelo, David, 1501–04, marble, 17 feet high (The Galleria dell’Accademia, Florence), a conversation with Dr. Steven Zucker and Dr. Beth Harris.
This astonishing Renaissance sculpture was created between 1501 and 1504. It is a 14.0 ft marble statue depicting the Biblical hero David, represented as a standing male nude. Originally commissioned by the Opera del Duomo for the Cathedral of Florence, it was meant to be one of a series of large statues to be positioned in the niches of the cathedral’s tribunes, way up at about 80mt from the ground. Michelangelo was asked by the consuls of the Board to complete an unfinished project begun in 1464 by Agostino di Duccio and later carried on by Antonio Rossellino in 1475. Both sculptors had in the end rejected an enormous block of marble due to the presence of too many “taroli”, or imperfections, which may have threatened the stability of such a huge statue. This block of marble of exceptional dimensions remained therefore neglected for 25 years, lying within the courtyard of the Opera del Duomo (Vestry Board).
Cocktails With A Curator: Lawrence’s ‘Lady Peel’
In this week’s episode of “Cocktails with a Curator,” Curator Aimee Ng explores the history behind Sir Thomas Lawrence’s celebrated portrait of Julia, Lady Peel. When it was shown at the Royal Academy, in 1827, this painting was hailed as Sir Thomas’s greatest portrait—and one of the great works of modern art at the time.
It’s easy to see why: the sitter projects authority, confidence, and ease despite her flamboyant, over-the-top outfit. Sir Thomas’s depiction of Lady Peel is closely related to Peter Paul Rubens’s famous “Chapeau de Paille,” which had recently entered the collection of her husband, Sir Robert Peel. In recognition of the lavish bracelets and rings worn by the sitter, this week’s complementary cocktail is the Bijou (French for “jewel”).
To view this painting in detail, please visit our website: https://www.frick.org/ladypeel
Art & Jewelry: The Ancient Engraving Of The ‘Cameo’
This intricately delicate cameo features a very detailed story of the prophet Elijah ascending to heaven. In this episode of Sotheby’s Stories, discover how this delightful miniature work of art is part of a very small group of rare cameos which feature Hebrew inscriptions. Learn how it was crafted by Jewish artisans in the court of a 13th century Holy Roman Emperor.
Art: ‘Autumn Rhythm’ – Jackson Pollock (Video)
Autumn Rhythm (Number 30) is a 1950 abstract expressionist painting by American artist Jackson Pollock in the collection of the Metropolitan Museum of Art in New York City. The work is a distinguished example of Pollock’s 1947-52 poured-painting style, and is often considered one of his most notable works.
Art History: ‘Watercolor In The Renaissance’ (Video)
Focussing on the three types of object featured in the V&A display Renaissance Watercolours: illuminated manuscripts, portrait miniatures and coloured drawings, this film showcases the qualities that made watercolour the medium of choice for many artists during the Renaissance.
A modern-day painting of a pomegranate, using traditional watercolour techniques, by artist Lucy Smith, also demonstrates how watercolour painting remains a versatile medium, ideal for capturing life-like details that help us to record our diverse world.
Video Profiles: American Conceptual Painter Lee Lozano (1930-1999)
Jo Applin gives an insight into both Lee Lozano’s life and her work, contextualizing her practice and highlighting her response to the constraints of constitutional systems, gender dynamics, power, money, and politics.
Created in 1962–1963, the early paintings and drawings on view at Hauser & Wirth Somerset use airplanes as a central image and can be considered as examples of the artist’s passionate exploration of creative energy in its purist form. This focused body of early work exposes a complex and deeply intimate inner life grappling with one-sided gender and societal dichotomies, while other works display a form of ferocious humour and playfulness, exploiting the rhetoric of exaggeration to its most cogent effect.
Her raw expressionist brush strokes create powerful works imbued with a very personal iconography, including genitals, religious symbols, tools and body parts. Lozano’s short lived but influential career remains a source of fascination, lauded by Lucy Lippard as the foremost female conceptual artist of her era in New York. Jo Applin is author of ‘Lee Lozano: Not Working’ and ‘Eccentric Objects: Rethinking Sculpture.’ She teaches modern and contemporary art at The Courtauld Institute of Art in London.
Profiles: ‘J.M.W. Turner’ – Romanticism’s Greatest Painter (1775 – 1851)
Joseph Mallord William Turner RA, known contemporarily as William Turner, was an English Romantic painter, printmaker and watercolourist. He is known for his expressive colourisations, imaginative landscapes and turbulent, often violent marine paintings.
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